4,289 로열티 프리 오디오 트랙들 "Midi"에 대한

3-12 trichord on C. Augmented chord.

A few bars (30,32, etc.) from Schuberts song "Der Lindenbaum"

Variation 1 aus dem dritten Satz von Beethovens Klaviersonate Opus 109

Slendro vs whole tone scale on C

3:2 polyrhythm for comparison with the Habanera tresillo rhythm.

Tone row of Webern's Variations for piano, op. 27.

Ausschnit (sul una corda) aus dem zweiten Satz von Beethovens Opus 109

Takt 1-8 des esten Satzes aus Beethovens Klaviersonate Opus 109

Passage aus der sechsten Variation des dritten Satzes aus Beethovens Opus 109

An arpeggiated chord. Created by SreeBot (talk) using Sibelius 5. GFDL-self

Eight bar blues, guitar chords: I V7 IV7 IV7 V7-IV7 I V7.

Just augmented fifth in just C scale: E♭ and B.

Beschreibung Takt 1-8 des esten Satzes aus Beethovens Klaviersonate Opus 109

833 cents scale step 2. 235.77 cents. 3⁄ φ {\displaystyle \varphi }  2

833 cents scale step 5. 597.32 cents. 1⁄3/ φ {\displaystyle \varphi }  3

833 cents scale step 9 (2). 1068.86 cents. 3⁄ φ {\displaystyle \varphi }

Heavy metal gallop pattern on guitar power chords, with palm muting.

833 cents scale step 3. 366.91 cents. 1⁄ φ {\displaystyle \varphi } /2

833 cents scale step 12 (5). 230.41 cents. 1⁄6/ φ {\displaystyle \varphi }  4

Northern Lights chord. Created by Hyacinth (talk) 16:19, 2 October 2010 using Sibelius 5.

Habanera rhythm (tresillo) and 3:2 polyrhythm alternating for comparison.

First nine measures of the Grand Sonata in F minor, Opus 77 by Dussek

833 cents scale step 13 (6). 366.91 cents. 1⁄ φ {\displaystyle \varphi } /2

A few bars from the songs "Der Lindenbaum" and "Wasserflut" from Franz Schuberts songcycle "Die Winterreise"

833 cents scale step 1. 99.27 cents. φ {\displaystyle \varphi }  4⁄4 φ {\displaystyle \varphi }

833 cents scale step 4. 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }

Takt 3 und 4 aus der vierten Variation des dritten Satzes von Beethovens Opus 109

833 cents scale step 11 (4). 99.27 cents. φ {\displaystyle \varphi }  4⁄4 φ {\displaystyle \varphi }

833 cents scale step 8 (1). 932.36 cents. φ {\displaystyle \varphi }  5⁄4 φ {\displaystyle \varphi }

833 cents scale step 15 (1). 565.45 cents. φ {\displaystyle \varphi }  6⁄8 φ {\displaystyle \varphi }

833 cents scale step 7 (0). 833.09 cents. φ {\displaystyle \varphi }  2⁄ φ {\displaystyle \varphi }

Compound duple drum pattern: divides two beats into three. Created by Hyacinth (talk) using Sibelius 5.

833 cents scale step 6. 733.82 cents. 1/ φ {\displaystyle \varphi } ⁄ φ {\displaystyle \varphi } /4

833 cents scale step 14 (0). 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }

Aus meines Herzens Grunde, Chorale 1 (BWV 269), for harpsichord and piano by J. S. Bach (1685–1750) from Editions de J.P Kimberger - C.P.E Bach.

Ich dank dir, lieber Herre (BWV 347) for harpsichord and piano by J. S. Bach (1685–1750) from Editions de J.P Kimberger - C.P.E Bach

One example of imperfect consonances previously considered dissonances in Guillaume de Machaut's "Je ne cuit pas qu'onques".

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar. Created by Hyacinth (talk) 14:10, 7 July 2009 using Sibelius 5.

Bugle scale: the five notes that comprise most bugle calls: C G C E G (harmonics 2 3 4 5 6).

Bach, Sinfonia in F minor BWV 795, mm. 1-3, composite rhythm.

Twelve bar blues in B, block chords. Created by Hyacinth (talk) 09:25, 17 December 2010 using Sibelius 5.

Scarborough Fair arranged for 2 flutes and harp with 2 variations "Scarborough Fair" arrangiert für 2 Flöten und Harfe mit 2 Variationen

Augmented chord progression: V+75 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: V+65 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: V+43 I63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.

Secondary supertonic chord: ii7/V - V/V [- V] in C major (a7 - D7 [- G]). Created by Hyacinth (talk) 15:14, 18 July 2010 using Sibelius 5.

An excerpt from the traditional Latin song "Adeste Fideles". Created by Hyacinth (talk) 22:50, 1 February 2012 (UTC) using Sibelius 5. See: :Image:Adeste Fideles sheet music sample.svg

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 05:08, 14 July 2011 (UTC) using Sibelius 5.