243 로열티 프리 오디오 트랙들 "Compressor"에 대한

By placing my hand over my mouth i instantly have a compressor that distorts any air or sound in my mouth. All i do then is, with my mouth open, "hoot" or yell in short sharp bursts to make it sound like a dog.

Yep, i'm reading alen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4. Changed pitch on one osc and added some drums. Some editing in audacity compressor and limiter.

D min7 chord of a halion 6 patchmultisample (c0-c6). Source: zebra 2, spectro blend oscillators (additive synthesis). Strong processing with spectral fx (esp. Mtransform), eq/geq + compressor to balance the frequency spectrum. Feel free to suggest/demand other chords. Don´t hesitate. . .

Hitting a wooden table with the palm of the hand. Sound produced by the strenghtening of fingers against a wooden table. Technical aspects:- zoom h4n handy recorder- built-in microphones. Edition:- adobe audition cc. Effects:- (slight) noise reduction (process)- fade out- multiband compressor -> classical master- filter and eq -> graphic equalizer (20 bands) -> classic v.

Inspired by a drawing posted on airradsirens. Com some time ago, a huge siren that is a hybrid of a thunderbolt and a hurricane siren, supercharged by a large industrial air compressor. You do not want to be anywhere close to this beast when it goes off!.

I used ableton's:. - grain delay (spray: 80ms, frequ: 43 hz, rndpitch: 3. 19, fdb: 65, wet: 70%)- compressor with very slow release as kind of an amp-follower- carefully adjusted gate with 111ms release- very short simpledelay- overdrive- short reverb. Original sample:http://www. Freesound. Org/people/kyster/sounds/147082/.

Recorded in the kitchen, filtred in ableton live 9. I used gate, eq, compressor (3 times), reverb, erosion and chorus. As i think, it'll be cool to use with another snare sound. The recording made on iphone 5s. Let me know if you'd like me to upload an original file without any filters.

A little wasp visit my kitchen so i ask him/her to record his sounds. . . Tools used: hand recorder tascam dr 40, pro tools 10, izotope rx4 and cla 2a compressor. If you like it or download leave a feed. Cheers!!!abilio salmeron. More sounds ? go here: https://audiojungle. Net/user/wakerone.

I made 3 copies of each sample:a-stretch of 25% and passed in guitar cab simulatorb-lowered by 5-7 semitones and passed in a bass chorusc-passed in a very bland reverblayers and passed in the art vla2 compressor. . . I like them very much. . . Try and enjoy. . (also works with other percussive sounds).

This sound took me a while i used warehouse machinery at the beginning as the gun is turning to its target and when it finished with an alarm and light sound indicating its powering. The charge & fire sound is all synthesis layered several sounds on top with each other also using eq, compressor ect.

Took a violin bow to a chinese guzheng and the results were pretty great. Good for ambience, drones and creepy stuff. Recorded with blue spark and blue bluebird condenser mics through a scarlett 6i6 interface. Uncut with a small glue compressor to minimize spikes.

Built on 'synthetic kick drum' with the following differences:. - subtle spatial stereo addition starting from 105 hz- slight adjustments in individual frequency bands to emphasise sound characteristics- pink noise at below -68db for own frequency adjustments- additional slight warm coloration- sending the kick through the neold v76u73 compressor for additional subtle sound distortion without any compression.

One lonesome bird that lives in a tree on the neighbour's court. I recorded the tweets early in the morning from my balcony testing a røde videomc pro. There was some far away plane noise that i've filtered down quite heavily, so that now the bird sounds kind of 'isolated' and maybe somehow synthetic. Additionaly i passed an eq and a compressor (in audacity).

Distant explosion. Made with mouth sound and some effects, like reverb, compressor and distortion. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2020.

Vinyl-like sounds coming from my old guitar(cheap stratocaster imitation) connected directly into the mic input of my pc with an adapter, the volume and tone knobs, and the five way switch make a similar noise but way more louder; which can be heard around the end, the audio is compressed with the compressor from ableton live 9.

Some venetian snares inspired breaks, apparently he uses med soundstudio, which is a sweet freeware program. Hard to figure out but coolin the same. Emily was born from some massive processing. Smokey joeand replicant a compressor, some darkware, and a touch tiny touch of reverb, and more stuff. . Ran through a mathamatical midi program. . . . 3. 14 (pi).

This was a pretty hard work. I only use a triple osc and i took an advantage of the several asio bugs of my soundcard. I don't mix the sound. I've re-recorded that shape 15 times, after that, i applied massive echo and reverb filters. 3 osc, echo, reverb, compressor.

Virtual analog (linplug albino) lead multi-sample with a big and upfront sound. Perfectly suited for uptempo dance music and synthpop. The samples have been processed with the nomad factory blue tubes dr2s overdrive and compressed using the sonalksis sv-315 compressor. Sample resolution is 24 bit, 44. 1 khz. All samples in this multi-sample have looppoints added for sustained notes.

It's a recording of sounds of an old store refridgerator. The recorder (zoom h2) was put into the fridge and door closed. You can here the varying tempo of the compressor working, it's a characteristic cound that leaves a mark in your mind (especially if you listen to it for a long time). Recorded with zoomh2 rear mics from inside of the fridge. Converted to flac using audacity.

A small bassline created with my new rocktile ebass. I used the (free) safe plugins compressor and equalizer by semanticaudio for the effect part. I used audacity to merge the parts. Recorded with wavosaur. There are small pops at the transition from no fx to fx and at the end of the fx part, just cut them away with some audio software. I didn't listen to it before uploading. My fault, i was sloppy cutting. Plugins: http://www. Semanticaudio. Co. Uk/.

I only use a triple osc and i took an advantage of the several asio bugs of my soundcard. I don't mix the sound. I've re-recorded that shape 17 times, after that, i applied massive echo and reverb filters. 3 osc, echo, reverb, compressor. For this record, i've deleted the major part of the notes. Some new settings of the echo filter, are applied.

An experimental soundscape from space. This is my first texture sound, let me your feedbackand and share your usage with me!. File :- duration : 43 sec- type : wav- size : 7. 26 mo- resolution : hd 16bit 44,1khz stereo. Sound specification :- origin : sample recorded. - sujet of sample : electric switch. Production tools :- daw : fl studio 20- effects : experimental reverb, phaser, lfo filters, modulation, equalizer, compressor. For more information please, contact me by private message or by mail at : alayan@orchestral. Be.

The sound is of an lg french-door refrigerator that just had the compressor replaced but had too much freon loaded. The tubing dedicated to the freezer section accumulated frost which internal fan blades were rubbing against. Later, a savvy technician released some measure of freon and the sound went away. So the sound is now only a memory. No effects or alteration has been applied. The sound was recorded using 'voice record pro' by dayana networks ltd using an iphone 11, ios 15. 6.

It is a recording made with the following instrument´s: 1. Tuperware plastic and spoon; 2. A steren brand microphone, steren amateur model, was used; 3. The recording was done using the pure data adc code, and the necessary code to make a sampler with [tabwrite ~]; 4. The recording was made with the audio interface provided by the tb-03 monophonic synthesizer and with the arduor 5 digital audio station; the processing instruments used to perform equalization, mixing and mastering, the so-called “eq arduor team” and “compressor arduor team” virtual instruments.

I took a few one-shot samples from a bunch of free packs i downloaded off the net (legally), i gave the kick some subtle crunchy distortion in the high end whilst trying to retain it's core sound and it's punch, i altered the transients and the pitch of the samples to make them pop more and sound more to the point and i placed a coloring compressor on the master to give it a bit more overal volume raise without causing it to clip in a bad way.

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

It is a recording made with the following instrument´s: 1. Pianito toy model n88e / hk-6015c from china; 2. A steren brand microphone, steren amateur model, was used; 3. The recording was done using the pure data adc code, and the necessary code to make a sampler with [tabwrite ~]; 4. The recording was made with the audio interface provided by the tb-03 monophonic synthesizer and with the arduor 5 digital audio station; the processing instruments used to perform equalization, mixing and mastering, the so-called “eq arduor team” and “compressor arduor team” virtual instruments.

It is a recording made with the following instrument´s: 1. Glass cup and spoon; 2. A steren brand microphone, steren amateur model, was used; 3. The recording was done using the pure data adc code, and the necessary code to make a sampler with [tabwrite ~]; 4. The recording was made with the audio interface provided by roland tb-03 monophonic synthesizer and with the arduor 5 digital audio station; the processing instruments used to perform equalization, mixing and mastering, the so-called “eq arduor team” and “compressor arduor team” virtual instruments.

A synthetic bass multisample. I created it using the virsyn cube additive synthesizer (vsti). I applied some eq using the sonalksis sv-517 equalizer plugin. The sound was compressed by the sonalksis sv-315 and nomad factory blue tubes cp2s compressor plugins. All great quality plugs. The sound is a nice but rather static emulation of a bass guitar. Use your sampler's velocity and pitch bending options to bring this multisample to life. All samples in a 24 bit, 44. 1 khz resolution. Loop points were added for sustained notes.

Inspired from the sniper scene in "saving private ryan,". These are sound recordings of a heavy storm that entered los angeles. A compressor and equalizer was added to emphasize the rain in the gutter. Used to your preference, add rocks, gun loading, battle etc and you'll have an award winning film. Recorded using a tascam dr07 mk2 x/y stereo config. 24bit 96khz, down-sampled to 16 bit wav. Feel free to credit,comment and suggest further recordings for your need. Glad to help, and remember to enjoy editing :).

The fundamentals of this patch is from the doepfer home pagehttp://www. Doepfer. De/a100_man/a100_patch. Htmthe patch they call "random melody". I call the sound "random melody from doepfer site". Boring. . . I added a voice with some delay/reverb fx and some simple drums. The high-hat is made from white noise and the bass drum isa self oscillating filter. I have used a minor scale on my doepfer a-157 quantizer. This sound is slitly treated in audacity. A little compressor and limiter. Review from one of my kids: "well, there is some rhythm".

A version of greensleeves, played on a music box with distortion and reverb, to imitate the speaker of an ice cream van. In australian ice cream vans most commonly play greensleeves for some reason, and they all use crappy amplifiers cranked up as loud as they'll go, so the result is something like this. Created in ableton live. The music-box sequence is created using a sampler with sounds from https://freesound. Org/people/folkman/packs/4540/ put through an expander-compressor and an overdrive filter with reverb.

The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

Dont ask why this is named like that lol, made using a lot of layers but the fundamental of the snare is synthesized, distorted the first miliseconds of the sample to make an snappy transient and make it cut throught the mix. For the process i used analog modelled plugins such as exciters, tube saturators, preamps, coloring eqs, and compressors alongside with some digital modelled plugins such as camelcrusher, transient shaper and sliceeq both by kilohearts, the compressor mjucjr ny klanghelm to amplify the waveform of the sample and finally a clipshifter plugin, which i love it, to limit the snare aggresively.

Field-recording of the creek found in old ellicot city, md. The creek is located in a suburban town, and is surrounded by a man-made rock moat about a story below street level. Recorded using a sony pcm-m10 at 24bit, 96k. The sound has been gently processed!!- hpf (6db slope) to remove rumble- compressor (ni supercharger gtx) with a minimal 1db gain reduction in m/s mode and a bit of warmth added. - ozone 5 for a little m/s eq to alleviate some of the watery pops on the sides and a little stereo widening to compensate for the pcm-m10's built in omni mics.

For this sound, i generated a square wave at a frequency of 440 hz and an amplitude of 0. 80 and a duration of 1 second. I choosed the following effects:1- wahwah with frequency f=1. 5hz , amplitude= 70 %, resonance = 2. 5 and offset frequency = 30%2. Repeat3- compressor (x2)4- fade in (half of the sound)5- fade out ( the other half of the sound)6 - phaser with 10 phases7 - paulstretch with the stretching factor=5 and resolution = 0. 258- echo with 1 second delay , decay factor=0. 59 - cut (to arrange the sound). After all this effects, the sound is like a sound recorded in space with echos.

This is a recording of a slow freight train passing from about 50 feet away using the internal mics of a tascam dr-40. The recording was made in southern mississippi, usa. The train was going down a gentle slop, around a bend. The engines can be heard approaching and passing, followed by the various sounds made by the wheels as the individual cars pass. The file was edited using adobe audition 6. The processing used was a high pass filter around 30 hz and a multi-band compressor. A couple of times during the recording clipping of the pre-amps can be heard because i was manually riding the input gain.

Xy stereo recording from gärdet subway station in stockholm. This focuses on an older trains doors, various steams and similar "heavy" sound elements. In post: edited in pro tools with som bass cutting (eq) and automation to make some sounds stand out but still sound realistic. Put on a light compressor and pich-shifted down some elements to give more depth. This was in someway inspired by "dead space" tram and door sounds but slightly less "massive" and haunting. Ps. There's 2 versions of this recording. The one with "nr" in the title is noise reduced so sounds like the doors and steam are somewhat separated from the background. Hope you like it.

This is the second version without the mechanical bolt. Maybe can be used for bolt action rifles. Made this is ableton live, it is multilayered with the top end of a 9mm and the low/mid range of an ak47. Another carbine sound is faded in after the transients to give more sustain. Two reverbs fade in and out creating a smooth transition and blend. A little white noise is added for subtle sheen and air. All the layers were grouped together into a single band compressor and ran through serum fx distortion and then into a krush distortion plugin for added fatness. A blending reverb was used to glue the sounds into the same space and ran into a final transient designer which is adding a little more snap and punch and clipping the excess transients off. Enjoy.

. . Inside an intercity express (ice) between stuttgart and mannheim, sitting in an almost empty (three passengers) second-class broad-spaced compartment at around 9 pm. After a shaky first minute an even part follows for around 90 seconds. Interrupted by some road holes the steady sound continues, now with the frequency of the engine sound rising until the beginning of the fourth minute. Here the "main part" begins, starting with several moments of acceleration, deceleracion and breaking. From minute 5:15 to 7:35 the train reaches it's peak velocity, with only few bumps. After a short deceleration the train inceases velocity again, reaching a second peak, this time noticeably bumpier. Once in a while you can hear some element of the fitments rattling nervously along the track, depending on the constitution of the railways and the overall situation. During the last two minutes the train keeps on decelerating slowly and continuously until the end. Recorded in stereo with a portable stereo recorder (zoom); enhanced in audacity using a parallel dynamic eq (tdr nova), a compressor (vos density mkiii) and a binaural spacializer (auburn panagement).

Made in ableton live. A slow firing heavy weapon. 19 layers were used to create this one. Eq was used to select different frequencies from various weapon samples and compressed together for the inital transient or pop. Time based fade in/out layering was used for the sustain and reverb tails so they fit nicely together. The single shot that was layered together was then printed as a new audio sample. I created a loop and pitched every shot by a few cents or 1 semitone to add variation. Each sample was then manually shifted on the timeline forward or backward by milliseconds to give a more realistic feel in timing rather than sound robotic. Each shot was sidechained to duck down in volume when a new shot triggers for more clarity. Mechanical trigger and bolt movement samples were add in before/after the initial transient of the shot. Shell hit floor samples were used for added detail. I felt the shots lacked a good sub bass so an eq was used to filter out the sub and replaced with a rapidly decaying 808 kick drums sub. Once the loop was formed, all shots were then grouped together and processed with a transient designer into a clipper, a compressor, a maximizer, ott multiband, gluing reverb, stereo spread and then into a final limiter. Enjoy.

It's a 15-minute long drum improvisation. It contails a lot of different beats and rhythms played so you might cut-out some loops for your needs. The kit has:- single kick- snare- hihat- 3 toms- broken crash that sounds really short- ride. The kit was old and not in perfect condition. I also used my sticks to play on some other part of the drumkit, like metal stand for the crash etc. I also got up and stated running around in a circle hitting sticks together and afterwards hitting drums and cymbals while running around the drumkit. I took my shoes off before i started so you can't hear my footsteps. I didn't use a metronome and i know i don't hold the tempo and it's a bit wiggly sometimes. I think this performace was inspired by band mr. Bungle. I recorded this with zoom h2 handy recorder's front stereo xy mics. It was standing on a table about one meter above the floor. Facing the drumkit and me. It was captured into a 48khz/24-bit wav file, then i trimmed the ends and converted this to flac using audacity. No processing applied, though i think it sounds nicer when you put these effects:. 1. A compressor:-attack: 10ms-release: 50ms-ratio: 2. 5:1-treshold: around -24db2. A reverb:-decay: 1. 5 to 2 seconds-dry: 0db-wet: around -15 db. It amazes me how much energy compression actually adds to drums!. I made this with my podcast (http://unfamusic. Com/fnr/) in mind. I want to overdub guitars, vocals and make it one big schizophrenic song. If you're interested to hear it, leave me a comment so i can find you, or just subscribe to my podcast's rss (http://feeds. Feedburner. Com/unfa-fnr/).

This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).