190 royaltyfrie lydfiler for «Tilbakekobling»

Snarey clappy filtered flanger feedback thing.

Snarey clappy flanger feedback thing.

Feedback from messing around with a cloned circuit of the tr-808 bass drum. If decay is extended too far, the circuit gets stuck in a feedback loop and produces awesome deep-bass analogue sine waves.

Feedback from messing around with a cloned circuit of the tr-808 bass drum. If decay is extended too far, the circuit gets stuck in a feedback loop and produces awesome deep-bass analogue sine waves.

Feedback recorded from an amp with a guitar. Makes an eerie hum and can be taken strangely out of context. One of several different recordings.

A distorted keyboard comp with a tasty rhythmic wah degraded echo feedback effect.

I made this after listening to the first track listen on this page:. Http://www. Redbullmusicacademy. Com/magazine/psychoacoustics-introduction-feature. Mr. Stockhausen has produces some amazingly real sounds back in the times when no computers were out there to do any dsp for him. Synthesized with zynaddsubfx within lmms.

Ph-90 phaser's feedback.

Feedback loop drone created using make noise phonogene + make noise echophone eurorack modules. Good for some kind of force field.

Was playing around on bass the other night and got this really cool feedback sound out of the e-string. Thought i might as well upload it.

A quirky digital noise type sound. The sound is played in different frequences and can be cut with ease. Can be used for all types of movie effects and in music. Enjoy!.

A digital noise sound. Synthesized using a free vsti instrument. Can be used for horror/sci-fi movies and other media.

Guitar feedback using a boss me-25 effects pedal which has been reversed.

Sound is an ibanez fz-7 fuzz fed back into itself into a nanoverb delay. The feedback creates a sound somewhat like a droning saxophone at times. Peak reduction done in goldwave, otherwise unprocessed.

The sample is a short blast from the last couple of seconds of a noise track i just completed. . . A lot of neat, varried textures and such. . . The very end is me screaming while rapidly turning a distortion on and off.

Getting feedback from something, not sure what.

Made using ableton and some self-generated feedback in the studio, this was produced for a stage play in which a character is electrocuted by a faulty amplifier.

An intercom system on a building malfunctioning into some type of feedback loop. Could be useful for some techno or gabba rave ;).

Multitracked bass played through a guitar pedal/hardware mixer based feedback loop.

Just the feedback from my tenson-amplifier.

I recorded myself making ringing feedback noise with my guitar through a valve amp, plus some wah.

I recorded myself making ringing feedback noise with my guitar through a valve amp, plus some wah.

I recorded myself making ringing feedback noise with my guitar through a valve amp, plus some wah.

I recorded myself making ringing feedback noise with my guitar through a valve amp, plus some wah.

A synth guitar processed with a lot of distortion types. Basically waveshaper and tube compression.

Feedback from a small practice guitar amp, i plug the guitar in as the cord is still connected to the amp.

This is some feedback that was recorded in the studio after we had finished recording some songs, it was just something to do, the effect pedal used in this is a 'electro-harmonix polychorus'. Some interesting sounds in there.

Feedback loop going through an improperly connected electrostatic mic, delays, pitch shifters (to justly tuned perfect fourths and perfect fifths), and reverb.

Adaption of my "backwards swoosh" sound effect, fed through a delay vst with the feedback quickly increased to a very high level and then dropped down. Reminded me of a suitable effect for a warphole or something like that, hence the name. Yet another attempt at making an "astroboy" style effect.

This is a pack of effects for user-interaction such as selection or clicks. It has a sci-fi/electronic theme.

Sound of a microphone unplugged: recorded with rode nt3 and zoom h6.

A feedback effect, i accidentally created while messing around sounds.

Yeah #300.

A sequence in a minor. Spring reverb feedback. Filter sweeps controlled by nlc sloth. I'm not using a sequencer. There are other was to obtain a sequence on a modular synth.

-----albeit concept seems to refer back to you- still stuck in the air; less of a concrete form - finality seems to please you.

Feel free to use. No worries ;).

A small feedback patch.

I used the free lokomotiv synth as source, with shit tons of effect processing and mixdown bouncing to result in almost sounding unrecognizable from its starting point.

Sample created by the feedback of a microphone whith guitar effects pedals.

More sounds made with my analog modular synthincludes spring reverb feedback :-)more ring modulation noise.

Harsh microphone feedback. (sounds different after download).

Using an cvlfo in a feedbackloop creating very "chaotic" cv!.

More feedback patching. Everything goes around. . .

A trailer-like impact that you would probably find in a horror/action movie trailer, recorded and edited using audacity.

Had a short relaxing session with my modular. I wanted to use the "divide by 64" patch and make some generative sounds/music. I added some mixer feedback. This is a patch for 2 voices.

Trying to restrict feedback. . .

No, it's not beautiful but its a generative feedback patch.

Sound exercise where we had to choose a location & an object in that specific location. I chose for the sculpture atelier in the academy of bellas artes. Sound source : a non-standard tuned höfner guitar & a lithium-ion battery powered 6 watt speakerwith a cute little aaa battery powered vox pre-amp. Put on a copper plate, live manipulated & processed / bent / tapped on / glided withwhat not /. . . A long metal tube. Natural feedback has been 1 of my favorite modi operandiinfluenced by entre autres my bloody valentine, sonic youthglenn branca & a lot of noise artists. . . Recording source : a f*+#!ng apple iphone ( for which itlasted 30 minutes to put it on an apple imac ?!!?? )i take a shot @ apple for a reason , my mbp during coronahas been seen imploding ! ( dikke poef !!! ) june 2020don’t buy apple, ask louis rossmann ( youtube ). This piece has been recorded in one big long take;until now whatsoever no edits have been madelet’s see if i can make this post-production wisemore ear-candy wise even better. . . The artist known as -̶j̶o̶z̶e̶f̶a̶l̶e̶k̶s̶a̶n̶d̶e̶r̶p̶e̶dr̶o̶-has been seen predicting on his bandcamphe “ll be integrating somehow thisfree improvisational piece into his avant-latest new track called‘ mars in-3 “. . . Bluff or a promise ???. Https://jozefaleksanderpedro. Bandcamp. Com/track/mars-in-3.

Use propellerheads mälstrom.

Accidentally created some feedback when recording my phonecall into protools. . .