480 royaltyfrie lydfiler for «Designer»

Crackle sound effect made with a bag of chip, useful for a lot of things. Recorded with the dr 40.

Dozy pilchard vocal vox voice sound design 120bpm.

Was messing around resampling a guitar recording and it got a little out of hand, in a cool intense glitchy way //cc0.

Synths.

This is a short sound i created from snippet of very old recording (pre war) of an old parisian song : la java bleu.

An heavy sweep for your transiitons.

This sound took me a while i used warehouse machinery at the beginning as the gun is turning to its target and when it finished with an alarm and light sound indicating its powering. The charge & fire sound is all synthesis layered several sounds on top with each other also using eq, compressor ect.

This is the second version without the mechanical bolt. Maybe can be used for bolt action rifles. Made this is ableton live, it is multilayered with the top end of a 9mm and the low/mid range of an ak47. Another carbine sound is faded in after the transients to give more sustain. Two reverbs fade in and out creating a smooth transition and blend. A little white noise is added for subtle sheen and air. All the layers were grouped together into a single band compressor and ran through serum fx distortion and then into a krush distortion plugin for added fatness. A blending reverb was used to glue the sounds into the same space and ran into a final transient designer which is adding a little more snap and punch and clipping the excess transients off. Enjoy.

Fx, sound design, electronic music.

Glitch, sound design, electronic music.

Glitch, sound design, electronic music.

Blizzard wind cold; canvas wind machine.

A design of time.

Glitch, sound design, electronic music.

Sound home work for sd100.

Heavily pounding bassdrum originally made from 10 litre bottle punching sounds recorded with my fake shure c608 mic and heavily processed by adding some modulations, distortions, layering some attack and setting bass part (under 200 hz) to mono. Will be nice choice to produce hip-hop drums, or experimental techno also for making cinematic thunder-like booms.

Some filtered shaker-like rhythm.

Atonal drone 04.

A metal ping.

A metal ping.

A metal ping.

A metal ping.

Multiple pings.

Binaural soundesign.

Sfx; impact drop filled plastic bag 24 bit, 48 khz. Wav.

A random vocoder thing i did.

Foley sound effect of a chopper simulating a lifting from the ground;. Sample rate: 48 khzbit depth: 24 bits. Mfma_sonic.

Flying monster sound made with a mexican kind of flute that imitates a jaguar scream and a blanket shaked to imitate the sound of the wings.

Sounds of balls on a kinetic structure created by mr "legros" and his sonrecorded with a zoom h2n on xy directivity.

Sound #1.

Synthetized using a vintage yamaha psr-36 keyboard. Processed in daw with various effects and sound design techniques.

Recording of pc boot up. Recorder is placed near hdd. For the first portion of sound i recorded electronic cat repelent and glass, and then speed it up. Everything is mixed together and this is the result.

Designed magic spell sound using a bell tree as a source.

Apocaliptic sound maybe for mixing with others like doors crash hits stucks.

Sound and design of a contact mic while handling an oven.

A sound effects cd i found. It's from 1989, bainbridge records called "living sound effects vol. Iv // shuttled through it to find the stuff i liked. √π¶∆¥.

This is a little 'electronic eurorack modular synth jam'. I am singularly the one recording, producing/ posting and composing/ compiling the works as it is recorded. The date was september 04th, 2021 and it has an ''as-is'' no alteration. . Touching up. . Or thus otherwise that the uploading and steam compression did during the posting and uploading process but - take it kindly please. Lol. I would like to hear your honest options in comments as this is not anything like the music i usually do - much less dare to upload lol! ha!. Thnaks!.

Thunder strike for the master degree in video games of university of málaga (uma). There is a rainy ambience filtered with a hpf before the thunder sound. For the thunder there are 3 parts: a metallic whoosh, the impact and a shock wave.

This sound here was designed using the sound of myself snapping and then heavily processing using fl-studio 20. The bpm of this sample is 140bpm.

Created for a trailer for a film. I used a grandfather clock for the main ticking of the hands but layered and added other sounds such as a heartbeat, hall kick drum with reverb and synthesis techniques. Please note: the ticking by note be in sync if you use and a countdown image i had to move the ticks to accommodate the wall clock i was working with due to the ticks where not always in time.

Sound design project i did for school. All done with synths and automation.

A noisy loop i did in metasynth.

I hit a giant piece of metal then processed it using eq, compressors ect. I then layered & off set layered it over & over again to create this sound.

I heard the sound out breaking bad where the one of the charters was dazed and this sound plays. I tried to redo it but its not quite there.

Noisy motor from my coffee machine, recorded with a rode ntg4+ shotgun microphone.

I used the ben burtt technic to design this punch; mixing a whip tail sound with a the sound taken from hitting a jacket with a baseball bat. Here is a link where ben explain the technic for indiana jones punches:. Http://collider. Com/ben-burtt-dennis-muren-indiana-jones-blu-ray-interview/. I used logic to chop the whip tail up and blend it to make my own punch.

A fairy flying a short distance. Designed in logic pro. Please leave a comment with any feedback you have! constructive criticism is always welcome!.

A fairy flying a short distance. Designed in logic pro. Please leave a comment with any feedback you have! constructive criticism is always welcome!.

I made this sound only with sounds effect on audacity. With chirp sounds from 50 hz to 300hz + dtmf tones at the end. Copy + paste 2 times for a "double jump" effect like in retro videogames.

This one was also made in sylenth1, its a pretty dirty gritty sounding patch i made. Has a bit of the 'decimate' bitcrusher (sylenths', and i also added a bass amp in logic to fatten the sound up, its played in g. I always name my loops with the first letter on its key hence the name ghost chord=) , and is a loop made at 128bpm. Feel free to use it in any of your works + more importantly let me know why you like it?i take quite some time into adding details in my sounds. I find making a loop can be very good for tuning your ears & production techniques, because like an artist if your painting something small u add a lot more detail. No need to credit me but its always nice(the more u do this the more u get i say=)enjoy. Dw.