688 royaltyfrie lydfiler for «Opera»

Ô, prêtres de Baal de l'opéra Le Prophète (1849) composé par Giacomo Meyerbeer (texte d'Eugène Scribe), interprété par Ernestine Schumann-Heink (1861–1936) en 1907

Otto Nicolai's overture to the opera The Merry Wives of Windsor, played by the United States Marine Band for the album Overtures, Volume Two.

Che faro senza Euridice (en allemand) de l'opéra Orfeo ed Euridice composé par Christoph Willibald Gluck, interprété par Ernestine Schumann-Heink (1861-1936) en 1907

Io non ho che una povera stanzetta from act 2 of Ruggero Leoncavallos opera La bohème (1897), sung by Enrico Caruso in 1911. It is probably best to make this explicit: This is NOT from Puccini's La bohème. Ruggiero Leoncavallo, Puccini's contemporary, also made an opera based on the same stories, with the same name. While Puccini's version proved wildly popular, Leoncavallo's faded into obscurity. This is Matrix # C-11276 recorded 26 November 1911 (details)

Johann Strauss II's overture to the opera The Gypsy Baron, played by the U.S. Marine Band for the album Overtures.

Українська: Генрі Перселл. Опера "Дідона і Еней", запис з театралізованої постановки у Київському будинку вчених, 2 березня 2014

Enrico Caruso's performance of "Recondita armonia" from Giacomo Puccini's 1900 opera Tosca. This is Matrix B-8347, recorded 6 November 1909, and released under various labels full details

Gaetano Donizetti's overture to the opera Don Pasquale, played by the United States Marine Band for the album Overtures, Volume Two.

Enrico Caruso's performance of "Recondita armonia" from Giacomo Puccini's 1900 opera Tosca. This is Matrix B-8347, recorded 6 November 1909, and released under various labels full details

La Marseillaise (words and music by Rouget de l'Isle) Sung by Georges Thill, tenor of the Opera, and played by the band of the Garde Républicaine. Directed by Pierre Dupont Columbia DF 760 L 3408

Colline's aria "Vecchia zimarra" from act 4 of Giacomo Puccini's 1896 opera La bohème, sung by Russian bass Feodor Chaliapin.

Grand Fantasie from the Grand Scenes album (2000), a pastiche with music from Richard Wagner's Die Walküre (The Valkyrie, 1856), recorded June 5–9, 2000, at the Center for the Arts, George Mason University, Fairfax, Virginia, USA.

Samson et Dalila, Op. 47: "Danse Bacchanale" performed by the Concert Band of the United States Air Force Band. Track 7 from French Impressions (2000).[1][2]

Franz von Suppé's overture to the opera Leichte Kavallerie (Light Cavalry), played by the United States Marine Band for the album Overtures, Volume Two.

Lydfil fra Ruben-samlingen, 1) Der Trompeter von Säkkingen,Behüt’ dich Gott!; akt 2 af Victor Ernst Nessler, 2) Ikke-identificeret melodi, 3) Santa Lucia, traditionel Sound file from Ruben collection

An orchestral arrangement of the "Toreador Song" from Georges Bizet's 1875 opera Carmen, played by the Damrosch Orchestra in 1903. The refrain of the "Toreador Song" begins at about 1:07, and is preceded by other music from Carmen.

O mio babbino caro from Giacomo Puccini's opera Gianni Schicchi (1918). It was performed by Frances Alda in 1919. This is Victor 64802, Matrix B-22578-2, and was recorded on February 11, 1919

Ah! fuyez, douce image from Jules Massenet's Manon (1884). Sung in Italian by Aristodemo Giorgini in 1910 for Edison Records. This recording is Edison Grand Opera Amberol Record #30031.

Ombra mai fu from Handel's 1738 opera Serse (a.k.a. Xerxes), sung by Enrico Caruso. Recorded 29 Jan 1920, Matrix: C-23714, Victor Cat: 88617

Aria "Ancora un passo" ("One step more") from act 1 of Giacomo Puccini's 1904 opera Madama Butterfly, sung by Frances Alda in 1913. This is Victor 64334; Matrix B-13108-2. It was recorded on April 10, 1913

Donna non vidi mai from Giacomo Puccini's 1893 opera Manon Lescaut, sung by Enrico Caruso.

Cavatina di Rosina ("Una voce poco fa…") from opera The Barber of Seville. Performed by Aurelia Dobrovolskaya. Recorded in 1914. Каватина Розины "В полуночной тишине" из оперы "Севильский цирюльник" (действие первое, картина вторая) (Дж. Россини). Исполняет Аврелия Добровольская. Запись 1914 г. (Арх.№ ф. 42, оп. 1 "г", ед. уч. 237). Kawatyna Una voce poco fa z opery Cyrulik sewilski w wykonaniu Aurelii Dobrowolskiej zarejestrowana w 1914 roku. Čeština: Árie Cavatina di Rosina ("Una voce poco fa…") z opery Lazebník sevillský, nahrávka z roku 1914. Македонски: Розинината каватина од операта „Севиљскиот берберин“ во изведба на Аврелија Добровољскаја. Снимено во 1914 г.

The Preislied, "Morgenlich leuchtend im rosigen Schein" from Die Meistersinger von Nürnberg (1868). Sung by Leo Slezak for Edison Records in 1910 This is Edison Amberol #40038

Una furtiva lagrima from Gaetano Donizetti's 1832 opera L'elisir d'amore, sung by Enrico Caruso on 26 November 1911 for the Victor Talking Machine Company in Camden, New Jersey.[1]

Le ballet de la reine (or "La peregrina") from Giuseppe Verdi's 1867 opera Don Carlos on the Grand Scenes (2000), recorded June 5–9, 2000 at Center for the Arts, George Mason University, Fairfax, Virginia.

Le roi malgre lui (The King in Spite of Himself): "Danse Slave" performed by the Concert Band of the United States Air Force Band. Track 1 from French Impressions (2000).[1][2]

Musical notation to illustrate two leitmotifs of Prince Gvidon that appear in "Flight of the Bumblebee" from the opera The Tale of Tsar Saltan Made from notation prepared on computer by Mllefifi; screen capture in JPEG format. The composition itself is in the public domain; the musical excerpts are only minimally extracted and analyzed.

Musical notation to illustrate two leitmotifs of Prince Gvidon that appear in "Flight of the Bumblebee" from the opera The Tale of Tsar Saltan Made from notation prepared on computer by Mllefifi; screen capture in JPEG format. The composition itself is in the public domain; the musical excerpts are only minimally extracted and analyzed.

Aria "Ancora un passo" ("One step more") from act 1 of Giacomo Puccini's 1904 opera Madama Butterfly, sung by Frances Alda in 1913. This is Victor 64334; Matrix B-13108-2. It was recorded on April 10, 1913

Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.

Pasquale Amato's 1911 rendition of the "Toreador Song" from Georges Bizet's 1875 opera Carmen (1875) This is Victor Matrix C-11213-1, recorded in Camden, New Jersey, on 11 September 1911, and released on a variety of labels

1st release date: 1920 1st recording date: 9 January 1919 Composer: Giacomo Puccini (1858-1924) Lyricists: Luigi Illica (1857-1919) and Giuseppe Giacosa (1847-1906) Performer: Rosa Ponselle (1897-1981) with orchestra Work: Madama Butterfly (opera) Content: Un bel di vedremo (One fine day)

Britten's twelve-tone 'Screw' theme [4]divides into equivalent tetrachords, each a segment of the circle of fifths: D-A-E-B, F#-C#-G#-D#, Bb-F-C-G. Created by Hyacinth (talk) 03:10, 7 January 2012 (UTC) using Sibelius 5.

O mio babbino caro from Giacomo Puccini's opera Gianni Schicchi (1918). It was performed by Frances Alda in 1919.This is Victor 64802, Matrix B-22578-2, and was recorded on February 11, 1919 Українська: «О, дорогий мій тату» з опери Джакомо Пуччіні «Джанні Скіккі» (1918), виконує Френсіс Альда 11 лютого 1919 року.

Enrico Caruso and Geraldine Farrar sing "Manon! Avez-Vous Peur...On L'appelle Manon", the opening of act 2, scene 1 of Jules Massenet's 1884 opera Manon. Matrix: C 12750-2

Overture to Mozart's 1786 opera The Marriage of Figaro (Le nozze di Figaro) Brass quintet from the Army Band's album. Overture von Mozarts Oper Le nozze di Figaro (Die Hochzeit des Figaro, 1786) Aufnahmen der Band der US Armee.

The Preislied, "Morgenlich leuchtend im rosigen Schein" from Die Meistersinger von Nürnberg (1868). Sung by Leo Slezak for Edison Records in 1910 Per a request, as this cylinder is in very good preservation, this version simply had the pops removed, and no other restoration. This is Edison Amberol #40038

Label: His Master's Voice Cat. no.: DB 3225 Order number: 2EA 5256 Matrix/StamperID: 2EA5256 -II- 1st release date: 1937 1st recording date: 28 May 1937 Place of recording: unknown Author(s)/Composer(s): Giacomo Puccini (1858-1924) Lyricist(s): Luigi Illica (1824-1893) and Giuseppe Giacosa (1847-1906) based on Scènes de la vie de bohème by Henri Murger (1822-1861) Conductor: Walter Goehr (1903-1960) Performer(s): Beniamino Gigli (Tenor) (1890-1957) and Maria Caniglia (Soprano) (1905-1979) with orchestra accompaniment Vocal range: Tenor and soprano with orchestra accompaniment Title/Work: La bohème (opera) Content: Act 1: O soave fanciulla Genre(s): Opera terminology (aria) Comments: RCM and ELP

NOTE: Edited version (noise reduced, volume boosted), original is at File:PDP-CH_-_Opéra_Comique_-_Élie_Cohen_-_Joseph_Rogatechwsky_-_Romance_de_Nadir_-_Les_pêcheurs_de_perles_-_Bizet_-_Cormon_-_Carré_-_Columbia-12527-lx90.flac. 1st release date: 1929 1st recording date: 1928 Place of recording: unknown Author(s)/Composer(s): Georges Bizet (1838-1875) Lyricist(s): Eugène Cormon (1810-1903) and Michel Carré (1821-1872) Music arranger(s): none Conductor: Élie Cohen (unknown birth/death date) Performer(s): Joseph Rogatechwsky (1891-1985) de l'Opéra Comique Vocal range: tenor with orchestra accompaniment Title/Work: Les pêcheurs de perles (The Pearl Fishers) (opera) Content: Romance de Nadir Synonym: This is a "Je crois entendre" encore[1] Genre(s): Opera terminology

One of the most famous opera of Eric Satie (1866-1925), French composer and pianist. It was published in Paris in 1888. Italiano: Una delle opere piu celebri di Eric Satie (1866-1925), pianista e compositore francese. Fu pubblicata a Parigi nel 1888. Une des œuvres les plus célèbres d'Eric Satie (1866-1925), compositeur et pianiste français. Il a été publié à Paris en 1888.

Enrico Caruso and Titta Ruffo's only surving recording together: "Sì, pel ciel marmoreo giuro!" from Giuseppe Verdi's 1887 opera Otello. Recorded 8 January 1914 in New York City for Victor Records (as Matrix C-14272), this was released under a variety of labels (full details)

One of the most famous opera of Eric Satie (1866-1925), French composer and pianist. It was published in Paris in 1888. Italiano: Una delle opere piu celebri di Eric Satie (1866-1925), pianista e compositore francese. Fu pubblicata a Parigi nel 1888. Une des œuvres les plus célèbres d'Eric Satie (1866-1925), compositeur et pianiste français. Il a été publié à Paris en 1888.

Enrico Caruso and Nellie Melba singing the duet "O soave fanciulla" from Giacomo Puccini's 1896 opera La bohème. It was recorded in New York on 24 March 1907 (Victor C4326 95200) – http://victor.library.ucsb.edu/matrixDetail.php?id=200006039

Song to the Moon from Antonin Dvorak's 1901 opera Rusalka as performed by the United States Navy Band. Recorded at the Hylton Performing Arts Center, Manassas, Virginia in May 2015. Conducted by Captain Brian Walden. Orchestrated for band by Senior Chief Musician Scott Silbert. Featuring soprano soloist Musician 1st Class Susan Kavinski.

1st release date: 1932 1st recording date: 18 May 1931 Place of recording: Teatro alla Scala, Milan (Italy) Author(s)/Composer(s): Georges Bizet (1838-1875) Lyricist(s): Henri Meilhac (1831-1897) and Ludovic Halévy (1834-1908) Music arranger(s): none Conductor: Carlo Sabajno (1874-1938) Performer(s): Gabriella Besanzoni (1888-1962), mezzo-soprano, Enrico Spada (1885-?), basso, Nerina Ferrari (1907-?), soprano, Tamara Beltacchi (1898-?), mezzo-soprano and members of the La Scala Theatre Orchestra and Chorus Vocal range: Bass, Mezzo-Soprano, Soprano, choir and orchestra accompaniment Title/Work: Carmen (opera) Content: Part 15: Act 2: Or ben, Pastià desia (Senor Pastia declares) Genre(s): Opera terminology

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details

Title/Work: Cavalleria Rusticana Content: Intermezzo Sinfonico Genre(s): Opera terminology Author(s)/(Composer(s): Pietro Mascagni (1863-1945) Music arranger(s): Lyricist(s): Performer(s): Deutsche Oper Berlin (Orchestra) Conductor: Walter Lutze (1891-1980) Place of recording: Berlin (German Reich) 1st release date: 1941 1st recording date: 1940/03/26

Grabación de golpe en una mesa simulando una discusión, para usarlo como fx (efecto de sonido) en la radionovela "asignaturas pendientes" para radioua de la universidad de alicante. (españa). Recording of a table shot simulating a discussion, to use it as fx (sound effect) in the radio soap opera "asignaturas pendientes" for radioua of the university of alicante. (spain).

Cavatina from La Favorita, arranged and played by alto saxist H. Benne Henton. It is originally from the fourth act of Gaetano Donizetti’s opera La favorite. Die Cavatine aus Die Favoritin, arrangiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es ist ursprünglich die Cavatine des Fernando aus dem vierten Akt der Oper Die Favoritin von Gaetano Donizetti.

Scheherazade, Symphonic Suite, Op. 35. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.