1,528 로열티 프리 오디오 트랙들 "Piece"에 대한

Pieza compuesta por dos sonidos, uno agudo y uno grave, en el cual el primero marca el pulso y el segundo la clave. Piece made with two sounds, one high and one low. The first one marks the pulse and the second one the compasses.

I've reset all my licenses to cc0. These are all public domain. I apologize for not responding sooner. I'm just now discovering most of the attention these pieces got. Thank you all who've commented. I'd have remained oblivious otherwise.

I wanted to create mood for a shot video piece that was dramatic, ambient and atmospheric. I jumped on my midi-controller keyboard and generated this sound on my computer using software synths and mixed it and processed it in audacity. Useful for background music for video, or for meditation.

I created this piece by using the squidfont orchestral soundfont and a program called musescore. You can use this music for any kind of sad part of a movie, a romantic scene, when you're going to heaven, etc.

The sound is a contact mic'ed piece of pvc pipe which has a drawstring from a pair of shorts tied to it. The sound is the drawstring being plucked. It's could be good for bass lines. The sound was processed slightly in goldwave (some noise reduction/eq adjustments/fading).

Recorded sand on a large piece of paper being dragged across a rubberized dance floor (marley). Space had a twenty foot ceiling. Recorded with a tascam im2 stereo condenser microphone and ipod touch. This version has shorter, tugging drags.

Four pieces of wood chopped with an axe. Recorded in 24-bit 96khz with a tascam dr-40 and a sony ecm-nv1. For details on sow: blacksmith ed1 sound pack see: www. Oree. Storijapan. Net/praxis/sound-of-work.

Pieza compuesta por dos sonidos, uno agudo y uno grave, en el cual el primero marca el pulso y el segundo la clave. Piece made with two sounds, one high and one low. The first one marks the pulse and the second one the compasses.

A piece of my queens loop pack, a tune that never became a full idea, but that i felt was worth sharing. I hope you can find some use for it!.

Claude-Paul Taffanel's Andante Pastoral et Scherzettino (1907), the competition piece for the 1907 Paris Conservatory Flute Concours. Performed by Alex Murray (flute) and Martha Goldstein (piano) for Pandora Records, c. 1980, and released on Pan 110.

A 286 computer booting and running a self-test before reaching the os, then getting shut down through the button at the middle of the right corner of the case, including part of the monitor shutting down. The picked license is creative commons 0, but it'd be great if you could mention me in your work, if you ever use it for it, i'd like to take a look at what you've done. Recorder: moto g4 play (harpia), laying flat and facing down on the case. Microphone: built-in microphone. Encoding: wave (lossless, 32-bit float pcm). Processing: no dsp applied, removed a full piece of sound at the beginning and a full piece of sound at the end, including environmental noises that weren't related with this recording.

A piece of melody stuck in my head as i heard it not remember where, kind of 80's space or zodiac band's music.

A short piece of text beginning "until the philosophy which holds one race superior. . . " read out at the request of user escortmarius. Seven takes, getting progressively further from the mic and more emotionally varied. Mic: akg c414, converter: steinberg mr816x, daw: cubase 6.

A simple yet familiar riff on a low a3 native american bamboo flute. I tried to make it so it would loop. This is part of project that i am working on that involves several flutes. If you use this as backing for your piece, please share it.

I thought i record some breaths, tried to variate it a bit. For example there is an inhale and exhale with the yogic ujjayi breath and some other ones. I used some of these in drone pieces, they blend it pretty well. Thats unprocessed raw: just recorded direct into ableton 9 with zoom h2n.

Pieza compuesta por dos sonidos, uno agudo y uno grave, en el cual el primero marca el pulso y el segundo la clave. Piece made with two sounds, one high and one low. The first one marks the pulse and the second one the compasses.

Pieza compuesta por dos sonidos, uno grave y uno agudo, en el cual el primero marca el pulso y el segundo la clave. Piece made with tow sounds, one low and one high. The first one marks the pulse and the second one the compasses.

I used my bathroom as a live echo chamber - porting out from my pc, and then recording back via a neuman mic. I liked the tunefullness of the boiler pump in the airing cupboard, so left it running and put the mic in there. This is a very small piece of an overtone composition i made.

Recording of my boss' dog ira eating (munching) those small seaweed squares from trader joe's, costco, etc. I apologize for the mic noise, he kept sniffing the microphone after he ate a piece!.

After walking the dog she usually gets a piece of the crispy swedish bread called "knäckebröd". The sound is picked up with a se electronics usb2200a and my laptop using audacity. I'm afraid the dishwasher brings nome noice in the background.

Leading-tone seventh chord in baroque composer Élisabeth Jacquet de La Guerre's 1707 Pièces de clavessin, book 2, "Sarabande", mm.21-8 (ending).

Pieza compuesta por dos sonidos, uno grave y uno agudo, en el cual el primero marca el pulso y el segundo la clave. Piece made with tow sounds, one low and one high. The first one marks the pulse and the second one the compasses.

Simple mashup between two cc zero pieces on this site, namely:http://freesound. Org/people/roofdog/sounds/79242/http://freesound. Org/people/northern87/sounds/131099/. . . . As a draft sfx for the foss video game the secret chronicles of dr m (successor to secret maryo chronicles) http://secretchronicles. De.

Made on fl studio 11samples taken from "producers kit" downloaded separately. Written and produced by: lord mastereo. Feel free to use this,and build on from this piece of the puzzle. Keep it chaste!. *also, please don't forget to give me credit. . . 1love_nlw.

A 5 minute sound file made by muting the strings of one of my banjos and playing a small range of finger patterns in mixed order. Recorded direct to my computer with a few adobe auditions effects added to enhance the sound. A great fit to a short story or thought-provoking piece of work.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the seventh piece of what ultimately became seven works that shared the name Gnossienne. It was recently discovered, was not dated, and was not explicitly named Gnossienne or numbered as such. This rendition was performed by the La Pianista.

During & after a dinner taking place at an equestrian circus outside paris, an 9 piece romanian gypsy band plays some tunes. Tuning of instruments, ambience of circus tent. Contact notthisbody if high-quality. Wav is desired. Www. Notthisbody. Com.

A juicy pineapple being broken into two pieces. Good sound for a horror scene. From the sound library vegecide!get the whole library at http://www. Sonniss. Com/sound-effects/vegecide/.

In this piece, the recording of an acoustic guitar was made,with the technique of listening with one ear from several points and distances, since, as we saw in course 2, doing that is like listening to the way in which the microphone picks up the sound; and that is the specific point where the microphone must be. A dynamic microphone, interface and computer with digital audio station was used.

Recorded sand on a large piece of paper being dragged across a rubberized dance floor (marley). Space had a twenty foot ceiling. Recorded with a tascam im2 stereo condenser microphone and ipod touch. This version has longer, drawn out drags.

Using a sharpie marker pen to write and scribble on a piece of paper. Writing, a few dots to punctuate writing a sentence, drawing a heart then scribbling inside the heart shape to fill it in. Scribbling different speeds. Recorded on a zoom h1.

Various pieces of landscaping (large earth-moving) equipment on a multi-acre site being developed for condominiums and a mall. Beeps from distant machinery such as a roller as well as closer passes by a dumptruck and two spreaders pulled by john deere tractors. Morning background sound of birds as well.

A raw audio mp3 recording of glass shards being shuffled around on cement. The quality sounds awful and i'm not sure how it turned out that way, but if you still think it's usable, the sound is here. :-d recorded with a black sony ic voice recorder.

Impact of a metal missile thrown against a window. First the windows doesn't brake and you ear the sound of the metal on the floor. Then it beaks and you ear the pieces of glass heating the floor. Large hall natural reverberation. France, 2006. Recorded with schoeps ab ortfrecorded on sounddevice 744twave stereo, 16 bits 48khz.

This is my wind entry for the competition. It's derived from some recorded voice and putting a microphone in various containers while the wind was blowing. I was able to get some interesting sounds from this, then i used some mutation effects, convolution, and phase vocoding to combine the voice and the wind sounds into this short piece.

We needed some blade runner style opening for a production so i came up with this 1 min piece that has that kind of feel (vangelis, tron legacy). It was written with dimension pro. You are free to use this in any project you are working on. Support freesound and upload your own creations. Kiddpark.

This is me getting a decaffeinated coffee from the vending machine at work, with the sound of two 5p pieces going into the coin feeder. This is the full take so ends with me singing o myself like an absolute goon.

20 minutes piece of modular jam. Thanks fernando anschau for the amazing rack!.

An electric kettle starting to boil - it has a high-pitched shrieking effect great for layering into sound design. I've used this in a couple horror trailer pieces. Enjoy!. Recorded with a zoom h4n.

I was digitalising one old vinyl recording. I decided to cut out some interesting noises. This is an edited recording consisting of several pieces. Edit it to your needs. The recording was done with a zoom h2 from a stereo line.

This use to be a song i was trying to write. . . I failed miserably at the song but played around with some ambiance i created by accident and turned it into a piece or sound design instead. Good for a scene change in a horror film i suppose.

This is a raw sound-design sci-fi piece i made with a modular system using 4ms ensemble oscillator, mutable instruments clouds, strymon magneto & intellijel polaris.

Simple noodling using the soprsax! patch on the yamaha vl70-m physical modelling synthesizer using the yamaha wx11 windcontroller. Vaguely inspired by listening to a video about wayne shorter’s infant eyes. Might become useful in a future piece of musicking.

This is a great little piece to be used in teasers, trailers, or anything of the sort as it slowly builds up to reveal the climax. It also works in intros or logos, as well. (made in garageband version 2. 3. 8). You don't even have to credit me! (actually, please don't, the username is so cheesy). Thanks for downloading!.

A mouse eating a piece of prawn cracker from the chinese restaurant! this was the soundtrack to a 26-second film clip of a little black pet mouse having a treat. Some ambient noise, birdsong may be heard in the background - hopefully not too much. Had to grab the moment while i could!.

The classic sad violin piece, performed by my girlfriend, on her czech violin. "hearts and flowers" composed by theodore moses-tobani and published in 1893. Recorded with at2020 usb directly to audacity on my macbook. Noise removed.

Tiny and resonant impacts with a tiny piece of metal on a tea cup (china like). Tonality: c-c#. Recorded with zoom h6 and clippy em184 from fel electronics. Light denoise with rx 7 spectral denoise.

Tiny and resonant impacts with a tiny piece of metal on a tea cup (china like). Tonality: b-c. Recorded with zoom h1 and clippy em184 from fel electronics. Light denoise with rx 7 spectral denoise.

Hello World! is a piece of contemporary classical music for clarinet-violin-piano trio composed by Iamus Computer in September 2011. It is arguably the first full-scale work entirely composed by a computer without any human intervention and automatically written in a fully-fledged score using conventional musical notation.

Plastic dice (1) rolling on a piece of paper on a wooden table (to simulate a carton board). Recorded with a se electronics se1 cardioid mic into motu 828mk2 interface, 48khz, pointing at the source, around 30cm away. Small, slightly treated room with reflective walls.