By using a frequency filter by setting its oscillations in variable arrays on the piano preset - i was able to make most of these sounds. Also vocoding and feedbacks and feed throughs were happening. Then they were altered in audacity.
1:41 field recording of interior daytime in an empty third floor office during high winds, with mics near an open window which eventually blows shut. Recorded with a stereo pair of (different make) mics and edited to remove intrusions.
A sound montage of my own creation. It incorporates sounds i recorded in a garage (heavily edited) as a base, before building up various synthesizer beeps and warbles on top of it.
I did some swishes myself using a spiral hose; i needed them for specific situations in video editing and the bamboo swishes i found here on freesound were too fast and strong. The flexible spiral hose made for some nice and slower swishes; some of the 16 sounds build up a little, some are very fast and strong, some soft and gentle. A whole pack for you to use. Recorded with a tascam dr-05 stereo (the movement always went from left to right); a little noise reduction in audacity.
I joke i made when i was bored about roblox bypassed audios, im not gonna mark it as explicit since i did say a few bad words, but i wahwahed, distorteded, and pitched them out of the song, just like bypassd audios.
2:54 field recording interior of an empty lincolnshire office ambience on the third floor during high winds. Mics in the closed window. Recorded with a stereo pair of (different make) mics and edited to remove intrusions. Filter at 90hz.
It’s a mix the 80s gated reverb and the fisher k10 stereo (gated), this is an experiment that i did combining a thicker reverb with low frequency, with an impulse response from a 60s spring reverb unit, which brings a movement nice in the mix.
1:56 field recording of exterior daytime environmental windy day in an exposed lincolnshire countryside location, but with mics completely shielded inside a bus-shelter for a less in your face perspective. Mics are pointed upwards into the wooden box roof of the shelter, which has added a somewhat eerie and disconcerting lower mid rumble to the scene. Recorded with a balanced stereo pair of mics and edited to remove intrusions.
2:21 field recording of exterior daytime environmental windy day in an exposed lincolnshire countryside location, but with mics partially shielded inside a bus-shelter for less in your face perspective. Recorded with a balanced stereo pair of mics and edited to remove intrusions.
