1,773 로열티 프리 오디오 트랙들 "전기"에 대한

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05:14
Engine control unit pilot multi focus hexanode octonode fraser board iso synchronous shelf high rate quality unicode pulse calculator battery jitter autocom light carrier electric standard.
著者: Awaka
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00:39
Deep -sounding pad , with vibarionen, 120bpmi create it with the atmos-synth (magix musik maker 2016) + 2 effects (efx_phaser and vocoder)i have it , used in this songhttps://soundcloud. Com/talan-pl/creye-ycreycymon.
著者: Talan Pl
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00:01
This is not the actual sound of a bug being killed. That is a much shorter sound. This is the sound that comes when the bug zapper is first plugged in. It's the startup sound. I use it for my text notification. My wife says that it sounds like a fart.
著者: Tonycarlisle
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00:07
An ethereal-sounding digital woosh effect. Created using xfer serum, layered with various abstract samples. Perfect for transitions, motion, or hud/ui elements.
著者: Newagesoup
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01:02
Sorta old school, retro, vintage vibe retro rock with maybe a dash of neil young and grunge. Just some chords and vibrato.
著者: Aceinet
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00:05
This is based on a drum loop using one from the famous dubstep samples then uising a dblue glitch fx.
著者: Staticpony
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00:15
Recorded with zoom h1. Friend of mine had stereos that made this sound when they were switched on. Edit: i changed the license to public domain. Enjoy.
著者: Argande
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00:60
only 90's kids will remember. . The sound of a generic car-stereo tape-deck's motor. Slightly eq'd to narrow the spectral range of the low-quality recording device. Recorder: smartphonedate & time: ?location: fremont, ca (usa).
著者: Starscade
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01:42
Made with korg monotron delay.
著者: Younoise
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00:32
A dramatic long, slow descent. You could call it a reverse woosh. Created with izotope iris 2, logic & ozone 4.
著者: Alex Hears Things
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01:10
Radio electric buzz error noise.
著者: Szegvari
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00:02
I created this sound effect using chiptone. You don't need to credit me. You can download this sound effect as needed and use it for any project. You can support me by donating to my ko-fi page here: https://ko-fi. Com/staycalm182.
著者: Brickdeveloper
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00:37
A few cycles of my dad's home oxygen machine with a ticking battery operated clock in the background recorded in the early morning in the living room with lifecam hd3000 webcam at the end of about 16 feet of usb cable dragged out of my bedroom. He's about 6 feet away, i was with my back to the room with my camera pointed at my chest so he wouldn't think i was filming. It would seem this is the first and only oxygen machine on freesound. A full cycle seems to last from between 7 to 10 seconds. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.
著者: Kbclx
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05:31
Engine control unit ecu utv atv trail path channel battery jitter solar wave electric load wideband broadband fraser lens beam symmetry iso synchronous mirror linear scalar curve hysteresis spectrum filter.
著者: Awaka
00:00
05:27
Engine control unit ecu utv atv trail path channel battery jitter solar wave electric load wideband broadband fraser lens beam symmetry iso synchronous mirror linear scalar curve hysteresis spectrum filter.
著者: Awaka
00:00
05:33
Engine control unit ecu utv atv fraser lens iso synchronous flood battery jitter hysteresis corrector alveolus efficiency stream trail path channel analogic calculator high level horsepower electric flexfuel r-type dual.
著者: Awaka
00:00
05:14
Engine control unit pilot multi focus hexanode octonode fraser board iso synchronous shelf high rate quality unicode pulse calculator battery jitter autocom light carrier electric standard.
著者: Awaka
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00:10
There's been a breach in the hackframe. Prepare to launch diagnostic security mi55iles.
著者: Funkymuskrat
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01:31
You think this is a machine room? it isn't. In fact that is how a cat realize his surrounding in the house with normal a family. You hear from start electric tooth brushes followed by electric razor, hair blower, hand mixer, electric bread saw, ice cream machine and some more. It can't be easy being a cat.
著者: Vumseplutten
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00:23
Somebody's mind being digitally tortured or something. 24 / 48, seamless looping.
著者: Euphrosyyn
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03:44
This is the sound of a viking electric lawnmower in action; mowing a piece of lawn. Today i got my audio equipment. This is my first contribution. When i was walking around today to catch sounds, i met a man who was mowing his lawn. I asked him if i could record him while he was mowing his lawn. He agreed and i was allowed to record him mowing. It's a viking electric lawnmower. Description: a man mows the lawn with an electric lawnmower. He drives the lawn mower over a piece of path to the meadow, mows and drives the lawn mower back. At the beginning of the recording, there is a short question asked if he should start now, which i confirm. The recording is unedited. Recording device: zoom h5microphone: xyh-5date: 31 july 2020place: schwanewede, northern germanytime: afternoon, about 4 pm. Weather: 25 °c, sunshine. Hardly any clouds in the sky. Wind from east-northeast, 2 bft.
著者: Eichhoernchensheriff
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00:27
Electric shutters being opened. Recorded with my sony a7iii camera's internal mic. Camera was 10 cm to the shutters.
著者: Khenshom
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00:51
Pull chain light switch on and off - a view variations. Recorded in the basement of an nyc apartment building on may 29, 2021 with the on board x-y mic of a zoom h4n pro. While recording sounds for a film project, i decided to capture this for my archives. Use it in good health.
著者: Ericnorcross
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02:28
Sound of an operating vinyl plotter, with bits of arpeggio-like sequences. Recorded with zoom h5, 24 bit at 48000 khz.
著者: Piecloud
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00:52
Beach relax - disco electronic electric beat chill retro synth dance cinematic music surround.
著者: Szegvari
00:00
06:31
Engine control unit navigator horizon 10 20 40 fraser lens beam quadcore optic processor iso synchronous battery aaa electric stream generator wave surface space ecu utv atv a|b a!=b symmetric.
著者: Awaka
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05:51
Engine control unit fraser lens iso synchronous horizon battery jitter echo wave track field atv power shelf electric motor radio signal analyzer multiplexer multi carb flexfuel rheology.
著者: Awaka
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05:51
Engine control unit fraser lens iso synchronous horizon battery jitter echo wave track field atv power shelf electric motor radio signal analyzer multiplexer multi carb flexfuel rheology.
著者: Awaka
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02:38
This is the unprocessed version of my "sci-fi ambient drone" upload. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. I took a quick 8-second drum loop from my teenage engineering po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. This program is based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Enjoy :).
著者: Niedec
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00:03
An artificial recording of an industrial breaker switch. This is a sound iv'e been in search of for a long time. So i decided to generate the sound myself and make it public to those who also need its use. Check out our other media services at: echocinematics. Com.
著者: Echocinematics
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06:31
Engine control unit navigator horizon 10 20 40 fraser lens beam quadcore optic processor iso synchronous battery aaa electric stream generator wave surface space ecu utv atv a|b a!=b symmetric.
著者: Awaka
00:00
02:50
Train ambience and people talking on s-bahn ride from munich airport to central station. Recorded with zoom h1 and rycote windscreen. Locut off, manual level.
著者: Fillsoko
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00:33
An ambient noisy drone. Could be used for a laser, electric field, some part of a spaceship, who knows>?.
著者: Johnthewizar
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00:04
Bluesharp loop sound hard rock guitarampplayed my blues harprecorded tascam dr-05xedited: adobe + fxs + mastered.
著者: Szegvari
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00:33
Noise that sounds similar to vinyl crackle, made with serum. The preview on this sound really doesn't do it justice.
著者: Jsilversound
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00:22
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
著者: Joao Janz
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01:28
Audio of an electrified commuter rail line in downtown charlotte, north carolina as is approaches the crossing. You can hear the horn in the distance, then the bells of the crossing gates as the begin to close, and then the train horns again before it passes by the crossing into the station.
著者: C V
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02:04
A loud noise coming from a house. I am not sure if this was a messed up washing machine or a cement mixer. Recorded with a sony d100.
著者: Nathanaellentz
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00:12
A full set of assorted sounds i recorded personally of my coffee brewing setup a while back. I get great use out of these, as there is a nice range here, clicks, gears, liquid pouring, tapping on small cups, the list goes on. Feel free to use however you want without credit. That said, i'd always love to hear if my sounds were helpful to you and how you used them!.
著者: Connorgrail
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00:08
Sonified with goldwave in 24-bit big endian raw from this image rainbow.
著者: Kbclx
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00:26
My nightstand's lamp is an antique, it works electrically but also has a hole to use oil with it. This is the sound of me turning it off and on then unscrewing the cap on the hole. Could be used as interesting found-sound percussion, very similar to my oil drum sounds.
著者: F R A G I L E
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00:21
Featured in the game 'noclip vr'!! thank you so so much, reality games online!. This is heavily inspired by the urban myth and/or creepypasta called the backrooms, which have a very distinct atmosphere to them. This is my interpretation. However, this isn't exclusively for backrooms-related stuff! so by all means, if you're simply in need of some interior ambience of any sort, that's also why i made this for you. No advanced processing was used to achieve this sound. I recorded an electrical box in my garage for the buzzing. For the 2nd layer, i turned on some fans in my room, and made a long mono recording of the white-noise. I then split the recording in half, and used each half for the left and right channel, giving it a stereo sound. I then spent an hour leveling all of it because i'm a perfectionist. Yay. Hardware & software used:-audacity-zoom h4n pro (buzzing)-rode nt1 (fan-noise).
著者: Resaural
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00:54
Plucking the very high, tight strings above the nut on an electric fender bass. Perfect for interesting or creepy sound design. Recorded with a zoom h4n.
著者: Megmcduffee
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01:17
I have created a synth pitch on the daw renoise which sounds similar with the magnet from transformers 4. I hope you like it and use it :).
著者: Brainclaim
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05:51
Engine control unit fraser lens iso synchronous horizon battery jitter echo wave track field atv power shelf electric motor radio signal analyzer multiplexer multi carb flexfuel rheology.
著者: Awaka
00:00
05:51
Engine control unit fraser lens iso synchronous horizon battery jitter echo wave track field atv power shelf electric motor radio signal analyzer multiplexer multi carb flexfuel rheology.
著者: Awaka
00:00
02:45
This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).
著者: Niedec
00:00
00:28
Cinematic.
著者: Szegvari
00:00
00:30
Techno cinematic.
著者: Szegvari
00:00
07:20
Recorded in my dad's bedroom with lifecam hd3000 webcam. This is a much better recording than my previous oxygen concentrator file, as i hauled my desktop into the bedroom at the other end of the apartment where the machine now is, when i was home alone. The webcam is on the bed about 3 or 4 feet from the machineat the beginning of the file you hear me flip the big switch and the machine comes on with a long on beep and thumps. I edited it to start then. At 00:1. 8 what i suspect is the water pump comes on, though i may be wrong. That's when the gurgling starts though. The machine has a small reservoir for distilled water to moisten the airflow. A cup or two lasts several daysyou'll hear various hisses and thumps in a 15. 6 second cycle as it runs. At 03:03 i flip the big switch to shut the machine off, and it bubbles and gurgles away for the rest of the file, as water i assume slowly perculates back into the reservoir, the bubbling getting quieter and quieter until it doesn't even sound like bubbling anymore, until it finally ticks to a stop. At 03:16 you hear me step as i get my foot loose from the mic cord lol. At 04:13 the furnace shuts down as a car finishes going by outside in the bass register, faint traffic noises and the furnace being the only background noises you'll hear aside from my moving around a couple times, and a faint bluejay at the end. At about 07:00 you can barely hear the machine anymore, but i could hear a faint ticking with my own ears. At 07:04 the furnace comes back on. At 07:08 you'll hear a bluejay faintly calling outside and a car going by outside after, which finishes the file at 07:20. I edited out my walking to the computer to shut the recording down. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.
著者: Kbclx
1651 - 1700 / 1,773 중 다음 페이지
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