302 로열티 프리 오디오 트랙들 "발전기"에 대한

Some generative campfire sfx made with sunvox. The crackling sounds were made by taking some highpassed white noise, ring modulating it with some more white noise, and then using a noise gate to usilate the loudest 'crackles'. The rumbling was created using lowpassed white noise. Everything was sent into a reverb and a stereo expander.

Nlc genie and two voices x 3.

A looping note / drone sound.

A small piece of music made a sunny day in november.

A small piece of music made a sunny day in november.

A small piece of music made a sunny day in november.

Simplified quantussy cell x 3 playing.

Simplified quantussy cell x 3 playing.

Simplified quantussy cell x 3 playing.

Using a frozen wasteland quantussy module.

I made a tonal quantussy recording. The bass always plays a low c. The 5 tracks are selected from one 15 min long recording. The synth creates defined tracks with different character.

New session with quantussy cells as an engine for machine composition. New key and some changes. Just listen.

Don't know what to call this patch jet. . .

Nlc sloth and jerkoff generates chaos.

Sounds from a generative patch controlled by chaos. Pure analog modular synth. But digital fx. . . Everything is analog when you hear it!.

Result from a vcv-rack session. A good (or bad) way to get some ideas to implement on the real modular synth. You have to admit this is - experimental.

Looping generated sea waves sound.

Sound experiment made with modular synth.

Excerpt from longer krell patch recording.

the krell patch was conceived by fab wiggler vgermuse, who can be found in the buchla forum!(dcramer, muffwiggler. Org). This is some sort of krell-ish patch. But i don't have an envelope generator with eoc function. . .

Simple. 8-second fading beep. 500hz square wave. Took 2 seconds in audacity. Couldn't find any good beeps for a countdown so i made one.

I hope it sounds like weird signal. Alarm-like, it should represent stressful encounter of the unknown. Made with fl-studio 11 (3xosc and a bunch of effects).

Patch with dynamics and variation - or should i call it variations? anyway,working on how to create variations and dynamics in a generative modular patch. I like the silence. . . It sounds like the electronic music of the 60th. I use the same kind of tools. An analog modular synth.

This was created in pro tools using only the signal generator, and native mixer plugins e. G. Eq, delay etc.

Sound of compressor for some machine in the metal workshop in croatia.

A pulsating softly bass sound depicting a ufo-like sound with some echoing tonal sounds that have a wavering harmonic range. This sound was created from manipulated waveform generated sounds. However, if you decide to use this in a movie, video or podcast send me a note, thx.

Experimental sound.

Warm white noise-ish machinery hum normalized to -2db. Slightly less than 12 seconds, with short fade in and out. No rights reserved. All wrongs reversed. Boost no ills.

A double krell with delay.

No comments.

Pattern 6 hold back the clams. . . Simple graphic score. Fun. Not that obvious. Pattern 6 is here: https://www. Instagram. Com/p/bml3wfka8lg/?taken-by=gis_sweden.

Working on a program. . .

Foley of a machine starting up.

Analog modular synth generative nonsense.

Yeah #300.

A patch i made in vcv-rack.

The hum of generator engine running.

A machine running sound.

Had a short relaxing session with my modular. I wanted to use the "divide by 64" patch and make some generative sounds/music. I added some mixer feedback. This is a patch for 2 voices.

Some generative wildfire sfx made with sunvox. The crackling sounds were made by taking some highpassed white noise, ring modulating it with some more white noise, and then using a noise gate to usilate the loudest 'crackles'. The rumbling was created using lowpassed white noise, and the wind was made by bandpassing white noise with a high resonance and randomly sliding the filter frequency. Everything was sent into a reverb and a stereo expander.

Bringing in the noise. If this sound had a title or name it would be that. Bringing in the noise. The sound is made with an all analog modular synth. No fx at all. Not even a spring reverb. I just felt like doing something.

A sort of mechanical background sound created in audition.

4 osc4 lfo4 env.

This is another laser-kind of sound. Generated with audacity.

Some generative music-ish. . . Inspired by david tudor. . . Hard to understand but true - for me. . .

Some sort of poor mans quantussy x 3. Am-modulation delivers some nice sounds. Deep blurp. Beeps and nonsense. This is generative modular synth music. Machine composition. The machine is a small analog modular synth. Beep!.

Exploring my downsized synth. Feels great. A small synth with a trillion possibilities and hidden surprises.

I record my modular synth performing. I select parts - silence to silence - under 30 seconds. Machine composition - human selection. Warning this is very electronic. . . I'm patching up quantussy cells to make this. Much work for. . . What?.

Electronic minute no 27 - combined forces. A patch with 2 unrelated patchesthey share an lfo. . . A) 2 lfos playing with a-101-1 vactrol vcfthe filter is feed with a square wave. B) a more advanced patchtriggers from env. Follow. Feed with cv from jerkoff (chaos)noise to a slew controlled by a sloth lfos/h to oscosc to vcathe vca is controlled by the same lfo as the slew but inverted!. Evaluation of patch/soundone cycle is - cycles? about 1min - goodonly short sounds - no, and thats goodamplitude variation - fairly goodpitch variation - yes, goodtimbre variation - not bad at allmusical value - i should consider this musicalentertaining - think so, yes.

Sounds generated by a generative patch on my modular synth. Cool, isn't it? loads of samples to find here.