190 royaltyfrie lydfiler for «Tilbakekobling»

A weird ambient loop i made with echoes and feedback through a mixing desk.

A bell.

Long violin tone with feedback and tape delay to make it more and more noisy,.

Loud! this is a short sample from a bit of noise i recorded. Some feedback and screaming. . .

A small kick with reverb and a lot of delay feedback.

Freaky resonant feedback atmosphere created with an excellent sound generator.

Electric guitar chords going through a "honeytone" miniamp with the gain and overdrive all the way up. Seek eeeeeeelectricityyyyyy.

Some more guitar feedback for ya using my pedals to create the sounds.

Sound is distortion+flanger in feedback loop, into various pedals (including fuzz and harmonizer. ) sounds kind of like a glitchy, digital chainsaw. . . Or something.

Use propellerheads mälstrom.

A trailer-like impact that you would probably find in a horror/action movie trailer, recorded and edited using audacity.

Atonal modular synth melody.

More feedback patching. Everything goes around. . .

More sounds made with my analog modular synthincludes spring reverb feedback :-)more ring modulation noise.

Had a short relaxing session with my modular. I wanted to use the "divide by 64" patch and make some generative sounds/music. I added some mixer feedback. This is a patch for 2 voices.

Trying to restrict feedback. . .

No, it's not beautiful but its a generative feedback patch.

Sound exercise where we had to choose a location & an object in that specific location. I chose for the sculpture atelier in the academy of bellas artes. Sound source : a non-standard tuned höfner guitar & a lithium-ion battery powered 6 watt speakerwith a cute little aaa battery powered vox pre-amp. Put on a copper plate, live manipulated & processed / bent / tapped on / glided withwhat not /. . . A long metal tube. Natural feedback has been 1 of my favorite modi operandiinfluenced by entre autres my bloody valentine, sonic youthglenn branca & a lot of noise artists. . . Recording source : a f*+#!ng apple iphone ( for which itlasted 30 minutes to put it on an apple imac ?!!?? )i take a shot @ apple for a reason , my mbp during coronahas been seen imploding ! ( dikke poef !!! ) june 2020don’t buy apple, ask louis rossmann ( youtube ). This piece has been recorded in one big long take;until now whatsoever no edits have been madelet’s see if i can make this post-production wisemore ear-candy wise even better. . . The artist known as -̶j̶o̶z̶e̶f̶a̶l̶e̶k̶s̶a̶n̶d̶e̶r̶p̶e̶dr̶o̶-has been seen predicting on his bandcamphe “ll be integrating somehow thisfree improvisational piece into his avant-latest new track called‘ mars in-3 “. . . Bluff or a promise ???. Https://jozefaleksanderpedro. Bandcamp. Com/track/mars-in-3.

Made sometime during 2017. Excerpts from my experiments with sinusoidal waves, homemade distortion effects, digital reverb, room reverb, and speaker->mic->pc feedback. Several effect parameters are controlled via an ekg setup called the "infernal gadget" which i constructed between 2010-2011 and used for several improvised music sessions.

Harsh microphone feedback. (sounds different after download).

This is one of many build ups from my personal effects library. I used a time-stretch,and added a heavy eq over it for an added bass effect. It builds from in fade to original volume with re-verb. Enjoy. .

Another piece of feedback recorded using a mobile phone, thats why the quality aint all that, pedal used is a electroharmonix polychorus.

De-tuned electric guitar noise played through a heavy metal pedal and a small practice amp , recorded with a cheap condenser mic and fussed with a bit.

5 min recording. Question. Do you hear any form of repetitiv pattern?the "engine" for this. . . Is a feedback patch. Chaotic? maybe. The colors the soundfile get here on freesound reveals patterns. I use this feedback patch to derive timing and pitch. I restrain the pitch. It's bad enough as it is. The feedback patch is made with 2 lfos, 1 vclfo and a vcad.

While recording with paw 120 digital recorder the autogain started to earohones caused a feedback sound.

Bass-heavy feedback of some sort.

Plain keyboard c recorded in a glass bowl with a little feedback in the end.

Anyone familiar with circuit bent sounds will recognize something in this fake circuit bent production of mine. I abused bitcrushers, frequency shifters and god knows what else on my guitar recordings. . . I need another aspirin. >_>;.

The little speaker that could!.

Electric guitar feedback. The signal is being routed from one amp into a small miniamp.

The clip was created using a synsonics "terminator" guitar with a built-in amp by running the output to my sound card and sound card's output going into to a secondary jack intended for headphones on the guitar. It created an interesting metallic noise, almost like a ring mod. . . There is a segment where i was poking the guitar's amp circuit board with my fingers which creates lots of grumbling/squelchy noises. . . The guitar is kind of crappy, but it makes a pretty neat noise synth! :b.

This sound was from a live video feed on a social media broadcast. At some point the audio just got caught into a feedback loop that lasted for a bit. I thought it sounded interesting and saved it. Has kind of a laser or phaser cannon kind of thing going on. Perhaps an alert sound of some sort. Probably many possibilities for usage.

Was walking around and i heard this strange sound so i recorded it with my i phone.

Sound of feedbacks. Sound recorded with a zoom h4n pro. Son de larsens. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Sound of feedbacks. Sound recorded with a zoom h4n pro. Son de larsens. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Sound of feedbacks. Sound recorded with a zoom h4n pro. Son de larsens. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Now finally! my two neuron patch idea has a sound. It's like music to a graphic score. My score is this:https://www. Muffwiggler. Com/forum/userpix2/27319_2_neurons_not_so_small_1. Jpg. Maybe both score and its sound is bad. . . But i'm happy :-).

Sloth (lfo) to vclfo is the "engine". Triggers chain reacting function generators"boom/booiing" trigered "by" logic - nor i thinkjupiter storm is one voicejupiter storm also modulates the other voice that goes through wave rectifyingjerkoff modulates jupiter storm, a trigger goes back to jerkoff and jupiter is modulating it self. . . Noiseno hands. . .

My two neuron patch with cross feedback! here it is. I think!i will take a closer look tomorrow.

Start with chaos. In this sound/patch you have the possibility to enjoy chaos and feedbacki use my sloth lfos and jerkoff - another chaos moduleim possible sick i like this - thou its simple. Sloth modulate vco and filter cut of frequencyfeedback from vco to the filter via a vca controlled by a looping envpan fx also controlled by sloth - same env that controls the frequency. The "prassel" rustle sound is great in my earsjerkoff, exp vca, function and another sloth. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - mediumtimbre variation - some, via filter/two soundsmusical value - i think so!entertaining - yes?!.

A short, gently alarmed sound i made for negative user feedback events in apps and games. I used native instruments' massive, starting from a patch i originally authored for synthesizing parrot chirps! this sound might also be useful for more generic button duties.

Descending clicks echo into high pitched ringy pulsations.

I recorded this quick improvisation with my built-in laptop microphone and track monitoring on in reaper, which resulted in it sounding washed-out, warped, and screechy in the high end. At the beginning you hear the distorted wail of a left click initiating the recording. Somebody walks into the living room at the end and we share an exchange. I didn't add any effects or edit this audio in any way, it's just a fun experiment. Let me know if you use this for something!!!!!.

Analog delay on fender strat through fender blues deluxe in bm.

This is a recording i made for one of my songs. I found it nice to run the group's output through the ohmforce ohmicide and have some fun with the separate bands. The original loop consists of me, drumming on my metal kitchen-sink with drum-brushes. The snary accents are the brushes on the back of my acoustic guitar. All recorded with a neumann u87 and mangled through a ua solo610 with tube-gain cranked up. The bassdrumsound is also an handplayed sound from my nord lead. All recorded in 48/16.

Beep. Failed attempt at creating a better batter pick-up sound for nikki.

Playing with the feedbacks from a mic to speakers around the noisy computer cooling fan.

A massive feedback sound by putting tons of delay, reverb, distortion and more weirdness on some sample. Made in ableton live 7, with freeware vst plug-ins: crazyivan and ambience.

Sample is a clip from another song i just recorded. Created with effects pedals feeding back into each other. Effects used: behringer micro-mixer (used here as a "clean boost/volume effect), sirkut electronics gnarler, danelectro eq, boss xtortion, and boss metal zone, with various other fx sprinkled throughout. This is another "sounds kind of like screaming" sample.