688 royaltyfrie lydfiler for «Opera»

Intro of Bedrich Smetana's Libuše is official fanfare of the president

Giuseppe Verdi's overture to the opera Luisa Miller, played by the United States Marine Band for the album Overtures, Volume Two.

Wesendonck Lieder n°5 (Träume) composé par Richard Wagner, interprété en 1911 par Ernestine Schumann-Heink (1861–1936)

A murder mystery/crime show jingle (new chapter, act introduction. . . ).

Little Maid of Arcadee, from W.S. Gilbert and Arthur Sullivan's Thespis

Recitative Acte II-V Recitativo Acto II-V

A selection of music from Gilbert and Sullivan's The Mikado (1885), as recorded by the Edison Light Opera Company for Edison Records in 1914. The cast is not given, but in the 1913 recording of Pinafore, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley

Grand March from La reine de Saba ("The Queen of Sheba", 1862), an opera by French composer Charles Gounod. From the U.S. Marine Band CD From Fife and Drum: Marine Band Recordings 1890-1988.

Recalling the moment i realized the source of a recurring nightmare as a child. Recorded for the sarah belle reid opera project.

Il segreto per esser felici (Brindisi d'Orsini, en allemand) de l'opéra Lucrezia Borgia composé par Gaëtano Donizetti et interprété par Ernestine Schumann-Heink (1861-1936)

Composer: César Cui (1835-1918) Title: Gloria Patri and Wedding Recessional from the opera "The Saracen" Printed source: Piano-vocal score published in Moscow by P. Jurgenson, 1899. This is a rudimentary MIDI arrangement and Ogg recording therefrom made by Mllefifi, Nov. 29, 2005 The music itself is in the public domain. Mllefifi is making this audio file available to promote the composer and for whatever other use can be made of it, besides linking it to the article "The Saracen (opera)".

Mimì's aria "Sì, mi chiamano Mimì" from Giacomo Puccini's 1896 opera La bohème, sung by Claudia Muzio (1911)

Enrico Caruso singing "La donna è mobile", from Giuseppe Verdi's opera Rigoletto.

Vois ma misère, hélas! from Camille Saint-Saëns' opera Samson et Dalila (1877), sung by Enrico Caruso on 7 December 1916 in New York City for Victor Records. This is Matrix C-18821, which released under a variety of labels.(Full details)

Waiting for the concert. . . Sitting in the opera. Watching the orchestra tunic the instruments. Sitting to close to the stage. Way to loud and wild.

A submission for sarah belle reid's opera project collab for patrons. This is an amalgamation of walking through the night grass and some deep meditative breathing.

Contrasting orchestral groups from the Prelude to the first Act of Parsifal

Final Can Can section from the overture to Jacques Offenbach's opera Orpheus in the Underworld

Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.

A singer is warming-up his voice before the rehearsal of a musical. He uses a piano to tune-up and does all sort of vocal exercises. Recorded in a theatre near paris using a zoom h2n recorder in stereo m/s mode (90 degrees).

Simulation of Offenbach's Barcarolle, which is in the public domain because its copyright has expired, using guitar pro.

Fort denn eile (Fly them swiftly). From Die Walküre, second of the four operas of the Ring cycle by Richard Wagner. Act 3. Sung by Johanna Gadski, conducted by Josef Pasternack.

An abridged version of Richard Wagner's Das Liebesmahl der Apostel, performed by the United States Marine Corps Band.

Weiche, Wotan, weiche de l'opéra de Richard Wagner Das Rheingold (L'Or du Rhin), interprété en 1907 par Ernestine Schumann-Heink (1861–1936)

1st release date: 1927 1st recording date: 13 November 1926 Place of recording: Teatro alla Scala, Milan (Italy) Author(s)/Composer(s): Ruggero Leoncavallo (1857-1919) Lyricist(s): Ruggero Leoncavallo (1857-1919) Music arranger(s): none Conductor: Carlo Sabajno (1874-1938) Performer(s): La Scala Theatre Chorus and Orchestra Vocal range: Chorus Title/Work: Pagliacci (Clowns) (opera) Content: Coro delle Campane (Chorus of the bells) Genre(s): Opera terminology

Wherein my mother tells a story from my childhood, when i had my own schrödinger's cat moment. Recorded for the sarah belle reid opera project.

Richard Wagner: Parsifal. Act III Good Friday Scene. Gotthelf Pistor (tenor) Parsifal, Ludwig Hofmann (bass) Gurnemanz. Conductor, Karl Muck, Berlin State Opera Orchestra

The Ride of the Valkyries from Richard Wagner's 1870 opera Die Walküre, the second opera in the sequence Der Ring des Nibelungen. Performed by the American Symphony Orchestra for Edison Records. This is Edison Diamond Disc 80638-R, Matrix 7846-B-1-6, NPS object catalog number: EDIS 41877 Català: La cavalcada de les valquíries, interpretada per l'American Symphony Orchestra per a Edison Records en 1921. Valkyrieridtet opført af American Symphony Orchestra for Edison Records i 1921. "Ritt der Walküren" aus Die Walküre, dem zweiten Teil des Hauptwerks Der Ring des Nibelungen von Richard Wagner, uraufgeführt im Jahr 1870. La chevauchée des Walkyries, interprété par l'American Symphony Orchestra pour Edison Records en 1921.

Władysław Tarnowski ps. Ernest Buława (1836-1878) opera "Achmed oder der Pilger der Liebe", „Clavier variante” i następujący po nim „Galopp” z II Aktu, str. 92-93. Opera ta jest oparta na opowiadaniu Washingtona Irvinga opublikowanym w "Tales of the Alhambra', autorem libretta był Władysław Tarnowski, który także przetłumaczył opowiadanie (Powieść o księciu Ahmedzie al Kamel albo o pielgrzymie miłości.). Akcja opery dzieje się na terenie dzisiejszej Hiszpanii a głównym bohaterem jest syn władcy Grenady. Partytura: Władysław Tarnowski ps. Ernest Buława, Hofmeister podaje jako czas publikacji październik 1877, str. 306. Wykonanie: Marcin Tarnowski, (M.Tarnowski (talk) 13:21, 4 February 2017 (UTC)) styczeń 2017, publikacja luty 2017.

Sérénade de Méphistophélès de l'Opéra Faust de Charles Gounod, interprétée par Fédor Chaliapine

Fantasia or Norma. Mira, o Norma; arr. ; a harp solo by Francis J. Lapitino, Victor 17929Français : Fantasia ou Norma. Mira, o Norma, un solo d'harpe par Francis J. Lapitino. Enregistrement publié en 1915 sous l'étiquette Victor (no 17929).

Vieni, la mia vendetta suivi de Qualunque sia l'evento, extraits de l'opéra Lucrezia Borgia de Gaetano Donizetti (1797 - 1848) interprété par Fédor Chaliapine (1873-1938) en 1912.

Aria "Vision fugitive" (Fleeting vision) from Jules Massenet's 1881 opera Hérodiade, sung by Charles W. Clark (1865–1925)

Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.

Italiano: Scena della lettera, primo atto di Eugene Onegin di Tchaikovsky, canta il soprano Claudia Muzio in italiano. Rappresentazione del 3 novembre 1920 al New York Metropolitan Opera, con il ruolo principale affidato al baritono Giuseppe De Luca. Letter Scene, the first act of Eugene Onegin by Tchaikovsky, the soprano Claudia Muzio sings in Italian. Performed on November 3, 1920 at the New York Metropolitan Opera, with the main role played by the baritone Giuseppe De Luca.

Enrico Caruso (as Doctor Faust) and Marcel Journet (as Méphistophélès) perform "O merveille! ... A moi les plaisirs" from Charles Gounod's opera Faust (1859), in this 1910 Victor Recording. This is Matrix C-8555, recorded 16/1/1910 in New York, and released under a variety of labels. (http://victor.library.ucsb.edu/matrixDetail.php?id=200008638 full details).

Ballade No. 1 in G minor, op. 23 Italiano: Ballata n° 1 in Sol minore, Opera 23

Höre mit Sinn was ich dir sage de l'opéra de Richard Wagner Götterdämmerung (Le Crépuscule des Dieux) interprété en 1929 par Ernestine Schumann-Heink (1861–1936)

Daniel Auber's overture to the opera Fra Diavolo, played by the United States Marine Band for the album Overtures, Volume Two.

The overture to Oberon, or The Elf King's Oath, performed by the U. S. Navy Band's Concert Band

This sound was designed for an opera production as to simulate an earthquake. It is combined and remixed from various different free sounds.

Antônio Carlos Gomes's overture to the opera Il Guarany, played by the United States Marine Band for the album Overtures, Volume Two.

Siegfried Fantasie (track 4 of Music of Richard Wagner), a pastiche based on Richard Wagner's Siegfried (1876).

1915 Edison recording of La sonnambula. Ah! Non credia mirarti, performed by Anna Case Ah! Non credia mirarti, air extrait de l'opéra La sonnambula de Vincenzo Bellini, interprété par Anna Case et enregistré par Edison en 1915.

Basilio's aria "La calunnia è un venticello" from act 1 of Gioachino Rossini's 1816 opera The Barber of Seville (Il barbiere di Siviglia), sung by Russian bass Feodor Chaliapin.

Arrangement from Richard Wagner's 1876 opera Götterdämmerung: Siegfried's Funeral March and Finale, Music of Richard Wagner (track 5)

Che faro senza Euridice (en allemand) de l'opéra Orfeo ed Euridice composé par Christoph Willibald Gluck, interprété par Ernestine Schumann-Heink (1861-1936) en 1907

Otto Nicolai's overture to the opera The Merry Wives of Windsor, played by the United States Marine Band for the album Overtures, Volume Two.