190 royaltyfrie lydfiler for «Tilbakekobling»

Feedback from a vo session mic. Might be good for a dinosaur chip.

I believe this is recorded from an roland edirol; it is a high pitched hiss from a busted amp i have, but could be used for various stuff.

A series of feedback noises created with the open-source software lmms and recorded with audacity.

Ritual electronics, miasma with transistor fuzz processed through ableton with d16 group devistor and ecco boy from sound toys.

Here is another on of my effects using a doepfer dark energy mk1. Feel free to use any way you want ;).

Gsm simulator with feedback delay line.

I tried to create a feedback loop with my delay. It'a a simple analog stomp box delay.

Creative audio routing and a drum machine.

Rising swell that sounds like processed strings: but is not. It also has a delayed tail that goes off into the distance.

This sound is made in reason 4. 0 in estonia. It is perfect sound to complete a test or accomplishment in positive way.

Series of interesting descending bleeps made by circuit-bent yamaha rx17 drum machine feeding lexicon mpx 100 fx unit with feedback loop.

Sound is a boss dd-20 delay feeding back on itself while the controls are manipulated.

Pedal-based noise created from an internal feedback loop. Wah, distortion, flanger, sirkut gnarler, and other pedals. Near the middle the flanger (dod fx75b) and gnarler in combination made a really weird noise like a fast, looped recording of a zummarah or some other wind instrument. . .

Boil tea feedback h2 zoom.

Feedbacks recorded with contact microphones on metal objects + plenty of distortion (boss super overdrive sd-1 pedal)!.

Noise created using a digital delay (alesis midiverb ii) in a feedback loop. Eq adjustments are continuously made during the recording. Caution: the file contains some loud high frequencies (of about 15 khz).

Rv7000 advanced reverb's feedback.

First time making sound effects need structured feedback please & thank you.

The sound of an audio cable going in.

Unintended feedback.

My take on this minimalistic tape music piecerepeated 3 times, sent through 6 reverbs. The last repeat is the 6th reverb alone.

The sound is meant to be the feedback of an electronics product.

The sound is going through zoom ms-70cdr. I use the "particer" reverb program. It acts like a compressor and limiter too. . . Kills the dynamics of the modular. Nice anyway - or not. . . And i use the ladik r-330 reverb too.

Hearing aid type feedback generated by a small radio shack amp & speaker and a cheap mic. Recorded for use in the play "house of blue leaves" by john guare.

Absurd electronic feedback.

Pattern 1 with spring reverb feedback. Simple graphic score. Fun. Compare with https://freesound. Org/people/gis_sweden/sounds/435826/.

At cmu, there is a building with a really long hallway that has amazing acoustics. In this experiment, i set up a feedback loop. On one end of the hallway, there is a microphone connected to a laptop. On the other end, there is a speaker connected to another laptop. The two laptops are connected via skype calling. I play with my speaker's built in eq, and play my violin to stimulate the resonant frequencies of the hall. A better set up would be to use better equipment directly connected to each other, and have a stand-alone eq to independently control what resonant frequencies are playing.

Some kind of weird rumbling feedback from modifying the korg monotribe's bass drum decay time.

Feedback through some phaser effect. Got a weird sound that i liked.

The feedback when hanging up the phone of a door buzzer. Recorded outdoor with a zoom h4 and a sennheizer long gun microphone.

Extremely loud distorted feedback.

Glorious feedback.

I have opened and closed a hole.

Set some headphones down on my recorder, got an interesting feedback sound. Recorded with h4n, editing with adobe audition cc 2014.

Sad sound effect for an incorrect answer. Played on yamaha pss-270, recorded with an iphone 3gs, edited with audacity.

It's fun to patch up a kind of analog shift register (3 stages). Doepfer a-160 controls the stages. On a-160 i use /2, /4 and /8. I sample slewed noise. No quantizer.

A sample of water trickling processed with delay and reverb.

Hearing aid type feedback generated by a small radio shack amp & speaker and a cheap mic. Recorded for use in the play "house of blue leaves" by john guare.

Happy chime for a correct answer. Played on yamaha pss-270 keyboard, recorded with an iphone 3gs, edited with audacity.

I used the free lokomotiv synth as source, with shit tons of effect processing and mixdown bouncing to result in almost sounding unrecognizable from its starting point.

Multitracked bass played through a guitar pedal/hardware mixer based feedback loop.

Working with my spring reverb.

Sound of a microphone unplugged: recorded with rode nt3 and zoom h6.

A quirky digital noise type sound. The sound is played in different frequences and can be cut with ease. Can be used for all types of movie effects and in music. Enjoy!.

Feedback loop going through an improperly connected electrostatic mic, delays, pitch shifters (to justly tuned perfect fourths and perfect fifths), and reverb.

This is some feedback that was recorded in the studio after we had finished recording some songs, it was just something to do, the effect pedal used in this is a 'electro-harmonix polychorus'. Some interesting sounds in there.

The feedback was created from a countrymen microphone and recorded on a canon camera.

Feedback sound effect for a correct action.

-----albeit concept seems to refer back to you- still stuck in the air; less of a concrete form - finality seems to please you.

Feedback recorded from an amp with a guitar. Makes an eerie hum and can be taken strangely out of context. One of several different recordings.