1,289 ロイヤリティフリー オーディオトラック の "砂"

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00:42
Various momevents with my hand using small rocks and dirt. Brushing, grabbing, and dropping. Recording in the city is hard but i found a small canyon made of rocks in a park which helped block out traffic noise. Equipment: rode ntg3, zoom h5, izoptope rx4. Please post a link if you use this file. I'm excited to see what you can do with this!. @oscaraudiogeek to see photos.
著者: Oscaraudiogeek
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00:13
A simple arpeggiated chord. Spaghetti-western guitar is a set of distorted, semi-ambient electric guitar. It was made with stereotypical cowboy themes in mind, but could be adapted for other uses. All sounds are public domain and do not require credit, but i'd love to hear about how you use them!.
著者: Minigunfiend
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05:15
Baltic beach, sea sound.
著者: Bartoszmatenko
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00:14
A person with a pair of adidas nmd's walked on a sandy playground in a park to execute the sound. A zoom h6 recorder was used, with the xy capsule, recorded in a park.
著者: Brendansound
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00:57
Recorded on sony nex6 camera. I am walking on a sandy trail in lapine state park in oregon. Sorry about the squeaky pants!.
著者: Gordoh
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04:06
著者: Loyalty Freak Music
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00:20
A long desert wind sound. Created by inhaling through an emergency whistle and edited in audacity. Enjoy!.
著者: Slugzilla
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01:02
Desert egypt sounding fantasy music.
著者: Theojt
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00:02
This is a sound effect i created using chiptone. You don't need to credit me. You can download this sound effect as needed and use it for any project. I would appreciate it if you support me on ko-fi: https://ko-fi. Com/staycalm182.
著者: Brickdeveloper
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00:35
I made this recording by using a metal shovel and ramming it into the icy snow. The snow has been around for a couple months now and has been rained on and turned to tiny ice crystals. It sounds like it could be sand, grainy dirt or rock dust.
著者: Jobel
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03:41
Recorded some really strong wind making freaky howling sound in my doorway.
著者: Lifexmitter
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00:13
Because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo.
著者: Hello Flowers
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00:22
Stick drawing in scratchy dirt. Made by dragging finger through loose dirt on concrete slab.
著者: Stubb
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00:08
Depot ambient.
著者: Nghthawk
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00:32
Walking through pebbles at lake erie, buffalo shoreline. Late spring 2018 in the evening.
著者: Lukiacostello
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05:34
Insects soundscape in a rocky landscape. 35°c, 3pm, stony hill. Flys and different kind of crickets. Around biskra, algeria, spring 2014. Recorded with schoeps ab ortf in albert cinelarecorded on sounddevice 744t,48khz, 16 bitssmooth noise reduced by isotope.
著者: Bruno
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00:47
Ambience street pakistan thar desert town horns cars crowds field-recording.
著者: Ghettodrone
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01:11
It is the sound from seaside of gümüsdere in turkey. In winter seagulls and strong waves.
著者: Suukadi
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04:58
Strong winds from the spanish badlands!mono field recording with an akg c91 cardio in a windjammer, into a aeta mixy onto an maudio microtrack via spdif, sometime around spring 2011. Recorded in the bardenas reales desert in spain. Http://upload. Wikimedia. Org/wikipedia/commons/thumb/0/04/lapisquerra. Jpg/1024px-lapisquerra. Jpgthis particular recording was done a day of high winds on the hills overlooking the bardena, close to a mass of shrubbery with birds nesting in it!it's pretty dense, the infra gusts have been somewhat tamed but are still quite present!.
著者: Plukx
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00:30
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著者: Wildhans
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00:01
Loud handgun being shot. Took http://www. Freesound. Org/people/jon285/sounds/49512/ and deepened it with a combined paulstretch and noise in the background during the first part.
著者: Elliotlp
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07:38
Second long recording of multiple paces of walking and running (in place). There is another similar recording with less "sandy" footsteps. Recorded with a samson q7 microphone through a phonic am85 analogue mixer. Cc0, so no hassle with giving credit.
著者: Rudmer Rotteveel
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00:38
The old bottle again, now over the sand.
著者: Loopbasedmusic
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00:06
Digging with a spaderecorded: iphone rode with videomic microphone.
著者: Szegvari
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05:13
Early morning during lockdown. Mics next to the road, no traffic at all. Zoom h5, svmx, shotgun, downmixed, no filtering. 20-04-12_061556_h5_shotgun_svmx. Wav.
著者: Richwise
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00:45
We could see the beautiful, empty beach beneath us – but we couldn't reach it. Left hand: zoom h4n proright hand: empty water bottle.
著者: Tiramisuper
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02:50
Footsteps in ground exterior and marble in interior.
著者: Yosoyhache
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00:50
The sound of waves on a sand beach in brittany. Recorded by me on a tascam dr-05.
著者: Siriusparsec
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04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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00:31
Onde del mare sulla battigia.
著者: Antonio
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00:46
Recorded with iphone 11 microphone in istanbul.
著者: Egealpsoysal
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00:57
Sounds like the desert in a jrpg! just having fun coming up with ideas if you use it let me know, and if you got any requests let me know!.
著者: Destructo
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02:14
Recording of a saharan dust storm at night in a farm in southern spain.
著者: Samwd
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00:14
The shovelling of gravelly sand (not overly authentic-sounding, as i had to do it with one hand).
著者: Yin Yang Jake
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01:08
2 guitars playing and zynaddsubfx makes drums and percussions and some carpet.
著者: Eltenjohn
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00:28
Applied hourglass to glass-bowing sounds with transposition spread set to more than 1…2 semitones, resulting in tense dissonant sound.
著者: Arseniiv
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02:03
Recorded in autumn 2014 at bjerregaard beach, danmark with a zoom h4n.
著者: Trn
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02:01
Usa, arizona - a windmill is squeaking alone in the desert. Sound recorded by a ms setup schoeps microphone cmc6mk41+cmc6mk8cooper mixer + zoom h4n recorderms is encoded in stereo left-rightrecorded en 2009. This sound has been used on:http://mildadventures. Weebly. Com/bushmanland-circuit. Html. More sounds on http://www. Felixblume. Com. The same sound on sound cloud:http://soundcloud. Com/felixblume/usa-desert. Please rate the sound or comment it if you like it !.
著者: Felix
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00:03
Quiquiriquí - mexico, wirikuta desert (spanish). Sound engineer: félix blumemicrophone used: ms setup schoeps ccm41+ccm8recorder: sound devices 744trecorded in july 2012 in wuadley (san luis potosi, mexico)ms is encoded in stereo left-right. The rooster’s singing has so many names around the world. Cocorico in france, cock-a-doodle-doo in english, kikeriki in germany, quiquiriqui in spanish. . . Does the rooster really sing differently according to his nationality?cocorico sound is a collaborative project putting together on a map rooster sounds from all over the world, using the freesound platform. Http://www. Felixblume. Com/cocorico-sound-project/.
著者: Cocoricosound
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00:24
Includes : seagulls, wind, rain, wavesall generated, footsteps are recorded.
著者: Pagh Sounds
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00:07
Four recordings of rocks rolling down stone stairs. Can be slowed down to sound like larger boulders. Recorded with a h4n pro on 12/07/2019.
著者: Fission
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01:09
Gravado em estúdio feito em garrafa de água contendo alguns grãos de arroz. Recording in studio made with a bottle of water containing some grain of rice. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. Recording for the discipline captation and edition of course radio, tv and internet from university anhembi morumbi. São paulo-sp/brazil.
著者: Amandha
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00:12
These sounds were created from xpand!'s sitar sound font and musescore's clave sound font. They were used in an ambient track simulating the sounds of exploring an ancient egyptian tomb. This could be used as a transition, when discovering treasure or a secret passage, or any number of events that need an egyptian or middle-eastern flavor. No need to credit me for this sound, but feel free to let me know how it was useful for you in the comment section below.
著者: Gsb
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00:07
Walking on gravel on a hike with wind in the background. Recorded with a zoom h4n.
著者: Deffyme
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00:07
Recorded while on a walk in myneighborhood. Washed up on the street was amixture of sand, rocks, and loose gravel. In the background a bug can be heard that i wasunfortunately unable to edit out, but i hope its ok. (re-uploaded because i forgot to trim unwanted audio sections). -----. This sound, like everything i upload here,is completely free for anyone to use. I hope it is useful. 🎶.
著者: Colorscrimsontears
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02:50
Small waves gently lapping on the sandy shoreline on an island in the atlantic ocean.
著者: Freezound
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06:48
Playa zicatela, en puerto escondido, méxico. Zicatela beach at puerto escondido, mëxico. Recorded wih omnidirectional stereo mics. Zoom f8n, november, 2020.
著者: Globofonia
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00:32
Imaginary futuristic car driving through desert. Danger in the air. Scifi tension. Instruments used for sounddesign: pro 53 (sound of car and wind) and the freeware synthesizer da hornet (artificial horror sound). Slow lfos, filter and pwm modulation,3 voice unisono, internal chorus fx (pro 53), no additional effects, faded out. Da hornet - fast pitchmodulation.
著者: Reacthor
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03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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02:59
Recorded with fl studio 10.
著者: Younoise
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