1,761 ロイヤリティフリー オーディオトラック の "モジュラー"

Ducking with modular synth. Or lets call it audio puzzle. If you dl the file you see what i mean.

Cool sounds from filter. The two filters filter a tri-wave. The filters are almost self oscillating and are modulated by an lfo. Natural tones. And some spring reverb and analog delay.

An unsilent patch to celebrate that my spring reverb now is silent - when i want it to be silent. Spring reverbs can be sensitive to electricity. No my spring tank is hidden away!.

Bacteria music made with modular synth.

Created and formatted for the make noise morphagene, this reel is divided into three sections with like sounds clustered together for ease of navigation. The first group of splices are glitchy, percussive, experimental, modular snippets. The middle third consists of melodic and chordal washes. The final cluster is a series of field recordings taken from a recent trip to beirut, lebanon, with a cut up inspired splice at the very end. Collectively, i hope this sonic material will inspire the user to mangle, manipulate, and deconstruct to taste.

Sample and hold fun :-).

Using modules through analog heat. Have fun with it, make music, make sounds.

Using modules through analog heat. Have fun with it, make music, make sounds.

I've created this sample with voltage modulare. It's a pink noise with some spring reverb the note that i've played is a g.

Four hats in a beat, recorded in voltage modular (a preset), edited and delayed in reaper.

Modular.

Time for a quantussy!.

Exercising my switches.

Patching up a burst-patch. There are x ways to do that. This is is the results of one.

A monday sequence. . .

Self modulating a standard doepfer a-110 vco. We are listening to a square wave. I'm modulating with a sinus. I'm wiggling pwm and the degree of self modulation (and attack and decay). Spring reverb and analog delay from stomp box.

Here's my second flute reel for the make noise morhpagene. This is how far i've came over the past few months in my playing and despite a few slip ups here and there i'm quite pleased with how i'm able to make it sound now. Would love to hear what people do with these samples as it is quite humbling to know my playing is in people's modular systems across the globe.

Klangbau köln "rnd modul logistische gleichung" giving it a test run. Wiggling. Listening. Feeling.

Anton Günther Gesang und Gitarre: "S ist Feierobnd" in erzgebirgisch

Morceau d'improvisation à la guitare électrique par Arthur P. (11 ans et quelques) pour l'émission Culture(s) Numérique(s) numéro 11 (juin 2019) sur Radio Pluriel. Publié ici avec son accord.

Simple unedited beat made with analog modular synth. A d & e.

Snare drum sound made on my analog modular synth.

Several kicks made in blok modular.

Mixed in random to create variations in the arpeggio. I call it arpeggio. Wrong probably. Well, call it tone sequence then. An arpeggio/sequence created with cvlfo and qnt as usually. . . No, i don't have a sequencer. But i ordered parts for a second case today. . . ;-)someday i'll get my self a sequencer - maybe. Https://en. Wikipedia. Org/wiki/arpeggio.

This is my synth saying hi!.

A little strange thing i did on my little modular synth. No external input. No external fx. Meanless video here https://www. Youtube. Com/watch?v=umn6uovi_ri.

Sinus wave connected to the filter cv1 in sweeps sound from mfb osc-03some reverb from ladik d-330(i have modified my wasp filter to achieve more self resonance. ).

A patch that happened. 30 seconds of modular unmusic. If you want you can loop it. If you find use for this sound. . . Let me know.

A sound i made with my modular synthwhat is it. . . ?.

A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.

. . . But kind of happy?strange thing done on my modular synth. I use a minor scale for one of the parts. Still it sounds. . . Happy/crazy/unreal. . .

I'm trying to get some character to my modular sounds. This is a sequence with a sawtooth wave mixed with noise and joined in a vca that can distort a little. It's a vca i bought used. Don't think a new vca of the same sort distortes. I really like that. I little reverb is added to the sound. The sound is analog until it reaches the reverb. Sometime i will buy a spring reverb. Promise. But here, on the internet, the sound is digital anyway.

This recording is inspired by alienxxx http://freesound. Org/people/alienxxx/sounds/345510/made a little patch on my modular, still missing its (main) oscillators. I let the patch sound thru a pair of cheap computer speakers that i use as monitors. In an adjacent room, close to an open window, i put my phone and record. This is the unedited outcome. The recording was made 09:00 (16-05-11). Unfortunately nothing happened outside the window. Even the birds was quiet. I think there is a hint of feedback in the sound? first i planned to record with an old tape recorder, but i couldn’t find it. . . I think this recording should be listened to with low volume. May by it was a mistake to amplify the sound in audacity? but i think there is a nice room ambiance to the recording. Ideas for next time. Use guitar amp. Find old tape recorder. Don’t put recording device to close to window.

Bass with variations made on modular synth. The original wave is a sin-wave. . . I think number six i my favorite. Number ten is quite funky too.

The same sound thru two filters. No editing. 100% dry.

Kick from analog modular synth.

Generative modular acid line sequenced with my own custom script that is specialized for non-quantized sort of strings of notes. I mangled the envelope quite a bit though so it just sounds more swingy than anything i guess. Not sure what the bpm would be. Would be better if it were cut up for one-shot sounds maybe.

The engine to the hysterical "melody" is formed by a two lfos and a looping envelope performing an ever changing dance of random or maybe chaos. Zooming in and study waveforms in this sound is interesting. The sound is unedited, straight from the analog modular synth. Quantization of the pitch - nope. . .

Just a couple of clappy noises which get noisier as it goes on.

Maybe a little overlong but it was trimmed down from a 45-minute recording. Try slowing it down to like 5% for some good acidic sounds.

Live modular jamb.

Nice ambient modular synth sounds on repeat.

Made in vcv rack.

An lfo set to 1hz connected to doepfer a-160 clock divider and hexinverter électronique jupiter storm "cv all". Before recording i reset the clock divider. Low tone triggered by /2middle tone by /16highest tone triggered by upiter storm output xi. I can't reset jupiter storm. Ok, what do we hear/see. Low tone every 2 secondmiddle tone every 16 secondhigh tone every 19 second!.

A little patch hard to balance. It's a meditative timbre practice. . . A en envelope generator in quadrature mode is controlling the amplitude. Download and take a look at the wave - close. Nice!.

A patch with nonlinearcircuits jerkoff ("chaos circuit based on the jerk equation and its electronic implementation by jc sprott") in the center. I had a question that needed an answer. Is jerkoff a stable lfo when not using the input to disturb the rythm?my answer is. It can be relatively stable, but sometimes it is wobbling around. The recording is from a wobbly jerkoff. One output to osc cv in and another to a vcf vc in. The third output goes to a comparator. The comparator generates a trigger every time the cv is passing the threshold level.

Entropical bla bla bla. . . Read in 211. Here i'm using just one (1) sequencer :tu:.

It's sooo hot in sweden right now! 30 c where i live. Luckey me having a cool modular synth. All previous records are gone. This is the hottest may since 1850-ish.

Just some experimenting around with my modular. . . . . I take a signal from an lfo and split. I invert one of the signals and mix them.

Okay i', trying the "toggling sample & holds" patch athttp://www. Doepfer. De/a100_man/a100_patch. Htm. Don't know if i'm doing the right thing. . .