18 575 royaltyfrie lydfiler for «Is»

Hello, can i help you? australian female voice. Recorded with zoom h4n pro.

Urban ambience recording at plaça miquel casablanques i joanico, barcelona, august 2019. Using a zoom h-1 recorder.

Sonido de una plcaca metalica ajustandose sobre la tela.

Little song loop made with garage band. Use it everywhere, no credits or anything boring like that needed! :). I would just love to know if you used it somewhere in the comments!.

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

I repeat minecraft steve and sans undertale for 3:24 minutes while having a panic attack and trying to eat peptol bismol before proceeding to question why they were so fuckin nasty.

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:67:3

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken. Dokumentatör: Matts Arnberg Radiotjänsts ursprungliga produktionsnummer:

Sveriges Radios folkmusikinspelningar. Gotlandsresan 1956 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: Ma 56/10126:8:3

Sveriges Radios folkmusikinspelningar. Hälsinglands- och Härjedalsresan 1960 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MT 60/120:10:3

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:26:1

Sequential modulation in Beethoven, Sonata, op. 53, movement I

Sveriges Radios folkmusikinspelningar. Medelpadsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: M 57/64 Sv:1:12

Lydfil fra Ruben-samlingen Sound file from Ruben collection

Władysław Tarnowski ps. Ernest Buława „Trois Mazurkas pour Piano” < Trzy Mazurki na fortepian> z dedykacją: „À Monsieur Charles Bärmann” wiedeńskie wydanie przez A. Bosendorfera nie jest datowane, ale z pewnością zbiór wydano za życia Władysława Tarnowskiego. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 13:54, 25 March 2017 (UTC)), marzec 2017. Z podziękowaniem dla Archiv, Bibliothek und Sammlungen der Gesellschaft der Musikfreunde in Wien za udostępnienie mi partytury.

First movement of Gustav Holst's Second Suite in F for Military Band. Includes tunes Morris Dance, Swansea Town and Claudy Banks.

You're no good but I love you by Soft and Furious

Władysław Tarnowski ps. Ernest Buława (1836-1878) opera "Achmed oder der Pilger der Liebe", „Ballet” z II Aktu, składający się z 3 cześci przeplecionych ze sobą: Khelas (taniec arabski) z Królem i [jego córką] Dolorez na tronach oraz świtą dworską, Gitana (taniec solo z kastanietami), Eros i Psyche (Oto są dwa posągi ogrodowe, budzi się najpierw Eros, opuszcza swój cokół. Budzi Psyche jednym pocałunkiem – pieszczą się w ogrodzie[;] gonitwa za motylem. Wreszcie człowiek zjawia się w ogrodzie, oni biegną szybko do cokołów i na powrót kamienieją.) [Warto tu zwrócić uwagę na obraz Artura Grottgera „Rozmowa posagów” z roku 1865, namalowany w Śniatynce – posiadłości Stanisława Tarnowskiego zwanego „Białym” przyjaciela, mecenasa i modela Artura Grottgera a rodzonego brata kompozytora Władysława Tarnowskiego, obraz wydaje się stanowić inspiracje do tej części Baletu. Stąd zilustrowanie muzyki do ostatniej części Baletu fragmentami obrazu Artura Grottgera.] Kolejność ma być wedle partytury następująca: Khelas, Gitana, (Khelas ze śpiewem tu pominietym), Gitana, Eros i Psyche – część A, Gitana, Eros i Psyche – cześć B z gonitwą za motylem. Opera ta jest oparta na opowiadaniu Washingtona Irvinga opublikowanym w "Tales of the Alhambra', autorem libretta był Wladysław Tarnowski, który także przetłumaczył opowiadanie (Powieść o księciu Ahmedzie al Kamel albo o pielgrzymie miłości.) Akcja opery dzieje się na terenie dzisiejszej Hiszpanii a głównym bohaterem jest syn władcy Grenady. Partytura: Władysław Tarnowski ps. Ernest Buława, Hofmeister podaje jako czas publikacji październik 1877, str. 306. Wykonanie: Marcin Tarnowski, (M.Tarnowski (talk) 13:21, 21 January 2017 (UTC)) styczeń 2017.

C L I M A X by Soft and Furious

A song from The Remains of Tom Lehrer

Mozart; Concerto No. 18 in G-Flat - I. Allegro vivace

This was a pretty hard work. I only use a triple osc and i took an advantage of the several asio bugs of my soundcard. I don't mix the sound. I've re-recorded that shape 15 times, after that, i applied massive echo and reverb filters. 3 osc, echo, reverb, compressor.

I made noise with my teeth hopefully it sounds like its a squish or squirt that was what i was going for. It was created on audacity with my blue yeti microphone. It was done at home i simply pushed my tongue against my teeth simple and got really close to the mic. You don't have to do this, but i would like for you to tell me what its being used for if its not too much trouble.

What's up! this is my firts sample i put here. With some big spherical card tube i do some kind of ''brrrrrrrr'' with my mouth. So that give me this sample i have here for all of you. I reverse it allready, so if you want to listen to the original sound of the record you will need to reverse it. . . But don't give a lot of diference. Feel free for use it!.

A sound from 2006 i created and found on one of my old dvd's with this new external dvd drive i just got in from ups. Pretty nice modulation if you ask me. I forgot how i made this sound.

This is the sound of a snare drum after i added reverb to it and slowed it down about -81 percent. By the way, this morning, i purchased a very interesting book entitled "harmonograph: a visual guide to the mathematics of music" by anthony ashton. I haven't read much of it yet, but it is explaining how eye-pleasing shapes can be created by utilizing vibrations and a harmonograph. I think you should check this book out. Made with audacity.

Sounds like the jaws theme song bass sound. These sounds are actually an xm with a changed file extension to. Wav, and then loaded into a wav editor which converted it to a readable format. I then removed the unbelievable noise to see what i ended up with. After that, i cut out the parts that sort of sounded cool and these are some of the ones i am willing to let everyone have.

An one minute narrated soundwalk describing sounds in west la near century city. I started on the edge of the block right outside the f&s fabrics on pico. I then walked south of the f&s and continued for a minute describing the sounds around me. I recorded this around the afternoon so i was able to hear the wildlife up and about.

I recorded my dog barking after i hit a single note on my piano. Recorded using my ipad microphone, sorry for the lack of proper recording. I figured i would just nab it while he was feeling talkative!. Use for whatever you need. Could be perfect for an animation or a background filler noise!.

I was studying with my friend and she was eating reeses-pieses very loud so i decided to record it.

I combined some sounds i found here to make a subtle logo intro for something sci-fi or technology related.

I wanted a slap sound so i recorded this - a chicken fillet being slapped down on a chopping board. There are three variations, recorded with a zoom h6.

I made this effect for my song but i thought it would be nice to share it with you. C:.

This is a thunder storm i made for the show i was in. It took me ages to make it.

I cracked my knuckles in front of my mic. I added noise reduction to get rid of most of the background noise.

This is a sound that i made for one of my games for a game jam. It's for placing down a block. I think that it's kinda cool.