14,650 ロイヤリティフリー オーディオトラック の "踊る人"

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00:12
Sounds of a guitar + old practice amp feedbacking. The amp is quite noisy.
著者: Strangehorizon
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00:38
My take on a full prison with angry people, maybe a riot is about to happen. Lmk what you think and what you use this on.
著者: Jorgemaca
00:00
04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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01:42
Recorded on internal stereo mic of zoom h4n.
著者: Ondondvo
00:00
00:04
Recorded hitting myself with my mobile. Can use in scenes in which fighting occur, especially slapping.
著者: Bhaveshshaha
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00:05
Just a groove/funky sound. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2019.
著者: Danlucaz
00:00
05:18
I set up my recorder in multiple areas of a busy dog park in los angeles. Lots of barking, playing, and general dog and owner sounds. Recorded with: sound devices 702t, beyer dynamic mc930 mics.
著者: Conleec
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05:10
I set up my recorder in multiple areas of a busy dog park in los angeles. Lots of barking, playing, and general dog and owner sounds. Recorded with: sound devices 702t, beyer dynamic mc930 mics.
著者: Conleec
00:00
04:05
I set up my recorder in multiple areas of a busy dog park in los angeles. Lots of barking, playing, and general dog and owner sounds. Recorded with: sound devices 702t, beyer dynamic mc930 mics.
著者: Conleec
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01:01
Busy street in the day.
著者: Lextrack
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00:02
Some german dude screams: "fuck". Deutsch:ist aus meinem dark souls let's play, die tonspur ist leicht übersteuert, also seid vorsichtig wenn ihr dies mit kopfhörern abspielt.
著者: Kcirtap
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00:13
Because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo because people do but it doesnt and so why not and then how many cups of sugar to get to the moo.
著者: Hello Flowers
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00:02
Indigenous drum beat.
著者: Davidou
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00:02
Indigenous drum beat.
著者: Davidou
00:00
01:27
Percussion cycling with maths generated using instruo and sequenced by o-ctrl. Triggered by pressure points. Optomix as lpg. Erbe-verb as effect unit.
著者: Jim Bretherick
00:00
00:08
Background people crowd noisy chatter talking voices ambience soundscape noise.
著者: Exoticgaming
00:00
04:30
Recorded in the dunes of belgian coast at nieuwpoort. Sea noise, kids playing, voices, seagulls.
著者: Rthijs
00:00
00:03
An 82yr old australian commenting on the bad bus system where he lives.
著者: Clivew
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03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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00:14
Voices of students and teachers on the entrance of building e, in the uem, at 13h.
著者: Lorelya
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01:34
I thought i would do a recording of me listening to truckers on the cb radio while i was seeing if i would pick up anything. Surprisingly, i was able to receive something because sometimes i don't pick up anybody because barely nobody is on it. Sometimes you can understand what they say but sometimes not all the time. Enjoy! recorded using apple voice memos on iphone.
著者: Bryce
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02:47
Recorded with sony xperia z3+ in femman supermarket in gothenburg.
著者: Pappabert
00:00
01:30
A minute or so of a quite busy restaurant.
著者: Happy Boozer
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00:21
Opening five russian dolls.
著者: Ruthdt
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00:23
Recorded with: zoom h4n.
著者: Radio Fragola Gorizia
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03:08
A small group (about 20) people talking in small groups. English voices. A mixture of male and female.
著者: Beeproductive
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00:08
Some sines i made in logic pro x with the es2 synthesizer. 1 chord notes: d f g a c d2 chord notes: a c d f g a.
著者: Jezzzzper
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00:13
Gravador de áudio zoom h4n e microfone boom. Efeito sonoro gravado para a disciplina de captação e edição de áudio do curso rádio e tv, universidade anhembi morumbi.
著者: Stephanielima
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00:11
Gravador de áudio zoom h4n e microfone boom. Efeito sonoro gravado para a disciplina de captação e edição de áudio do curso rádio e tv, universidade anhembi morumbi.
著者: Stephanielima
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00:05
Gravador de áudio zoom h4n e microfone boom. Efeito sonoro gravado para a disciplina de captação e edição de áudio do curso rádio e tv, universidade anhembi morumbi.
著者: Stephanielima
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00:08
Gravador de áudio zoom h4n e microfone boom. Efeito sonoro gravado para a disciplina de captação e edição de áudio do curso rádio e tv, universidade anhembi morumbi.
著者: Stephanielima
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00:02
Gravador de áudio zoom h4n e microfone boom. Efeito sonoro gravado para a disciplina de captação e edição de áudio do curso rádio e tv, universidade anhembi morumbi.
著者: Stephanielima
00:00
00:09
Gravador de áudio zoom h4n e microfone boom. Efeito sonoro gravado para a disciplina de captação e edição de áudio do curso rádio e tv, universidade anhembi morumbi.
著者: Stephanielima
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00:12
Gravador de áudio zoom h4n e microfone boom. Efeito sonoro gravado para a disciplina de captação e edição de áudio do curso rádio e tv, universidade anhembi morumbi.
著者: Stephanielima
00:00
00:09
Gravador de áudio zoom h4n e microfone boom. Efeito sonoro gravado para a disciplina de captação e edição de áudio do curso rádio e tv, universidade anhembi morumbi.
著者: Stephanielima
00:00
00:06
Gravador de áudio zoom h4n e microfone boom. Efeito sonoro gravado para a disciplina de captação e edição de áudio do curso rádio e tv, universidade anhembi morumbi.
著者: Stephanielima
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00:15
A party ambiance track that consists mostly of just two people, with some guest stars.
著者: Settyness
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00:07
Paisagem sonora de um restaurante. Trabalho realizado para disciplina de captação e edição de áudio da universidade anhembi morumbi. São paulo, brasil 2018. Equipamento: microfone condensador zoom. Soundscape of a restaurant. Recorded for the subject captação e edição de áudio of anhembi morumbi university. São paulo, brazil 2018. Equipment: zoom's condenser microfone.
著者: Juliourbano
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01:02
Recorded during breakfast at cracker barrel restaurant in chesapeake va. Constant chatter and the clinking of forks and knives, plates and dinnerware. Recorded with an olympus ls-14 pcm recorder.
著者: Maximumroc
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00:27
The sound of a door closing. Made with audacity and audition.
著者: Wolfninja
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00:02
Hug.
著者: Cabusta
00:00
00:02
Sonido de de una persona saltando. El esfuerzo y la caída.
著者: Asalmargamer
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00:34
Grabación realizada el 25 de abril de 2020 al interior del supermercado mercamas en dosquebradas, risaralda. Grabado con un celular huawei. Se perciben muchos sonidos cuando vamos de compras al supermercado, pero no somos concientes de ellos.
著者: Artesmediales
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01:07
Coffee shop ambience recorded on a busy saturday morning in february.
著者: Artemis R Swann
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01:15
Wonderful peom from ralf haufs "persönlich gesehen" in german. Read by drt, recorded using a zoom h2.
著者: Drtto
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00:21
Prosthesis.
著者: Amadeho
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00:07
Tools.
著者: Amadeho
00:00
00:10
Tool.
著者: Amadeho
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00:01
Complaining personreaperrecord at 44100 hz16 bits.
著者: Juliantoquica
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