1,643 ロイヤリティフリー オーディオトラック の "二酸化炭素"

It's a recording of a calcium-sandoz® forte/fuerte 500 mg effervescent tabled falling into a glass of water and dissolving. You can hear the tablet dropping into the water and water droplet hitting water surface back. After w while - co2 buubles start to appear creating noisy sound. The recording has a long natural fadeout and unfortunately some background noise. I leaved "silence" before the sound starts so you can de-noise the recording to your needs (i prefer audacity for denoisig). Recorded inside of my wardrobe for acoustic isolation using zoom h2 on a mic-stand. Recoded as 96khz/24-bit wav. Normalized, truncated and convertet do 16-bit flac using audacity. I've converted this to 16-bit as it still has plenty of noise and 24-bits would not be any better after normalization.

The fourteen-tone series on which the melody "Libra" from Karlheinz Stockhausen's Tierkreis is based. (From p. 151 of Jerome Kohl, "The Evolution of Macro- and Micro-Time Relations in Stockhausen's Recent Music", Perspectives of New Music 22, nos. 1 & 2 (Fall-Winter 1983/Spring-Summer 1984): 147–85.)

Dry ice dumped in a small fountain and recorded with an r-09hr. The bubbles sound very frantic and are continuous. I couldn't get too close, or else the splashing would have entered the mic capsules. It is a very clear sound nonetheless.

Mud volcano field, davis-schrimpf seep field, salton sea, california. Lat: 33. 20070326716746lon: 244. 42179501054162. The davis-schrimpf onshore seep field site in the salton sea geothermal system is the result of shallow magmatic intrusions in a sedimentary basin. The ssgs is situated in the salton trough in southern california, an area with abundant surface manifestations of hydrothermal activity. The hydrothermal system in the salton trough occurs in a pull-apart setting where rifting and associated magmatic intrusions are responsible for the strong heat flow. One of the most concentrated and well-expressed onshore seep fields is the davis-schrimpf field, where more than 50 individual seeps are located in this area. Gas venting from gryphons and pools is vigorous with a continuous bubbling activity. Water and mud mixtures are continuously expelled down the flanks of the gryphons. Carbon dioxide produced from de-volatilization reactions involving sedimentary carbonate is the main driver for the seep activity. The morphological features of the davis- schrimpf seep field are strikingly similar to seep fields on dormant mud volcanoes however, the davis-schrimpf seeps are not related to mud volcanism, as mud volcanism normally implies large-scale mud breccia eruptions and a low temperature seep stage. From the; journal of geophysical research, vol. 114, b09201, doi:10. 1029/2008jb006247, 2009.

Individual gryphons, davis-schrimpf seep field, salton sea, california. Lat: 33. 20070326716746lon: 244. 42179501054162. The davis-schrimpf onshore seep field site in the salton sea geothermal system is the result of shallow magmatic intrusions in a sedimentary basin. The ssgs is situated in the salton trough in southern california, an area with abundant surface manifestations of hydrothermal activity. The hydrothermal system in the salton trough occurs in a pull-apart setting where rifting and associated magmatic intrusions are responsible for the strong heat flow. One of the most concentrated and well-expressed onshore seep fields is the davis-schrimpf field, where more than 50 individual seeps are located in this area. Gas venting from gryphons and pools is vigorous with a continuous bubbling activity. Water and mud mixtures are continuously expelled down the flanks of the gryphons. Carbon dioxide produced from de-volatilization reactions involving sedimentary carbonate is the main driver for the seep activity. The morphological features of the davis- schrimpf seep field are strikingly similar to seep fields on dormant mud volcanoes however, the davis-schrimpf seeps are not related to mud volcanism, as mud volcanism normally implies large-scale mud breccia eruptions and a low temperature seep stage. From the; journal of geophysical research, vol. 114, b09201, doi:10. 1029/2008jb006247, 2009.

Charcoal placed into a makeshift recording bed/pallet with a fabric for dampening. Recorded with zoomh5 at 96hz. Raw file recordings with a bit of noise reduction.

Coal pit mine, machinery, grabber, from very short. Open pit coal mine near bełchatów (poland), close to its lowest point (at the time). Stereo mixdown of an ms recording, using sennheiser 416 (mid) and some small diaphragm figure of 8 akg (side).

Coal pit mine, machinery, grabber, from very short distance. Open pit coal mine near bełchatów (poland), close to its lowest point (at the time). Stereo mixdown of an ms recording, using sennheiser 416 (mid) and some small diaphragm figure of 8 akg (side).

Coal pit mine, machinery, grabber, from very short distance, beeping. Open pit coal mine near bełchatów (poland), close to its lowest point (at the time). Stereo mixdown of an ms recording, using sennheiser 416 (mid) and some small diaphragm figure of 8 akg (side).

Coal pit mine, machinery, grabber, from short distance. Open pit coal mine near bełchatów (poland), close to its lowest point (at the time). Stereo mixdown of an ms recording, using sennheiser 416 (mid) and some small diaphragm figure of 8 akg (side).

Coal pit mine, machinery, grabber, from short distance. Open pit coal mine near bełchatów (poland), close to its lowest point (at the time). Stereo mixdown of an ms recording, using sennheiser 416 (mid) and some small diaphragm figure of 8 akg (side).

Two descending tones. Made in garageband. Used for a production of sideways stories from wayside school for the "video intercom", this is the sound it made when it went out. Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.

A short startup sound, made using different pitched sonar sounds in audacity.

Short arpeggiated noisey sound.

The shure sm58 dynamic microphone and neumann tlm 103 condenser microphone were used to represent the sound of human-made dog barks. Recorded for the discipline of capture and audio edition of the course radio, tv and internet, universidade anhembi morumbi. Sao paulo-sp. Brazil.

Just my sister, brianna, doing a whistle.

2 buzzing noises back to back.

Two tones alert sound made with https://onlinesequencer. Net/.

A big heap of charcoal being raked by a shovel with scattering and dusting several times.

Ted henry and bill vernon recording morphed with audacity effects.

Dragging a bag of coal along some gravel. Recorded with a marantz.

Wide stereo ambience, summer cottage by lake, dog barks, chickadees, song sparrow, wind in trees. Stereo spaced em172s. Ontario.

A synth sound that resembles thunder. This has two claps of thunder (thus, bi-thunder) piling up on each other. I have applied 50% reverb to it.

Short ukulele melody, two chords.

Two sings chug jug.

It is a sound.

The winding engine in big pit mining museum in blaenavon, south wales. The brakes singing towards the end of the soundfile are gorgeous. Signalling bells can also be heard. Recorded on an r-09 hd.

Some red hot pieces of charcoal dumpt into a bucket of water.

Live recording of me stirring rocks or coals using a metal rod. Various tempos.

Opening a makeup bottle.

Two dices rolling. (dungeon and dragons dice, d12 and d20. ).

I needed a nice, simple knock on a wooden door, that didn't sound urgent. Free for use by anyone!.

Two tone on a bass and a third ghosted.

A short scene from the ww ii made by myself.

In countries like japan and china the cherry tree blossom is known as the ultimate expression of beauty in nature. Also, the cherry tree blossom symbolizes the beauty of poetry, dance, music and love.

In hinduism and its many derived views of life, there are a number of "realms", each with their own forms of consciousness. The oldest of these is the realm of the minerals, the stones. This is followed by plants, animals, humans, angels and gods. Each kingdom is divided into layers, in the human realm the "caste's" or social layers. Hindus believe that through good works you can be born in a higher caste or even realm in the next life. Among the people who belong to the caste of brahmans, the priestly caste, it happens that some have memories of many past lives. This track represents the connection between the heartbeat of a brahman priest during his meditation and his energetic vibrations, long time ago, as crystal. He discovers that time is an illusion and that all his lives are layers one on another creating a building, the shape of his eternal existence. He has yet to build further but is well on his way. Right now, he should not be proud, or in the next life he will be certainly no angel but falls back to a previous level.

This track reflects how the brahman from the track crystal heartbeat continues his meditation. He discovers that the created connection is a gate between this world and the world of crystals. He is one little step closer to fully experience the infinite "unity of things", "the stream of life that flows in and through all things. ".

Who has ever experienced complete inner peace and tranquility knows the feeling of peace that remains for days in your system. Of course there are always those impressions around you that distract you from that. But by regularly absorbing that silence, that tranquility, this peace grows. Eventually the feeling of peace is ruling and there is only just an occasional little storm. That keeps you alert, so that is good as well. So, peace at last.

This song is about a buddhist who returns to the monastery, where he was abbot centuries before (in a previous life). While walking along the path with torches, the memories come to the surface. First, it is difficult to see it without understanding it. After a while he can let it come to him, without exercising control. As a result, he learns the life lessons that he was not yet ready for. Through the light at the end of the path he experiences what enlightenment is:"dare to expose everything without judgment and learn from it to become more loving instead of always needing control".

With this song i try to integrate asian, arab and western music. The interaction between their various themes symbolizes my desire to build bridges between different cultures.

This short symphony is celebrating our global innovation of society. This is the first global transition from an old to a new culture in the history of mankind.

Cenário de uma avenida, com muitos ruídos de automóveis, onde existem chances de ocorrer algum tipo de briga; captado com microfones internos do gravador zoom h1 e pertencente à categoria de sons de sociedade, de acordo com a metodologia de murray schafer, dentro do tema de sons de combate ou luta. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Peeper frogs recorded around 8pm in early spring. Røde ntg2, studiosixdigital interface.

Needed a two door knock for a project, so i knocked twice on a wooden desk.

For mr. M's open source class mm 462 the audio book i chose to work on was two plus two makes crazy by walter j sheldon. Added was a bit of music and some sound effects throughout.

The sound of a beating, hammering sound. Natural wood.

Count 1, 2 and 3 in catalan fastly.

Just a quick recording of me and a friend walking along a gravel road. Recorded with a zoom h4n recorder in stereo.