1,090 ロイヤリティフリー オーディオトラック の "ヴィオラ"

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Viola processed sample.
著者: Phonosupf
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Viola processed sample.
著者: Phonosupf
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Viola processed sample.
著者: Phonosupf
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Viola processed sample remix.
著者: Phonosupf
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Viola sample processed.
著者: Phonosupf
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Viola processed sample remix.
著者: Phonosupf
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Viola processed sample remix.
著者: Phonosupf
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Viola processed sample.
著者: Phonosupf
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11:55
著者: Carl Pini, John Tunnell, Anthony Pini and Harold Lester
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02:30
I am playing on a viola softly on c e and g across 4 octaves without applying eq recorded with a dynamic microphone in my room with a computer using my hands to play the instrument.
著者: Tennisers
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Ok, i don't know how many of you might be interested in this, but i figure there's no harm in posting it. I'm working on some original songs. Laptop-based, electronic songs, with many orchestral parts, including violin, viola, cello, and string bass. Presonus studio one has some very nice vst string instruments, and i have some really great ones for kontakt. But they all are missing one thing, and i couldn't find the (admittedly esoteric) sound that i'm looking for anywhere on the internet. Being a viola player myself, i recorded myself playing these very particular incidental sounds. Let me explain-. There's this 'grabby' sound that a well-rosined bow makes just is it is first being drawn across the string. Listen carefully to any of the pros and you'll hear it. In your laptop sequences, if used subtly, right at the point where the first note of a phrase is initiated, this sound can give the string part a marked sense of realism*. This, combined with vibrato, reverb and a nice warm/tube/tape saturation setting, nobody will be able to tell the difference between your vst and the real thing. About the audio-i tried to keep them as pitchless as possible, thus not limiting their utility. I recorded two sets of all four open strings (c, g, d, a), first close mic'ed, and once from a few feet away, in stereo. Or to say it another way, the sounds are as follows-1. Open c close2. Open g close3. Open d close4. Open a close5. Open c far6. Open g far7. Open d far8. Open a far. It's totally overkill for me to record all the different versions, but i suppose somebody out there might find one more appropriate than another for their purposes. They work pretty effortlessly for violin and viola, but you might have to pitch them down for cello and string bass. I added no processing whatsoever, apart from normalizing each individual sound. Aiff, recorded at 44/16. Nady scm-2090 stereo condenser mic, focusrite saffire pro 24 interface, recorded in logic. Not the quietest room, but these sounds will be so far down in the mix that it won't matter. Free for all to download, no attribution necessary. Http://www. Freesound. Org/people/bruce%20burbank/sounds/220917/. As an example, here's the part i'm working on that motivated me to record these sounds, with the grabby sound in place. See if you can spot the three times i used it. *pro tip- much the same way i'll insert an inhale breath right before horn or oboe phrases.
著者: Bruce Burbank
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One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: violaens_pizz_a3_v1_rr1. Wavinstrument family: stringsinstrument: viola sectionarticulation: pizzicatonote: a4midi note: 69midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, se2200aii closeperformer: brendan klippel, jenny frantz, dan lay, gerson martinez.
著者: Samulis
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One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: violas_spic_a3_v1_rr1. Wavinstrument family: stringsinstrument: viola sectionarticulation: spiccatonote: a4midi note: 69midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, se2200aii closeperformer: brendan klippel, jenny frantz, dan lay, gerson martinez.
著者: Samulis
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One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: violas_trem_b2_v1_rr1. Wavinstrument family: stringsinstrument: viola sectionarticulation: tremolonote: b3midi note: 59midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, se2200aii closeperformer: brendan klippel, jenny frantz, dan lay, gerson martinez.
著者: Samulis
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One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: violaens_susvib_a3_v1_1. Wavinstrument family: stringsinstrument: viola sectionarticulation: vibrato sustainnote: a4midi note: 69midi velocity (center): 63location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, se2200aii closeperformer: brendan klippel, jenny frantz, dan lay, gerson martinez.
著者: Samulis
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I recorded a viola for a theatre project. I recorded it in a dry room, close mic with a neumann tlm103. Some samples are just noises of the bow on the c or d string, then once in a while creating overtones, other samples contain some processing with echoboy by soundtoys. Amazing plugins they make!. Feel free to use the samples in any way you like. If you use it in a project i am always curious to hear it. Comments and questions welcome.
著者: Malupeeters
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Villa processed sample.
著者: Phonosupf
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Viola processed samples remix.
著者: Phonosupf
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Viola processed samples remix.
著者: Phonosupf
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Viola processed sample.
著者: Phonosupf
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Viola processed sample.
著者: Phonosupf
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Viola processed sample.
著者: Phonosupf
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00:49
A small swell sequence for nick's film. Maybe.
著者: Livindead
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Villa processed samples remix.
著者: Phonosupf
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00:28
Viola processed samples remix.
著者: Phonosupf
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Viola pitch processed sample.
著者: Phonosupf
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00:15
Viola pitch processed sample.
著者: Phonosupf
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Viola processed sample remix.
著者: Phonosupf
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00:15
Short viola samples.
著者: Owstu
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An open c-string played arco and sustained for 7 seconds on a 16. 5-inch viola made by mike sheriff in 2007.
著者: Bcantrell
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Double bass thriller tense music loop.
著者: Elzozo
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Experimental sadism waterboarding a poor cello just for fun. Using makenoise gear to experimentally change the sound to muffle. Rendered in reaper @48khz 32 bit fp with markers for all you morphagene fans out there. Enjoy the muffling waterboarded feeling. . .
著者: Jim Bretherick
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Anton Günther Gesang und Gitarre: "S ist Feierobnd" in erzgebirgisch
著者: Untitled
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Morceau d'improvisation à la guitare électrique par Arthur P. (11 ans et quelques) pour l'émission Culture(s) Numérique(s) numéro 11 (juin 2019) sur Radio Pluriel. Publié ici avec son accord.
著者: Untitled
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Support my musicdonate now. Https://www. Paypal. Com/paypalme/giovi82this and other. Ableton live. Free music slap house dance edm loop electro clap drums kick drum snare bassdance club psytrance drumroll trance trance sample compressed tight drum.
著者: Davejf
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Double bass recording!free to use !have fun!.
著者: Elzozo
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Double bass recording!free to use !have fun!.
著者: Elzozo
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Double bass recording!free to use !have fun!.
著者: Elzozo
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Slow progrock electronic drum mixed in a beat. Enjoy!.
著者: Paranoye
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A sound of swinging, best for animated scenes. Made with a violin and a zoom h4n.
著者: Joedoe
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I build it in fl studio (32bits) with the soundfonts plugin (the soundfont used was "sgm")overdubs were done with a "strings" sample and the rest was just the pure instrument with eq and reverb. (it also includes a subtle piano and choir).
著者: Ofresco
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Just a simple, texturally interesting tune-up sesh. Enjoy!.
著者: Camel
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Strings violin solo my scoremade by fl studio +fxs.
著者: Szegvari
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Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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Recorded on a phone, mysteriously, as a message on my answering machine. I have no knowledge as to who recorded it, where it was recorded, or whether it came from a live performance or not. All of the segments of this set combine sequentially, to form the full phone message.
著者: Korgmsb
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Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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Recorded using garage band and adobe audition 17th january 2013. Free to use. Please write a comment if you like it.
著者: Lizziam
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