46 로열티 프리 오디오 트랙들 "“acceptable”"에 대한

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A menu selection sound effect.
著者: Mmaal
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01:41
Just little tune to relax withi recorded it with edirol r09 ,i play a little kalimba,software - audacity,.
著者: Anotherotaryfatum
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Scream of getting accepted into college.
著者: Kerauch
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00:11
A simple 'challenge accepted' voice clip for use in funny videos etc.
著者: Farsightvideomonkey
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02:41
Heart of Acceptance by John Bartmann
著者: John Bartmann
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A sound used for gui accept button clicks. Created using audacity with two sinusoids with fade-in fade-out effect.
著者: Farpro
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Sound from my gamepad.
著者: Artembasov
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The words, "you must learn to accept your loneliness, for it is in this struggle we make all our costliest mistakes. ".
著者: Cognito Perceptu
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Transition into stage 5: "memory lane".
著者: Ahmira
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Sound effect i made for liblast, an open-source multiplayer fps game:https://github. Com/unfa/liblast. Synthesized using vitalium and ardour 6 under manjaro linux during his livestream:https://youtu. Be/autslnzvqvi.
著者: Unfa
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Accepted transaction sound of a dutch payment system.
著者: Mega X Stream
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Some sound i accidentally made while recording something with my webcam mic. If i recall this was a sound i made after sipping some water. However, because of my webcam mic's lo-fidelity, it ended up sounding like a great menu accept sound for a game.
著者: Tahutoa
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Oral acceptance has taken place.
著者: Napro
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01:23
Had to make this for a stagecraft class.
著者: Plantmom Elise
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00:16
Accompaniment acceptable in the Berklee method but not in common practice theory.
著者: User:Hyacinth
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Confirmation sounds for game or app menus.
著者: Oganesson
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This recording of a canal in phoenix, az has been made into an acceptable loop.
著者: Kim
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Short high-pitched click sound.
著者: Breviceps
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You wake up nude and covered with paint.
著者: Nuncaconoci
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Quick record test to make sure i can upload. Freesound is currently not accepting flac files, wanted to make sure it was just flac.
著者: Kbclx
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Alarm sound without reverberation. Looped on 120bpm. There is also a file with added reverberation in case if it's acceptable for your project.
著者: Cynical
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A clip of w1zy accepting my call in rhode island whilst i was sat in my van in southport on 23/03/2019. Ft857d, 100w, 40m hamstick.
著者: Mvwt
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A sound sampled from one of my music boxes. It's made of the first 5 notes of swan lake, and can be used for multiple projects.
著者: Breebles
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03:03
Accept our prayers recorded by Franz Hampe in Warsaw. Gramophone matrix 7112L. [1]
著者: Untitled
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The sound of an office door opening and closing. No credit needed, but will accept comments on my podcast the rise of king asilas. Https://www. Stitcher. Com/podcast/the-rise-of-king-asilas.
著者: Jvmyka@Gmail
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A click-ish sound generated completely from scratch with image-line's harmor; processed with camelcrusher, fruity waveshaper, and fruity parametric eq 2.
著者: Brandondelehoy
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Death metal pig squeals, done by yours truly. I accept requests for metal vocals. Please message me with the finished product of what it's used for, i would like to hear it!.
著者: Uzerx
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You can use this sound in any project you want for free, but please also consider supporting me via patreon (1$) : https://bit. Ly/patreon22.
著者: Eponn
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A page of pencil lines processed as a sonogram in soundhack (www. Soundhack. Com) the software accepts pct files and quicktime movies for processing with its qtcoder command. Rgb values are plotted as sound, usually very raw but sometimes it sings back!.
著者: Tedversicolor
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A page of ink blots processed as a sonogram in soundhack (www. Soundhack. Com) the software accepts pct files and quicktime movies for processing with its qtcoder command. Rgb values are plotted as sound, usually very raw but sometimes it sings back!.
著者: Tedversicolor
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Resonant reverb pop layers. Kind of a wood block mallet percussion quality. Might make a good menu sound effect for a game.
著者: Saltbearer
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Enjoy this free-to-use sound fx. Great for ui elements!. Tell me in the comments, what sound you want to have next!like & subscribe to keep this channel active <3.
著者: Nxrt
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01:24
Yesterday's edited and shorter recording when it was quite windy. Even with a wind sock over the mics i wasn't able to cut out the wind but hope this is an acceptable edit after going over the recording and taking out the worst bits.
著者: Nictfw
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Stereo recording of the lp "dance hall of shame"a silent record released by virgin records protesting censorship in music. From the sleeve:"if there is one lesson to be learned through our history, it's that freedom of speech has inevitable risks. But the alternative is slavery of mind, in a society empty of thought. If we value the progress of music and expression, we must accept that there will be music we dislike and lyrics that offend. Our responsibility lies in promoting legitimate argument and persuasion. If we do more than this, overstep our bounds with labeling and censorship, then our unwillingness to accept the risk of freedom leaves only one future to our children: no thinking. No talking. No music. ".
著者: Yfjesse
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07:13
Hey,. I tried to create an acceptable recording of a thunderstorm. Unfortunately i live near a freeway, so it was impossible to filter out the car noises. . . And also the wind blows a little disturbingly into the mic. . . Anyway, the recording turned out better than expected. Feel free to use it for whatever u could need it for. . . . I recorded with a zoom h4n in 44. 1khz wav quality.
著者: Cris
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The moment you know you should have been somewhere else. This, my friends, is why they make you put a licence plate on your car. File is slightly abridged for acceptable presentation. Anyway they were looking for someone else, and seemed remarkably understanding. And decidedly amused. . .
著者: Nuncaconoci
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The apple plaintalk microphone jack used on some older macintosh systems is designed to accept an extended 3. 5 mm three-conductor phone connector; in this case, the tip carries power for a preamplifier inside the microphone. The sound a rather fast repeating beat i made using an apple plaintalk microphone in a rather modern windows laptop using audacity. I messed around with the jack, and took out all the silent parts.
著者: Gyoung
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X-act heavy metal drum kit==========================drum kit: tama rockstarsnare: mapex maplecymbals: zildjianall were recorded in studio with a sennheiser e835 microphone plugged into a roland juno-g synthesizer. Cymbals need some 15khz eq increase because of the dynamic microphone's treble roll-off. No copyrights, free for all uses. I recommend using native instruments battery to launch the samples. Each of the battery's cells can accept stacked multi-samples, and the kit can be played through an electronic drum kit through midi. Excellent results. Any comments, contact matias: matias. Reccius@gmail. Com.
著者: Matias
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A semi-rare and priceless recording (at least to me) of a whippoorwill; a bird who, unfortunately, is declining in many areas of the country. This recording contains more hiss than many of my existing nature recordings, but i still want to post it so you can get sample of this wonderful signature sound of summer woods at dusk. Recording made in the shawnee national forest in late may of 2010 using my zoom h4n recorder. I used an audio technica at8035. I was trying out this microphone. This particular microphone does have a narrow acceptance angle, which is probably 1 reason for the hissiness. Still, go out in the summer woods around dusk sometime and maybe you will get lucky and hear this beautiful little bird whose distinctive calls have livened up the woods for generations of many youngsters – including me!.
著者: Kvgarlic
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I built it because i could. It is fitted with gliding linear slide carriage bearings, has a counterbalanced offset crank with needle bearings, a jackshaft to drive it from a variable-speed dc motor, and even a variable stroke length (which was tricky). Above all it has something i haven't seen in any of the machines one can buy, a bendable, collapsible coupling that would prevent injury to whomever is on the receiving end of the stroke. Clearly it will never be placed into production as it would cost too much to sell at a typical consumer price level. May all be for nothing because i can't get anyone to let me try it out, and i'm only accepting female applicants from among people i know. It's my machine. Sue me. This file is a 30-second-plus repeat of "v1-reciprocating machine. Wav. " downloading that file and using the repeat feature in audacity will generate any length file you please.
著者: Napro
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The book voice lines from how to succeed in buissness without really tryinglicence:book_voice_recordings_how_to_succeed_final. Wav is licensed under the creative commons attribution 4. 0 internatio you are free to:share — copy and redistribute the material in any medium or formatadapt — remix, transform, and build upon the materialfor any purpose, even commercially. This license is acceptable for free cultural works. The licensor cannot revoke these freedoms as long as you follow the following license terms:no additional restrictions — you may not apply legal terms or technological measures that legally restrict others from doing anything the license permits. Notices:you do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.
著者: Mikealphamikealpha
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I built it because i could. It is fitted with gliding linear slide carriage bearings, has a counterbalanced offset crank with needle bearings, a jackshaft to drive it from a variable-speed dc motor, and even a variable stroke length (which was tricky). Above all it has something i haven't seen in any of the machines one can buy, a bendable, collapsible coupling that would prevent injury to whomever is on the receiving end of the stroke. Clearly it will never be placed into production as it would cost too much to sell at a typical consumer price level. May all be for nothing because i can't get anyone to let me try it out, and i'm only accepting female applicants from among people i know. It's my machine. Sue me. This file is only 2. 6 seconds in length. If you use audacity to repeat it as i did, it will mesh perfectly together to give you any length audio file you want. I did that to produce "v2-reciprocating machine. Wav. ".
著者: Napro
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Forward with NOAA the NOAA Corps Song The "NOAA Corps Song" is actually entitled "Forward with NOAA." In 1987-88 the National Association of Commissioned Officers (ACO) was interested in commissioning a NOAA Song. Captain (then Commander) Steve Manzo was a member of the ACO Executive Board and volunteered to assist. Manzo contacted a long-time friend, Bob Arberg. Bob's father, Bud Arberg, had actually written the music and words to the "Army Song" -- while assigned to the Adjutant General's Staff during World War II. Dr. Arberg (former Princeton graduate in music) was retired and he readily volunteered to write a song. Dr. Arberg was provided reference materials on the NOAA Corps. He recognized at the outset that this was an attempt to build NOAA Corps morale and he cautioned that buy-in/acceptance within the Corps would not be easy. The song was first presented at a National ACO Dining-In in either 1988 or 89. Secretary of Commerce William Verity was present, as were both Bud and Bob Arberg. Bud Arberg played the piano and performed the "NOAA Song" to the assembled group of 150 officers and guests. Upon completing the NOAA Song, Secretary Verity graciously presented Dr. Arberg with a small gift of thanks on behalf of DOC/NOAA/NOAA Corps. The music was arranged by the USAF Band. The words are as follows: Forward with NOAA With the Corps that's got it all Science and Service We are always there to meet the call We survey the oceans And we track storms in the air Forward with NOAA We're the NOAA Corps, we're always there -- Musical Interlude then Repeat -- Forward with NOAA With the Corps that's got it all Science and Service We are always there to meet the call We survey the oceans And we track storms in the air Forward with NOAA We're the NOAA Corps, we're always there
著者: Untitled
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This sound was created using audacity. First of all i chose a frequency of 432 hz ( a number which includes the golden rule/proportion), then i created a gradual rise in the first 4 seconds, leading into a peak which descends so it can go up again, creating an effect of confusion. At the end, the sound raises gradually and rapidly to reach its peak once again. This sound recreates, for me, a fast- moving ufo (unidentified flying object) and includes the notion of conspiracy in our society- the changing of the frequency of the tone “la “ from 432 hz to 440 hz in 1953 by the nazis. La règle d’or- 432 hertz. Le ton « la » est une pointe centrale dans le réglage des instruments musicaux. Le ministre de la propagande en allemagne pendant l’époque des nazis a fait un décret général avec lequel il a changé la tonalité « la »de 432 hz en 440 hz. On utilise cette hauteur à partir de 1939 jusqu’à nos jours. Il y a eu des protestes de la part de professeur dussault de la conservatoire parisienne qui a fait une pétition signé par 23 000 artistes françaises mais sans aucun résultat. L’organisation internationale de standardisation(iso) a accepté en 1953 les changements et on utilise la valeur de 440 hz depuis. Des recherches montrent que ce changement a des effets incontournables sur le corps et le cerveau humain- les gens entrent dans un chaos. Ce changement a été caché du monde entier parce que c’est le point de la balance dans la nature. 432 hz est la vibration qui inclue aussi le règle d’or (ou la proportion de dieu). Quand on écoute de la musique en 440 hz la première chose qu’on remarque c’est une fatigue, aucun envie de faire n’importe quoi et beaucoup d’autres ( y inclus le mouvement de notre adn) une étude récent montre que l’utilisation de 440 hz crée des mouvais effets dans la nature et dans toutes les êtres vivantes. Cette article m’a inspirée à recréer un son avec une fréquence de 432 hz qui monte et baisse graduellement. C’est un son seul de type complexe(nodal). Il est de type v( continu varié), il est éclatant,clair et lisse. L’attaque du début est graduelle et violente. Le son varie en « hauteur » de plus fort au moins fort et l’inverse, recréant un effet d’un ovni qui passe à côté de vous.
著者: Univ Lyon
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