5 726 royaltyfrie lydfiler for «Brak»

Too long ago, i cannot remember what it was.

Static from a radio station wireless remote.

A low quality splatting sound. Was created when a sheet of thin paper hit the microphone.

Testing csound's phase vocoder toolset on some field recordings. Part of a longer, less interesting program output. Overzealous use of convolution and time compression/expansion. .

Testing csound's cross-synthesis opcodes on some field recordings. Orch:. Sr =44100kr = 4410ksmps = 10nchnls = 2. Zakinit 2, 2. Instr 1. A1, a2 soundin "drags. Wav"a3, a4 soundin "listerine. Wav". Aconv1 cross2 a1, a3, 4096, 8, 99, 1aconv2 cross2 a2, a4, 4096, 8, 99, 1aconv1 diff aconv1aconv2 diff aconv2. Zaw aconv1, 1zaw aconv2, 2. Outs aconv1*(p4), aconv2*(p4). Endin. Instr 2. A1, a2 soundin "crush. Wav"a3 zar 1a4 zar 2. Aconv1 cross2 a1, a3, 4096, 8, 99, 1aconv2 cross2 a2, a4, 4096, 8, 99, 1aconv1 diff aconv1aconv2 diff aconv2outs aconv1, aconv2. Endin. Score:. ;gaussian windowf99 0 4096 20 6 1. I1 0 34 1i1 34 34 0i2 34 34. E.

Pedal-based noise created from an internal feedback loop. Wah, distortion, flanger, sirkut gnarler, and other pedals. Near the middle the flanger (dod fx75b) and gnarler in combination made a really weird noise like a fast, looped recording of a zummarah or some other wind instrument. . .

Sound of microphone echo being near the speakers. Recorded in small room. In record you can hear differend sounds that are related on microphone distance , and some clicks being added while recording.

Unprocessed guitar-noises recorded with mackie onyx and t-bone sct-2000.

Barulhos de portas batendo e trancandodoor´s noise.

This kind of noise generates sinusoidally interpolated random values at a certain frequency. In this example the frequency is 100hz. The algorithm for this noise was created two years ago by myself in c++, as an imitation of noise generators in supercollider 2.

This is just ordinary white noise. . . The algorithm for this noise was created two years ago by myself in c++, as an imitation of noise generators in supercollider 2.

This noise is white noise powered by itsself. So f. E. Random value 0. 63 will result in pow(0. 63, 0. 63). The algorithm for this noise was created two years ago by myself in c++, as an imitation of noise generators in supercollider 2.

Noise created using a digital delay (alesis midiverb ii) in a feedback loop. Eq adjustments are continuously made during the recording. Caution: the file contains some loud high frequencies (of about 15 khz).

A simple pack of 14 loops at 120 bpm good for industrial and the like. The samples these loops are made of were allcreated using sonic charge microtonic drumsynth and are unprocessed. Hope you enjoy and find some use in this pack.

Rumble on the air conditioning conduction. Recorded with a sennheiser mkh40. Mono track. Lowpass filtered. No speed change. No pitch shift change.

Kind of metal noise of wind.

One year of spam harvest from my inbox to the sound editor.

I made a ball of aluminium paper. This is the sound when i undid the ball and tried to make it smooth. // sonido cuando deshago y aliso una bola de papel de aluminio.

Stk sound design, massive vst.

Based on the works of qubodup. Low flight spacecraft crashing nearby.

Violin through filter fx on line 6 pedal.

A modulated version of a bi-tonal vocaloid sound.

Field-recording jackhammer construction noise.

Glitch and static type sounds from either moving the microphone roughly or some program ticking off my audacity.

Glitch and static type sounds from either moving the microphone roughly or some program ticking off my audacity.

Nice non-musical crash, probably something falling in a restaurant, but sounds like foley!.

Rv7000 advanced reverb's feedback.

A simple glitch made increasing and manipulating the speed of a percussion timbre.

Engine sounds of radio controlled quadrocopter drone "dij phantom2" during take-off and landing. Audio recording taken from gopro-camera attached to the drone.

The kind of sound you get when you set your noise removal decently high.

Roughly moving my mic to get this sound.

The sound of an audio cable going in.

This is the sound-signature of many of the problems with digital audio equipment, a source sound of now-unidentifiable character was mangled using a selection of iterative granular resampling, timestretching and recombination techniques, almost all of which produce noisy artefacts, intermodulation artefacts and a particuarly weird sort of very noisy geomtetric comb filtering.

An 50hz hum with a slight buzz on it. Created on reaper tone generator.

Created with audacity from white noice and various filters. Sounds like low-pressure compressed air being released through a nozzle.

Grabación realizada en la tarde del 14 de marzo de 2014 en el parque adyacente a la asociación de vecinos de campuzano. Recorded at the park near the neighborhood association of campuzano (spain) on the afternoon of march 14, 2014.

This is a weird noise i created for no logical reason. Made with audacity sound editor by applying an unreasonable number of effects to the sound of me making noises (whistling, i think).

Recorded with mobile phone. Edited in audacity. Let me know if you use it.

Computer-generated pink noise for ericastone. Not a recording , computer-generated, no voices, if you hear any it's pareidolia. Other pink noise on freesound may be of interest. . . Http://www. Freesound. Org/search/?q=pink+noise.

Moving my mic aside while recording on high volume.

Moving my mic aside while recording on high volume.

Urban street sounds taken outside my window on the 17th floor, recorded with a sony cyber shot hx-9 camera.

A noisy agressive analog synth stab made with a minimoog, no fx applied.

A 60hz hum from my living solutions 5. 5'' tv receiving a very low voltage, which caused the tv to hum like crazy. Recorded with my cell phone.

As the title says. . . Playing around. Added a beep and a sample. Works as a loop if anyone cant get enough :-d.

Tweaking a variety of knobs.

Scrubbing a drum.

Noise, hum, and crackles, created with programming in supercollider. This is created by playing around with buffer recording and playing back.

Random tones generated with modular synth. The randomness is generated with a sample and hold and some "old school tricks". The reverb is ladik r-330.

Normalized background noise of an audio feed.