1,491 로열티 프리 오디오 트랙들 "Experimental"에 대한

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01:45
Washes of colored noise interspersed with splatters of tonal sound, created by processing some very basic synthesizer tones through granular synthesis program granulab.
著者: Alienistcog
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07:07
Utilizing ableton vinyl distortion as a sound source to produce this experimental texture. Also a ride cymbal pitched and stretched as the source for low frequency ambience.
著者: Discovertigo
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00:09
A wide, weird bubbling sound.
著者: Greenratt
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00:16
Macbook 4,1 initial power-on chimeh4n.
著者: Fatbass
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01:10
Free content. Thanks for your feedback.
著者: Blackwavers
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01:06
Ideal para videos culinários, coffes etc.
著者: Fabianogonca
00:00
00:07
Created in audacity.
著者: Creyeo
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00:11
You can use. Just credit quijack.
著者: Quijack
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00:04
Layered, filtered, timestretched, percussion.
著者: Fons
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02:12
Daw: fl studiovst: native instruments arkhiseffects: soundspot hiku.
著者: Bosonspin
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00:04
An odd metallic & random blip sound.
著者: Greenratt
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00:59
Two members of an unfamiliar species in discussion.
著者: Ambigcube
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00:02
A great sample from an old record.
著者: Niftygritt
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03:54
Another take changing effects.
著者: Ta At
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00:36
Listen at your own risk !!!!!! (biosafety level 3).
著者: Jrt
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00:11
A drum loop i used for a youtube video.
著者: Abominablemusic
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00:07
Created with reaper and used sounds from free sound.
著者: Scastillo
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00:17
Voice recorded with a crappy microphone and distorsion.
著者: Clemza
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00:05
Short looping ambient voice sound.
著者: Defysolipsis
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00:06
Originally the squeak from a toy, highly processed using audacity.
著者: Doubledog
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00:06
Made using lmms. Deep dub-ish sound i've made.
著者: Thiccskin
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01:23
Basic treatment of voice with csound algorithm.
著者: Galeku
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00:54
Made with renoise and effect recorded with studio ux2 soundcard.
著者: Deleete
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00:03
A flick of a switch with effects including reverb.
著者: T Roy
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00:07
A metal can being struck with a small wrench.
著者: Jgreer
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00:32
Is it possible to shimmer and stumble? this beat says yes.
著者: Kid Dry
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00:42
Sample made with piano plus some guitar effects.
著者: Smallclone
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00:32
Like a melody from the anciant times, at 120 bpm on reaktor.
著者: Lezef
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00:60
Spacy, rhythm with that little something extra. You be the judge.
著者: Kid Dry
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00:53
More ambient sound experiments. Made with synth 1 and effects from lmms.
著者: Balica
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00:23
I've made this pad with some tuned sounds from the softsynth absynth.
著者: Format Noise
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01:20
A sound track made up completely of sounds recorded in my bathroom and edited in ambleton live.
著者: Wrenshep
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00:24
166bpm xenharmonic fm loop (no tuning system, tuning is determined through fm oscillator sync).
著者: Msxplus
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00:07
Took hand held electric milk frother and played dobro with it.
著者: Joerhino
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00:04
Sonido de una silla de escritorio, que ya está un poco vieja y que genera un chirrido.
著者: Sunart
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02:28
I wouldnt know how to describe best this project. It's dark and odd but it was fun.
著者: Chicolatino
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00:50
Once again, the name says it all. A little shimmering and a little stumbling. Please enjoy won't you.
著者: Kid Dry
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00:04
Made using lmms and compressed using audacity. Some bass sound i made a while back that i decided to upload here. . . Enjoy.
著者: Thiccskin
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00:11
I dont kow, from whre that sound is. I think, its an error or something like that, because i fund it at the end of a recording and strechted it.
著者: Urieljohannes
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00:02
A rough analog to an explosion, a work in progress, could be coupled with sounds of trash and debris to make the sound fuller. May fit as an artillery sound effect.
著者: Magnuswaker
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00:17
I simply took guitar sample and edited it, then i added an interesting sound sample and made sweet melody with some plugins. The soft which i used is just fl studio. This sound is about 2010.
著者: Gnidagnidegnid
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02:04
This is a recording made in my apartment room while i am flying my dji spark drone. This recording was done with a samsung galaxi a3 mobile phone. This recording was made in the province of rieti in italy.
著者: Andreauomogatto
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00:04
Mixed signal and noise with 15db snr. Input file : '15db. Wav'channels : 1sample rate : 16000precision : 16-bitduration : 00:00:03. 24 = 51761 samples ~ 242. 63 cdda sectorsfile size : 104kbit rate : 256ksample encoding: 16-bit signed integer pcm. Source for generation: https://github. Com/sato-kunihiko/audio-snr.
著者: Bagustris
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03:16
Droning sounds created by rubbing a string against my acoustic guitar in an open tuning. There's some plucking at the end but that's kind of random. I figured i should start uploading some of the more interesting things i have since i've used a lot of material from this website without really contributing to it at all.
著者: Gabriellafrance
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00:06
I have generated a sound ( sinusoidal, 300hz) and i have altered it with the level tool. Then, i have added a pluck ( pitch 114) and reversed it. I have created a “white noise” which i have stuck after the pluck. Finally, i have generated a sound ( sinusoidal, 1000hz). I have put it at the end and altered it with the level tool. I used audacity.
著者: Iut Paris
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00:04
I have recorded the noise made by blowing in a glass bottle and i have added a “wahwah effect”. Then, i have recorded a sound made with my thumb and the bottleneck. I have changed the speed ant cut it. Then, i have recorded the noise made with my hand hitting the bottleneck. I have used the effect “blend in closing” and changed the height. This sound can be used as a loop. I used audacity.
著者: Iut Paris
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04:07
At cmu, there is a building with a really long hallway that has amazing acoustics. In this experiment, i set up a feedback loop. On one end of the hallway, there is a microphone connected to a laptop. On the other end, there is a speaker connected to another laptop. The two laptops are connected via skype calling. I play with my speaker's built in eq, and play my violin to stimulate the resonant frequencies of the hall. A better set up would be to use better equipment directly connected to each other, and have a stand-alone eq to independently control what resonant frequencies are playing.
著者: Conundrumer
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08:57
Another experimental ambient piece.
著者: Sami Hiltunen
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01:31
Weird robotic glitch beat experimental.
著者: Aptbr
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00:01
The percussion is good for experimental, ambient or future garage music.
著者: Ishmaelberg
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