779 ロイヤリティフリー オーディオトラック の "モジュラー"

Thought i wanted to explore fm-modulation a bit further. The sound is going through my ladik reverb. The vco i'm fm-modulate is the intellijel μvcf. A filter really. . . No editing in audacity. This is the result. Sorry for long sound. . .

A funny patch i made on my little modular. Unedited sound file. I'm creating tones with a clock divider and a mixer. I insert a little chaos in to the tone sequence. Constantly changing "melody". And the bass is connected to the melody. . .

Yeah! more sounds made with jupiter storm! oh yes and a feedback loop too. We are approaching jupiter - the magnet storms are haunting our radio.

Drum sound made with analog modular synth. Mono sounds. No effects.

Drum sound made with analog modular synth. Mono sounds. No effects.

Drum sound made with analog modular synth. Mono sounds. No effects.

Drum sound made with analog modular synth. Mono sounds. No effects.

Drum sound made with analog modular synth. Mono sounds. No effects.

Drum sound made with analog modular synth. Mono sounds. No effects.

This piece is controlled by attenuated noise. It has a pulse. Slow, but a pulse. Natural start and end. No editing.

A drone with jupiter storm and function in some sort of feedback patch with injected cv from sloth - always sloth. . .

Pattern 3 w 3 x cvlfo-motorthe pattern is here: https://www. Instagram. Com/p/bmtfta5ajfh/?taken-by=gis_sweden.

Pattern 4 increase/decreasethe pattern is here: https://www. Instagram. Com/p/bmyofl8gjlz/?taken-by=gis_sweden.

Pattern 5 seaweed. Long. Some low frequencies. The pattern is here: https://www. Instagram. Com/p/bmluh8vajro/?taken-by=gis_sweden.

A little something i made on my modular. The sound is a little edited in audacity.

Yep, i'm reading alen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4. Changed pitch on one osc and added some drums. Some editing in audacity compressor and limiter.

Algorithmic drone music program. The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem osc_1 - wave shaped sin oscillator (osc) - tuned to 130hz00 rem osc_2 - clean sin from oscillator - tuned to 130hz00 rem osc_3 - sqr from oscillator through filter - osc tuned to 130hz00 rem clk speed = 0. 5 hz00 rem line 01 each of the 3 vcas gets an unique cv value ([gate] -> [3 s/h] -> [3 vca])00 rem ---------------------------------------------------01 sample values for vca (cv in) x 3 (osc_1, osc_2, osc_3)02 sample frq for osc_103 sample frq for osc_204 sample new clk speed05 sample frq for vibrato in osc_106 sample frq for osc_307 env to all vca08 sample cv for (osc_3) filter10 goto 01. When i begin the recording the program has been running for a while.

Same patch as in electronic minute no 226 and 227 but on my real modular. I'm using a filter. Thats why i call this version subtractive. I'm subtracting harmonics from a square wave. Why are 226 blue? probably because i did it at work. . . Listening in bad earbuds. Makes you rise the bass. Lets see if i can make this wave ble at the end! i will slowly fade out the vco with high pitch. At the very end i'm switching the synth off.

Same patch as in electronic minute no 226 but on my real modular. I'm using a wave folder. Thats why i call this version additive. I'm adding timbre to a sinus wave. I will do an subtractive version next.

A krell patch and short sample and hold tones. Okay even the krell gets pitch cv from a sample and hold. The short sample and hold tones are panned with help of chaos. I use two nlc sloth lfos to control the panning. The speed of the short sample and hold tones are controlled by two mixed lfos from bmc 2lfosh. Reverb from spring reverb and delay from an anlog delay stomp box. Please suggest some tags i should have used. . . !.

Hum.

Analog modular synth generative nonsense.

Chaos controlled sounds from an analog modular synth.

A patch around the build of a complex wave form. Creating an interesting timbre is challenging and fun. I have not tried but i think this sound will loop well!.

I'm bubbling away with my modular.

3 chain connected looping envelopes slowly finding a rhythm. At the start of the recording i set the tree envelopes at random loop length. Slowly they work their way to a more simple rhythm. Why? at about 2 minutes the rhythm is rather short phrase.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

In this patch i’m using doepfer a-160 clock divider as a sub bas generator. Square wave out from doepfer a-110 to trig in on a-160. I guess a square wave makes it easier for a-160? /4, in this patch, out to uvcf. The sawtooth from a-110 to another nice filter - the wasp filter. The transient modules 8s sequencer gives us an 8 note sequence. A copy of the sawtooth melody is going to an analog delay stomp box from joyo and back to the synth. Some reverb from a-199 sprv, spring reverb. Https://www. Youtube. Com/watch?v=ssrlq42phvi.

Sample of the doepfer a-110-1 triangle output. Here's a link to the module: http://www. Doepfer. De/a110. Htm. Captured using a rme babyface and cubase.

Noise beat made with modular.

Created by anthony baldino for use in the make noise morphagene. "somehow making electronic music lead me to creating trailer music and sound design so it seemed fitting to make reel with a wide array of sounds from both types of music. This reel includes repurposed and re-mangled sounds that inspired music and sound design that have found their way into such trailers as interstellar, jurassic world , alien covenant, suicide squad, star wars: rogue one and others as well as glitchy beats and ambiences from upcoming electronic releases. In this reel you'll find impacts, processed orchestra, synth ambiences, modular beats and other noises that will hopefully inspire morphagene users to explore new music of their own. " - anthony baldino.

No, it's not beautiful but its a generative feedback patch.

Simple techno loop made on analog modular synth. I use a boss bd-2 as driver to add some character to the sound.

Was playing with my modular. I had to rush away from the synth. By accident i happened to record 22 minutes. I give you 5 minutes of that accidental recording.

This is a strange sound. Was testing something. Recorded.

Made on my modular. . .

Started with me playing with doepfer a-146-2 as gate delay. Went on using it as a wave shaper. Went on and on. . . It's not a very big patch. But the outcome is nice. It's a mix of chaos and random. Yes i'm using jerk off and sloth. Analog modular synth fun.

Electronic minute no 27 - combined forces. A patch with 2 unrelated patchesthey share an lfo. . . A) 2 lfos playing with a-101-1 vactrol vcfthe filter is feed with a square wave. B) a more advanced patchtriggers from env. Follow. Feed with cv from jerkoff (chaos)noise to a slew controlled by a sloth lfos/h to oscosc to vcathe vca is controlled by the same lfo as the slew but inverted!. Evaluation of patch/soundone cycle is - cycles? about 1min - goodonly short sounds - no, and thats goodamplitude variation - fairly goodpitch variation - yes, goodtimbre variation - not bad at allmusical value - i should consider this musicalentertaining - think so, yes.

Experimenting with jupiter storm as clock divider. A clock divider controlled with a fluctuating cv. Using a slew as a "brake". . .

These are different sounds in the morphagene reel format.

After 2h and 15min. Excerpt.

Loop of a sequence created with the moog matriarch.

Again polyrhythmic. . . But slow. Exploring with ring modulation.

A machine composition recording2 voices.

I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency low. That’s why there is a low humming wind noise between the “tops”. The output sound from filter goes to reverb. The sound is more a study of sloth behavior than an attempt to create a great wind sound.

Almost christmas. We celebrate the 24th in sweden, you know. I got inspiration to make a drone from "sparood". I have much to learn in this field. . . . I had to try.

Took a small portion of my sound https://www. Freesound. Org/people/gis_sweden/sounds/349029/slowed it. Applied paulstretch. Slowed it again. Got this drone.

. . . But i recorded this. I recorded the sound to celebrate my first stereo patch. Yep, now i have squeezed in three mixers and will be able to make stereo effects on my modular.

Modular synth patch where two envelopes are involved in a chase. There could have been a rhythm, but i let chaos disturb theharmony. The square wave sounds are "distorted" in a wave rectifier. The kind of patch only an owner to a modular synth findany interest in?do you find any use for some part of this sound let me know!the "ground/root pith" is 122hz. . . Almost a b. . . But not really. I tune my oscillators without caring about "real" tones. The quantizer makes the steps between tones.