354 로열티 프리 오디오 트랙들 "필터"에 대한

Made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters.

Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create an uneasy melody.

Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create a melody.

Cool sounds from filter. The two filters filter a tri-wave. The filters are almost self oscillating and are modulated by an lfo. Natural tones. And some spring reverb and analog delay.

Defender air filter white noise.

Another beat. . . Made with my modular synth. But a beat is a beat. . . Or something. . .

I've created an fx on voltage modular to filter and delay samples; i've used it on a sample (foley kick) that i downloaded on sounds. Com.

A 100 bpm synth perc loop, first without and then with a bandpass with its cutoff on a 3-bar sine lfo.

Testing/documenting my bartonmusicalcircuits (bmc21) full wave dual rectifier. "this is an all analog synthesizer module used to alter the timbre and create new harmonic content. " using the fact that it's a dual. 2 sinus waves through both of the rectifiers, through a filter and a little spring reverb.

The sound of an air filter in a fish tank. Apologies for the sniffle in the middle.

Deep space ambience created by synthesizing noise and applying filters to make it sound like you're cupping your ears.

Helicopter chopper techno rendition using filter sweep of strega and sequenced through 0-ctrl and 0-coast. Done at 32-bit fp and 48khz with markers for morphagene. Enjoy!.

A noise, a harmonic, from somewhere beyond space. . . . Then an ugly sound.

This loop was accidentally created when some input cables were connected wrong. It reminded me of something the crystal method could have created.

Second version of the remixed rope swishes loop. Only background (wet) noise this time.

Used a mini mod filter and tuned it up slowly so you can cut out the wanted pitch, switch daw to 120bpm to cut it preciselyenjoy.

Blok modular set to bang on random keys/throw random parameters in various places. Sort of a kind of fm synthesis but i'm pretty sure blok can do a lot of extra things like place filters/waveshapers after the modulator but before the main oscillator. Don't want to give away much else but you can improv random textures by drawing in a waveshaper window/right-click to drag the drawing from one side to another. Also you can use the atan button to scale the notes on some sort of curve by distorting the note values. I could've added delay/reverb/eq/ ambience but i wanted it to be as dry as possible because that's personally what i look for, raw sounds that you can choose to change if you like. No edits aside from normalizing the. Wav file.

Some filtered shaker-like rhythm.

This time a more abstract sound clip which in that case was prerecorded (bell 1) altered to the extend and used from mono back to eight channel ending up l+r. Although its abstract atmosphere the modular effects rings on a specific structure using 20th century harmony "rules" and of course tempo. Enjoy!.

Sinus wave connected to the filter cv1 in sweeps sound from mfb osc-03some reverb from ladik d-330(i have modified my wasp filter to achieve more self resonance. ).

A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.

Sound created by square wave lfos, attenuverters, hard synced vcos, delay, reverb and filter. I think it nice. Kraftwerkish. . .

- reading audio file(stereo sound)-the audio is played with the sharpen function diskin; at a speed 5 times greater;-noise filtered for 8 seconds; in which the butterbp filter is applied so that it can be heard more in one channel on another: in this case, more is heard on the right. During the first 8 seconds you hear the filtered noise with the audio at higher speed. During the next 7 seconds the wav audio is heard only on the right channel and the last 15 seconds the wav audio is heard. For the left channel.

Produced with cubase.

Band pass filters applied to a violin improvisation. Nice and ambient. No fades or other additional post production has been done.

Arpeggiated blips witch have a retro videogame feel. If you like this make sure to check my soundcloud: http://soundcloud. Com/beverlyhillsboy cheers!.

This is a note played on my guitar and slowed down a ton. . . With some added filtration. . . Works very interestingly as a pad sound.

The same sound thru two filters. No editing. 100% dry.

Yep, analog filters. . . Everything is analog!no, wait the reverb is digital. And this recording. But the noise that reaches your ears is analog. My little modular synth is playing a patch just for you. Or world is a big ad/da converter!!!. I failed at the fade out. . . Sorry for that.

Latino raggatronic.

Letting water pour through a water filter. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

This sound is part of a series and was originally a recorded finger snap. Recording gear:- 2 x behringer c2 small diaphragm condenser microphones with cardioid polar pattern- focusrite scarlett 2i4 audio interfacesoftware:- sound forge pro.

Its just an effect i made with some grainy sample and filtering alongside some reverb / delay. Its 88khz 24bit wav.

Edited from a sound that i uploaded recently. I removed the sound of something tapping the microphone. Sound of birds in a forest. Recorded with a phone and edited in audacity.

Very electronic. What else do you need to know. Do something with it. Let me know/hear :-) cut it up. Loop it. This is an unedited recording. (as usual. . . ).

Free use.

Heavily processed vst synth sounds using various phasers, reverbs and filters.

Heavily processed vst synth sound using various filters, reverbs and phasers.

Cptnal's comment on muffwiggler was an big aha moment. He wrote "you could patch the output of one s&h into the input of the next and get yourself a 12-step shift register. " well i don't have 12 s/h. I have 10. . . I would need a lot of sequenced gates to build that shift register. . . In this patch i use 4 s/h. (s/h or s&h is sample and hold. ).

This sound or sounds was created through the help of vst's, time shifting, parametric eq, cutting, sampling, layering and many other methods of sound manipulation. Follow me on youtube for future tutorials and music. Https://www. Youtube. Com/channel/uc3f2acuv1q0hsuaxqqwotrq-------------i make sounds for freesound. Orgi obviously don't get paid anything for uploading and the premise of using freesound. Org is to share sounds for free to everyone. If you could help me make this a sort of go fund me donation so i can continue doing what i love. Any amount donated is greatly appreciated and words can't show how much i appreciate you. Thank you for reading. Https://paypal. Me/pools/c/81iraceqx0.

Weird synth loop heavily utilizing ableton's beat repeat, filtered druggy rave vibe. Used in a now-defunct wip. Add some drums and a cool bass!.

Electric sparkle sound made in harmor in flstudio. Sound is made of harmor generating dark, unison, subbas oscilation with three partials with fundamental frequency of 50hz. Partials got decaying amplitude along frequencies. Bass is put into wave shaper with smooth, negative peak distortion at 50% of positive range. Then falls into parametric equalizer boosting 3khz, forming wide parabolic shape. Bass frequencies are cut off. 44. 1khz, 16bit.

Feel free to use it in your music but i´d really like to hear what you did with it so if you use it pls write a link to your song in the comments. Hope you like the sound :). If so pls check out my yt-channel: https://www. Youtube. Com/channel/ucfvticwxelr7iqjw7uhfcoq.

Strange guttural alien vocalizations, pops and glitches.

Could need some sounds in the middle spectrum and better eq. . . Background soft minimal techno?.

Electronic minute no 31b - full modular acid remixlow mp3 quality december special noob versionfully analog modular synth fjant acid. Basically the same patch as 31. . . . Evaluation of patch/soundentertaining - ?. Wiggling during recording. Switching channels on or off in the beginning and end.

Absynth5 + korg m3 karma midi + 909.

Yes, my wasp-filter is alive again!.

Gently rising above a water surface. Filter applied to the beginning. Foley.

A sequence in a minor. Spring reverb feedback. Filter sweeps controlled by nlc sloth. I'm not using a sequencer. There are other was to obtain a sequence on a modular synth.