779 ロイヤリティフリー オーディオトラック の "モジュラー"

Bass sound processed in abelton live. Overdirive @ 91%, auto-filter set a certain way, then a nice erosion modulating up and down. Hope you like, enjoy.

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Drones made with an analog modular synth. The drones are generated by a generative patch.

Trying to create a not totally correct entropical paradise patch in vcv-rack.

A minimal drone. Might need some eq-ing. The frequency analysis reveals an extreme graph. A both extreme and minimal sound. Will anybody download it?.

In my bag i have had this little not with a patch on. Today it was time to patch it. I dont know why i once draw it down. If its supposed to be a part of a bigger patch. . . This is the result. Noise.

Okay i have to find the cycles. The start of a cycle is where the oscillator play in (about) unison. One cycle begins at 1:22. 82. Does it end at 1:57. 35?i might create a track called "selfie in three cycles". . .

Atonal modular synth melody.

A sequence in a minor. Spring reverb feedback. Filter sweeps controlled by nlc sloth. I'm not using a sequencer. There are other was to obtain a sequence on a modular synth.

5 minutes of chaos. Never the same. Nonlinearcircuits jerk off (a discontinued jerk circuit module) and genie playing a song for you. Or controlling. Creating. Composing. Whatever. . . Nobody will ever be able to recreate this. Not exactly. This is unique.

Semi-generative analog synth sequence (with delay) in random keys. One of a set (a - h). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Patch notes:matriarch self-patched & sequenced by noodleboxminimal post-processing in live.

Sound made on modular synth.

A recording. . . It's up to you to "master" it. Use it. Make it worth. Peace.

Three partsfirst part 11 tones and 4ssecond part 4 tones and 3s (a little unstable sequence. . . )third part 8 tones and 12s. Question. Do i need a modular synth for making meanless things as this. . . Well, yes and no. The parts are related in different ways and theunstableness is nice. Or?all three sequences are made in different ways.

Random glitches and oscillations. Pick a random part of the session and play with it. Created with clavia nord modular. [internal filename] 2010 - faust 2. A se, animal electricity (nord),, rec (117). Wav.

One more recording today. Using chaos! yep! this time the logistic equation. But my r is constant.

A synth riff i'm making for a goa song i'm working on. This is at 135 bpm and the notes are f, c#, c, b, g#, used the poizone in fl studio, pulse wave with pw modulating, and with a nic portamento. Enjoy and spread ohm through goa.

Small but nice drone patch. Will try to replicate it on my physical modular.

Recorded a patch that generates blippy swooshy and clicky etc sound effects. The sound file is straight from the modular. You do the post editing. There must be some noises in here that is useful. . . ?.

A rare combination?.

Patch with dynamics and variation - or should i call it variations? anyway,working on how to create variations and dynamics in a generative modular patch. I like the silence. . . It sounds like the electronic music of the 60th. I use the same kind of tools. An analog modular synth.

the krell patch was conceived by fab wiggler vgermuse, who can be found in the buchla forum!(dcramer, muffwiggler. Org). This is some sort of krell-ish patch. But i don't have an envelope generator with eoc function. . .

Sounds generated by a generative patch on my modular synth. Cool, isn't it? loads of samples to find here.

Patch consiting of- jupiter storm- jerkoff- filter- 2 x lfo- mixer- (spring reverb). Jupiter storm and jerkoff is in a "weak feedback loop". . . Purpose with patch is to evaluate the quality of the generative sounds/musicit will never repeat it self but there is some cyclic repetitionone cycle is about 50 sec - goodonly short sounds - badamplitude variation - badpitch variation - goodtimbre variation - okaymusical value - low to mediumentertaining - medium.

Electronic minute no 30 - 8 tones and tempo change. A patch centered around intellijel quadra + expanderim using the quadra modea sloth lfo is affecting the rise on one envelope generatorjoined eoc triggers sequencera slew, filter and some fm-generated vibratoand i patch up a pan fuctionyou know lfo + two vcas + and inverter. . . I want a vc pan moduleits on my lista little spring reverb as always. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - controlled by sequencertimbre variation - some, via filtermusical value - maybeentertaining - hmm. . . Interesting.

A little modular patch generating dark drums.

Three part modular uncomposition. Or call it a patch driven by a mix ofchaos and order. Perfect as annoying sound. . . Made with a analog modular synth. The reverb is a spring reverb.

This sound/track is made with a modular synth and a zoom ms-70cdrwith spacehole reverb and stereocho chorus effect. The music is a patch controled by some random andlfos. I'm not interfering at all.

Suddenly you realize that you have made a patch that sounds strange. . . But that okay!.

A modular synth experiment. 1 - noise/vclfo/slew - the brighter sound2 - noise/vcf - the bassy soundx - the bass drum is very unrandom. 5 minutes of random. . .

No, i cant really describe what this is! but i use a ring modulator. Two audio signals goes in. I guess the side band frequencies goes out??? or?! anyway the original frequencies are also in the mix. So, two audio signal and the result from a diy ring mod. Have to learn more. . . Read below!!! in this sound you are listening to, the result, the ring modulation, carrier signal and modulator signal. After some research. . . I write this for myself. . . Correct me if i'm wrong!!!from youtube (audiocollage)ring modulation is the sum and the differences of the carrier and modulator signal. Feed the ring modulator with 261,626hz and 391,995hz and you get (261,626 + 391,995) 653,621hz and (391,995 - 261,626) 130,369hz. From wikipedia". . . Neither the carrier nor the incoming signal is prominent in the outputs, and ideally, not at all. "". . . In the basic case where two sine waves of frequencies f1 and f2 (f1 < f2) are multiplied, two new sine waves are created, with one at f1 + f2 and the other at f2 – f1. The two new waves are unlikely to be harmonically related and (in a well-designed ring modulator) the original signals are not present. It is this that gives the ring modulator its unique tones. ". Above is true when using pure sine waves! waves with no harmonics. I have a passive diy ring modulator. I guess it's not acting "perfect". . .

Yes! så nöjd att detta ljud hände, typ! let me take this info in swedish, okay. Buchla style slow krell. En modulerande osc och en som moduleras, men man hör bägge i mixen! ena osc går via en lpg den andra via vca/mix. Till det "skrynkliga" ljudet använder jag en pip slope modulerad av jerkoff och sloth. Ljudkällan är en sinus som går via en lugnt modulerad wave shaper. En envelope follower plus sloth ger en trg till en s/h ibland och då byts tonen. Skrynkelljudet går även till mitt analoga delay. Tonen är även liiite modulerad av en env. Ganska west coast och buchla. . . Google translate :-)buchla style slow krell. A modulating osc and one that is modulated, but you can hear both in the mix! ena osc goes via a lpg the other via vca / mix. To the "creepy" sound i use a pip slope modulated by jerkoff and sloth. The sound source is a sine that goes through a quietly modulated wave shaper. An envelope follower plus sloth gives a trg to an s / h sometimes and then the tone changes. The cry sound also goes to my analogue delay. The tone is also liiite modulated by an env. Pretty west coast and buchla. . .

I made this impossible beathttps://freesound. Org/people/gis_sweden/sounds/431437/but timbre managed to cut out a nice loophttps://freesound. Org/people/timbre/sounds/431456/i almost like my sound. . . Great job timbre!!!tried to add some drums in audacity. The beat is about 148bpm. Deleted_user_38815 had a 148bpm beathttps://freesound. Org/people/deleted_user_38815/sounds/52892/not perfect but still a loop. . .

Yep, i'm reading alen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4. I will try to do about the same on my modular.

Yep, i'm reading allen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4.

Excerpt from longer krell patch recording.

I record my modular synth performing. I select parts - silence to silence - under 30 seconds. Machine composition - human selection. Warning this is very electronic. . . I'm patching up quantussy cells to make this. Much work for. . . What?.

Preparing my self. . . Compressor and limiter in audacity.

Not just a patch! i'm actually wiggling during the recording. New for me. . . Very electronic. Minimalism. Unedited recording.

It's monday and the krell is angry. This is a version of the krell patch. Analog modular synth doing it's thing.

Machine composed electronic music - or experimental generative atonalelectronic music made with an analog modular synth. Some results from two machine composition recording sessions. The modular is a machine. I compose the patch. The modular/machine composes the music. I don't want to call it auto composition, algorithmic compositionor generative. This is machine composition!. Track list1) känner igen2) form3) nästan 194) symetri5) växlingar. Https://www. Youtube. Com/watch?v=xhv0rkdjzg0.

Some sound fx made with modular synth. Could be useful at drum sounds or game sounds. The sounds are unedited and you have to cut em out you self. Sounds a little 8-bit. . . The reason are they are generated from square waves.

Really simple patch. Cv from nlc sloth to quantizer (doepfer a-156), via attenuverter. Triggers from doepfer a-160(161). But a tone is only generated if there is a change in cv from sloth. Its not 100% generative :-) first there is no cv connected to the oscillators. I connect them one at a time. The noise is also controlled by the same sloth. The analog delay is connected to barton musical circuits (bmc) 4 quadrant multiplier and panner acting as a panner, controlled by nlc jerk off (still a sick name on a great module). The ehh drum sound is generated by bmc decaying analog noise.

Starting into the modular-world of eurorack. Fascinating electronics!. Feel free to use it and send me a link of what you did with it, if you want. Thanks!.

Starting into the modular-world of eurorack. Fascinating electronics!. Feel free to use it and send me a link of what you did with it, if you want. Thanks!.

Starting into the modular-world of eurorack. Fascinating electronics!. Feel free to use it and send me a link of what you did with it, if you want. Thanks!.

A hi-hat sound i made using voltage modular ignite.

Trying to find some nice sounds on my modular. Playing around. . . All modular. The bass drum is a filter "plopp".

Electronic loop for you.

A short loop extracted from a loooong jam with my modular. The sound is processed in audacity. Have fun!.