15 로열티 프리 오디오 트랙들 "Alm"에 대한

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00:43
Sveriges Radios folkmusikinspelningar. Spelmansstämma i Västanvik. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 59/61:2:12
著者: Untitled
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01:13
Sveriges Radios folkmusikinspelningar. Spelmansstämma i Västanvik. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 59/61:2:13
著者: Untitled
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00:20
Recorded with iphone 4 on hiking trail in the austrian alps, nice flower meadow in front and the forest behind us.
著者: Burkay
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03:00
the krell patch was conceived by fab wiggler vgermuse, who can be found in the buchla forum!(dcramer, muffwiggler. Org). This is some sort of krell-ish patch. But i don't have an envelope generator with eoc function. . .
著者: Gis Sweden
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03:01
Privatedareno2 - 3patches - 3min. A challenge kindly started by alienxxx \(^_^)/. Patch 1: the patch that was… a patch i did yesterday. Got that one for free, so to speak. Patch 2: inspired by distant airplanes. Had this in mind. Now i patched up my idea. The wind (or what you decide to call it) is controlled by alm pip slope. New module – for me. Used an external effect, the zoom ms-70cdr. Patch 3: read about feedback. I decided to do a feedback patch. First i made one using oscillators, but i did not manage to do something nice. So i used filters. The first filters feedback is generating triggers. Oh, yes, and i used my sampler (soundmachines ul1uloop). So three patches. I merged/mixed them together in audacity. All sound unedited. Just normalized and i have applied fade in/out – and mixed them together - as written.
著者: Gis Sweden
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02:42
Sveriges Radios folkmusikinspelningar. Östgötaresan 1960 Dokumentatör: Matts Arnberg Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: MT 60/249:6:3 Hänvisning till tryckt/skriftlig källa: Svenska låtar, Östergötland, nr 314
著者: Untitled
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03:15
Trittst im Morgenrot daher (Schweizerpsalm) Alternativtext: Steigt im Ost das Morgenrot, ahnen wir dich, großer Gott, dessen Liebe Zeit und Welt schuf und hält. Wenn die Dämmerschatten weichen, werden Gipfel deine Zeichen. Und das Tal, mit Korn bebaut, und die Alm, von Tieren laut, und der Mensch, der vor dir kniet, singen, Vater, dir das Morgenlied. Bleicht im West das Abendrot, ahnen wir dich, großer Gott, dessen Liebe Zeit und Welt schuf und hält. Wächst die schwarze Nacht zur Höhe, suchen wir, Herr, deine Nähe. Was Gewerbefleiß gewann, was Erfindergeist ersann, und der Mensch, der vor dir kniet, singen, Vater, dir das Abendlied. Alle Menschen weckt das Licht, wenn ein neuer Tag anbricht, allen droht die Dunkelheit, Not und Leid. Wenn wir auch den Gegner achten und nach Recht und Freiheit trachten, wachsen Friede, Wohl und Glück, und was ängstigt, weicht zurück, und der Mensch, der vor dir kniet, bringt dir, seinem Schöpfer, Dank und Lied.
著者: Melodie: Alberich Zwyssig (1808-1854); Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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03:15
Herd of cows in the swiss alps going back to the meadow after being milked in the evening, recorded with tascam dr100.
著者: Ulrike Brigitte
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02:08
Trying to create a small "engine" for use in generative patches. I use doepfer a-147-2 and alm pip slope. Here i use them in a two voice patch.
著者: Gis Sweden
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02:26
I used make noise function, doepfer a-147-2 cvlfo, doepfer a-148 sample and hold, doepfer a-110 vco, doepfer a-124 filter, alm tangle quartet vca and mixer, doepfer a-199 spring reverb, pittsburgh modular outs (mk. Ii) outmodule.
著者: Gis Sweden
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01:25
Sounds from barton musical circuits dual logic going though doepfer a-101-1 vactrol vcf. Dual logic is modulated by bartons 2lfosh, via bastl-instruments tromsø. The vfc is also modulated by 2lfosh. The other sound is from alm pip slope in loop mode and modulated by a nonlinearcircuits single jerkoff, with an injection of cv from 2lfosh.
著者: Gis Sweden
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01:27
A patch generating triggers not that random. . . The triggers are triggering an envelope generator and a sample and hold. The sample and hold cv is quantized following a minor 7th chord rules. Hope you understand. . . Pardon my english. Why this. Answer. I have to start adding something like this to my patches. But i use 3 lfos for this :-/ thats about all i got - right now. The alm pip slope works fine as an lfo too. Square wave this time. Take a close look.
著者: Gis Sweden
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01:43
A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.
著者: Gis Sweden
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01:31
It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.
著者: Gis Sweden
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01:31
Version 2. . . Of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. . . Or maybe version 34. . . . It's not better but a little different. More dynamics. Softer. But still i have the clicks :-/have to work on that. It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.
著者: Gis Sweden
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