2,230 ロイヤリティフリー オーディオトラック の "的"

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Ethnic violin.
著者: Paulprio
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00:28
Hope u like it did it on ableton like and got the sounds off freesound and free to use have a nice day :d.
著者: Klavo
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03:12
As the title describes: a cinematic atmospheric element. A compilation of 6 different synths including a percussive base line underneath. Composed on magix music maker 2016 live, with cinematic synth, analogue synth & dn-e1 synth.
著者: Metrostock
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04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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01:10
Ambience from the old city museum in baku. The dialog in the local language azeri describing the ancient past giving the silk road caravans safe passage over the caspian sea. The museum is original restored buildings in the city walls with amazing natural reverberation captured on the olympus ls10.
著者: Wandererscapes
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03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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Feld piano arp with noises 105 bpm.
著者: Logicmoon
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02:03
Orchestral-style organ chorus over distorted piano stretched through audacity in wav. Interlude or transition.
著者: Bigvegie
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01:25
I wrote this to add some tension in the background of a villians monologue right before a fight. If you use this, please credit ian mulloy music. Https://ianm-music. Bandcamp. Com/.
著者: Ian
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00:20
Dramatic piano loop to make you crykey: em. Bpm: 100.
著者: Clayvillager
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00:24
Justrandom_mixdowna_118_squarelead. Wav.
著者: Tusic
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02:48
This sound is recorded at dawn in penang (malaysia). I was awakened by the sound of morning prayer. The mosque is located 100 meters from the hotel where i was staying. Recorded for the zoom h2.
著者: Venaportae
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00:58
Hope u like it did it on ableton by scratch :d.
著者: Klavo
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00:07
Did this on ableton and the sounds are free to use on freesound hope u like it :d.
著者: Klavo
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00:49
This is the sound of electromagnetic waves from a macbook pro.
著者: Kev Durr
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00:02
Some gruesome squelches, heavy impacts and random bits of foley that have been lying around.
著者: Jarredgibb
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00:40
I played around with a few sounds and created this by accident, i think it would be great for creating some sort of suspenseful kinda of dark'ish scene in a film.
著者: Kodack
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02:23
A very windy night in my courtyard, in the coiuntryside in france. Very strong wind, and a gate squeaking.
著者: Barkenov
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01:27
This is a collection of samples to make a really violent storm. This sample is public domain, ignore the cc license for my part of the work. It is based on other samples, so the ultimate license depends on those samples.
著者: Hans
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01:26
A group of japanese or korean tourists singing religious songs on via dolorosa, at the muslim quarter, in old city of jerusalem.
著者: Straw Donkey
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01:52
Another bahai prayer in farsi recorded at home on a minidisc of a friend of mine singing the following prayer: (translation)o thou art turning thy face towards god! close thine eyes to all else, and open them to the realm of the all glorious. Ask whatsoever thou wishest of him alone; seek whatsoever thou seekest from him alone. With a look he granteth a hundred thousand hopes. He healeth a hundred thousand incurable ills, with a nod he layeth balm on every wound, with a glimpse. He freeth the hearts from the shackles of grif. He doeth as he doeth, and what recourse have we? he carrieth out his will, he ordaineth what he pleaseth. Then better for thee to bow down thy head in submission, and put thy trust in the all mercifull lord. The language is old fashioned because the bahai have special requirements about maintaining the integrity of their texts. It is a verbatim quote from an english prayer book. In farsi, for instance, i believe that the masculine gender of god is absent and is really non-specific.
著者: Wingz
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00:20
Let me know if you liked it :).
著者: Mashiahmusic
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01:50
You've got 1 minute and forty-nine seconds (1:49) to tell your dramatic story. Recorded with a yamaha keyboard using audacity. My first recording.
著者: Hobotrails
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04:22
Dramatic clusters strumming and hitting a detuned broken autoharp. Useful for dramatic horror sound design, atmospheres, etc.
著者: Simonlabelle
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Psalm 118:1 read in hebrew by text to speech software.
著者: Christislord
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04:03
A target lock beep (in my mind similar to the beeps heard in the death star strategy session in star wars) playing at 90 bpm.
著者: Alphatone
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00:07
Recorded with fl studio 10.
著者: Younoise
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00:58
Weird soundscape suggesting transition or suspense of action. Three keyboard-generated tracks laid over on audacity.
著者: Bigvegie
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00:08
Recorded with rode videomicntg. Raw sound so you can edit as you please. Me exhaling through a large tube to create a kind of weird/odd background noise.
著者: Christophe
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00:03
Grito agresivo en el momento de atacar.
著者: Atrius
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00:03
Grito agresivo en el momento de atacar.
著者: Atrius
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00:28
A short brassy intro for some slim-ball hittin' on your pal. . .
著者: Camel
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00:43
Just a tester clip i made earlier.
著者: Urbexshauny
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01:29
Made with session strings pro + damage.
著者: Younoise
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01:31
Vst:quantum leap solo violindrum kit: n-track drums.
著者: Beatarchive
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01:15
A choir singing "well done judas, good old judas". Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.
著者: Bevibeldesign
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00:10
Dramatic wind effect with a explosion noise at end! worked great for some promo videos.
著者: Ghettovan
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00:60
A choir singing "so long judas, good old judas". Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.
著者: Bevibeldesign
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01:10
Builds quickly, sustains and gradually fades. C minor arpeggio stretched from 11 seconds to 1 minute using the paulstretch effect on audacity. Low-fi recording with tablet and hi-q app.
著者: Wmaxmusic
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00:04
This is my impression of a flatulent arachnid, or "spider fart" which if referenced by a woman in an old-timey southern mansion, might be pronounced as "spidah-faht". This seemingly odd spelling and like-wise pronunciation, perhaps worthy of explanation, would be on account of their ". . . Well known and often satirized dropping of "r's" in times when they precede another consonant or pause, which has the effect of elongating the pronounciation of the vowel before it. " as ray kooyenga explains it. Delving deeper, according to j. Fought who seems to agree, this was a originally a "southern english dialect associated with priveledge and prestigem" and in certain geographies of the southern and south eastern united states migrants "clung to such speech through its association with the influential proprietors of the southern plantation agricultural system. ". The use in "faht" has also another common southern linguistic trait of what the preceding gentleman might term a "confederate a". And so this, is the "spidah-faht" or "spider fart" if you prefer, as performed by ray anthony mimicking the fairly common species "arachnid flatulence gigantous".
著者: Rayrc
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00:41
This was just a little test sound, recorded with a the t-bone from my keyboard. It shall sound like:the king appears!. Recorded with a the t-bone sc440 usb. Editet with audiacity.
著者: Dafawe
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An attempt to make the beginning of aviators the red hood even more haunting by elevating higher tones and adding in an echo. Worked on in adobe audition.
著者: Reneisng
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Support my musicdonate now. Https://www. Paypal. Com/paypalme/giovi82this and other. Ableton live. Free music slap house dance edm loop electro clap drums kick drum snare bassdance club psytrance drumroll trance trance sample compressed tight drum.
著者: Davejf
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Creepy moment sound.
著者: Saha
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Support my musicdonate now. Https://www. Paypal. Com/paypalme/giovi82this and other. Ableton live. Free music slap house dance edm loop electro clap drums kick drum snare bassdance club psytrance drumroll trance trance sample compressed tight drum.
著者: Davejf
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