212 royaltyfrie lydfiler for «September»

I made a series of recordings of urban sounds from my open living room window between late july and early september 2014. These recordings were done at various times of the day. I am using these as quiet background ambiance on a short play due to be performed in the near future. Recorded with a roland r26.

Welcome to the roots messenger multiverse. This is a september 24th 2013 field-recording, which i took in heidelberg's mainstation while working at the heidelberg laureate forum 2013. You will hear a general mainstationhall with an increasing siren from a rescuevehicle, interrupted by a general security announcement for all passengers in the trainstation. To be continued. . .

Recorded in 2005 on an unusually chilly september day, while walking in downtown ottawa, friends and i came across a ceremonial event at the war cenotaph. I thought i'd record the sounds of traffic, people and background music and my timing was good as the choir launched into a sombre and touching rendition of danny boy to remember fallen soldiers of war.

Bees and insects in a tree in the mojave desert (california). Sound recorded by a ms setup schoeps ccm41+ccm8sound devices 788t recorder with cl8ms is encoded in stereo left-rightrecorded in september 2012. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.

A soprano pipistrelle recorded in the vicinity of maynooth university in september 2019. Originally recorded at 192 khz, this rate has been changed to 16 khz to make the sounds audible. In this extract the bat can be heard echolocating which culminates in a 'feeding buzz' as the bat catches prey. Recorded on a sony pcm d100 using knowles ultrasonic mics. Noise reduction has been applied.

Crikey the cricket was chirping in a leafy bush in portland, oregon, around 11 p. M. In early september. The original recording had some ambient noise, but it has been cleaned up for use in. . . A film?. . . A song?. . . Or raw material for mangling into a sound design element? this is the. Wav version; there's also an. Aif should you prefer that. It has not been down-sampled.

This is the sound of the brood x cicadas. Close up, the cicadas have a sharper chitinous rattle. But more often the experience was a diffuse drone which was audible throughout washington, dc in may and june 2021. This recording was taken in fort slocum park, june 3, 2021. Fort slocum was built as part of the northern defenses following the battle of first bull run in september 1861.

O Canada, this recording contains the 1st and 4th verses of O Canada in French. Amicus No.: 31386358, Issue no.: E3979, Matrix no.: 84416, Distributor: Columbia Graphophone Company., New York, Recorded: May 1918, New York, NY, Columbia Graphophone Company, Released: September 1918, Discographical reference: disque; Ethnic Music on Records, Volume I, Western Europe, date d'enregistrement; Canadian Music Trades Journal, date de lancement

Group of 12 australians waiting around in a home theatre in tasmania, before the cartoons and shorts begin. Recording level lowered at 0. 30. An open fire crackles occasionally in the background. Six more people arrive as the recording progresses, raising the hubub. Near the end, a bell rings to tell people the show is about to start. Recorded on a marantz pmd 661, 6 september 2019, 7:23 pm, with a rode nt4.

This is a recording of a storm from the balcony of the living room in the province of rieti in italy on wednesday 8 september 2021, where various noises such as lightning, thunder, heavy rain, a bit of wind and even an ambulance and a bulldozer working in distance. This recording was done with the shure mv88 plus stereo microphone connected to my iphone 12 pro.

Sea waves on a windy beach rolling around from left to right and right to left, with sounds of spume and sand moved by the water. Recorded september 2012 at the northern beach of fehmarn island, germany, near niobe memorial. Recorded using a pair of rode nt5 mics in x/y positioning with nikolai windshields. Eqed with eq10q: low cut at 41hz, +4. 5db q0. 43 at 142hz, -3. 7db q0. 70 at 1980hz. Normalized in audacity.

FREDERIC CHOPIN, THE ETUDES PAN 107 (1810 - 1849) Martha Goldstein, Piano (Erard, 1851) Opus 10 - Twelve Grand Etudes dedicated to Franz Liszt, published 1833 c minor- Allegro con fuoco Supposedly written in Stuttgart shortly after Chopin received news of the taking of Warsaw by the Russians September 8, 1831, this Etude is popularly called The Revolutionary."

A recording made at 4:30pm on saturday september 12th 2015 near a playground in a small town. A cool front had recently passed bringing with sharper temperatures and northwest winds sifting through the still green cholorophyll-laden leaves. You hear the sound of children fairly low in the background as they enjoy the playground. True stereo recording made with maantz pmd661 and two sennheiser me-66 microphones mounted in tripods.

. Welcome to the roots messenger multiverse. This is a september 24th 2013 field-recording, which i took in heidelberg's old citycenter in the late afternoon, while working at the heidelberg laureate forum 2013. You will hear a general streetnoise with motorbikes/cars passing by, people talking and laughing and finally a beautiful streetmusician's flute and singing by one of his collegues. All my recordings are stereo, recorded with zoom h2. To be continued. . .

Close recording of a cricket in the californian desert (in the mojave desert, close to joshua tree park). Sound recorded by a ms setup schoeps ccm41+ccm8sound devices 788t recorder with cl8ms is encoded in stereo left-rightrecorded in september 2012. The same sound slowned down:http://www. Freesound. Org/people/felix. Blume/sounds/166342/#. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.

This is the one minute narration of a sound walk i did on september 7, 2019 at the afternoon. I walked the streets of 8117 garden grove ave. , reseda, california, united states. During this sound walk, i heard multiple sounds around me. These sounds are as follows: a garden hose gushing out water, a dog barking quite aggressively, a car passing by, creating a doppler effect, the footsteps on leaves and branches, and the soft breeze of the wind.

Bats recorded along the lagan river near belfast in september 2019. This recording was originally made at 192 khz but the registered sample rate has been changed to 16 khz in order to make their ultrasonic calls audible in playback. In this excerpt you can hear social calls (the trills), soprano pipistrelle echolocation (the higher pitched chirps) and common pipistrelle echolocation (the lower pitched chirps). Recorded on a sony pcm d100 using knowles ultrasonic mics. Noise reduction has been applied.

The sounds of solway's scrap yard on toronto's ernest avenue. It is an old industrial neighbourhood, rapidly gentrifying. The gentrifiers resent the scrapyard, but it was there first. You can hear the sounds of a mobile crane on caterpillar tracks dumping scrap into semi-trailers which will soon pull out for the steel mills of hamilton. As the trucks are loaded, the drivers chat in the background. Recorded with a roland r05 and a sennheiser mke 400 stereo mike with home-made wind screen on 30 september 2011.

This is an ambient sound effect traveling on the subway system in madrid at 11:30am, september 2019. The recording is on the platform, then boards, and exits the train; the train then departs and there is a period of platform ambience. Recorded with shure mv88 in mid-side, converted to stereo.

Over 3 minutes of loud motorcycles streaming by revving their engines plus sirens and horns during an insane motorcade of bikes and choppers that temporarily took over streets of the westside highway. Sirens are not police but are from bikes in the motorcade. Includes people talking and crowd noise in the background, some distant helicopter and followed up by some very relaxing chimes in the park that's adjacent the highway. Recorded september 2022.

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 1st Movement: Allegro (2nd Record) Genre(s): Concerti grossi, Concerti grossi by Johann Sebastian Bach Author(s)/(Composer(s): Johann Sebastian Bach (1685 – 1750) Music arranger(s): - Lyricist(s): - Performer(s): Philadelphia Orchestra (Orchestra,1900 - ) Conductor: Leopold Stokowski (1882 - 1977) Place of recording: 1st release date: - 1st recording date: 1 September 1928

Amateur guitar plucking of a tune of my own making, mainly on one string up and down the fret board. Recorded august or september 1984 when i was 15/16. Cassette is a basf cr2-90 (1 of 3). Recorded on my fidelity hi-fi tower, with microphones jacked in. The extra guitar strums near the end were actually unrelated, a technical glitch made an impression of the previous recording to bleed through. Audio has been uploaded using alesis usb tape deck link to audacity, no editing or noise removal was utilised.

Car horns in street protest. Horn sounds during a protest in mendoza, argentina (outdoor). September 29, 2020, in the afternoon. Recorded in wav with zoom h1, compressed in flac (lossless) with flac frontend. Bocinas de autos en manifestación callejera. Toma de sonido exterior de bocinas en manifestación en la ciudad capital de mendoza, argentina. 29 de septiembre de 2020, en horario de tarde. Grabado en wav con zoom h1, comprimido en formato flac (sin pérdidas) con software flac frontend.

My computer starting up and shutting down in a quiet room around 11:30 pm. This thing has a solid-state drive of 120gb that is used to boot up windows 7 pro, and a wd green 500gb hard drive that is used to store nearly all my games, and tons of other large (compilations of) files including my five nights fangame files. This was recorded on the night of 4th september 2022, at 11:30 pm. As i am writing this, it's 11:12 am, monday, 5th september. This is my computer starting up and shutting down. (before you scold me for using a weak-ass computer, here are the specs and goodies). Gigabyte m68m-s2pamd phenom x3 720 2. 8ghz4gb ddr2-667 "unganged mode"gigabyte gp-gstfs31120gntdwd green wd5000aurx-63uy4y0asus radeon hd6570 1gb ddr3corsair vs350 psu 350w~~windows 7 pro~~windows 11 pro 64-bit (updated 9/10/2022). If you use this sound, you don't have to, but it would be nice to write my name in the credits and comment!. Edit - the small growl at the end when the fans stop ain't what you guess it is, it's a fan or the hdd's bearing having been ruined by age and emits this noise when spinning down. Yet i pulled up the gain, so it might not have been noticeable in real life.

This is a little 'electronic eurorack modular synth jam'. I am singularly the one recording, producing/ posting and composing/ compiling the works as it is recorded. The date was september 04th, 2021 and it has an ''as-is'' no alteration. . Touching up. . Or thus otherwise that the uploading and steam compression did during the posting and uploading process but - take it kindly please. Lol. I would like to hear your honest options in comments as this is not anything like the music i usually do - much less dare to upload lol! ha!. Thnaks!.

A sample from a quick flight that i took with a friend on september 8th, 2015. Audio was recorded with a zoom h5. You can hear the engine start, then we idle on the runway for a bit, and you'll hear us make a proper takeoff at about 13:30. After that it generally sounds the same. You'll hear when i crank the level down after takeoff, but you'll be able to easily compensate for it if you're serious about needing sustained flight noise for a small plane. The plane was a 1964 cessna 172e and were flying around vancouver, bc.

1st release date: 1935 1st recording date: 7 September 1934 Place of recording: EMI Studio No.1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Serge Koussevitzky (1874-1951) Performer(s): London Philharmonic Orchestra Vocal range: instrumental Title/Work: Symphony No. 3 in E-flat major, Op. 55 Content: 2nd Movement (Part 2): Marcia funebre (Adagio assai) Genre(s): Symphonic

A recording in the midwestern forest made on sunday september 27th, 2015 around 3:00pm in early autumn. At this time of the year a lot of the summer neo-tropical migrant songbirds either have left for their winter home, or, are quieting down and preparing to leave. During this transition period in early fall the woods are not as loud as, say, three weeks ago. Even the insects seem subdued. At around 12 seconds into this recording you hear the squeaky call of a tree-frog. Recording made with marantz pmd661 and two sennheiser me-66 microphones mounted on a tripod about 4 feet above the ground.

Recorded with only a small digital video camera at a cafe in pushkar, india. As i sat by the lake one afternoon, two indians sat down on the ground in front of me and began playing this and singing. There is background cafe noises and the odd motorbike going by and beeps, people talking and its not great quality but, someome may like it. . . It is as natural as you can get, raw sounds of india!(unfortunately, i have no idea what they are saying, id love to know if anyone could translate it?)recorded september, 2012.

Władysław Tarnowski ps. Ernest Buława „Grande Sonate pour Piano composée et dediée respectueusement à J.I. Kraszewski”, wyd. Robert Forberg, Lipsk, październik 1877. Obdarowanym dedykacją był Józef Ignacy Kraszewski, wydawca, korespondent i przyjaciel Władysława Tarnowskiego. Tu wykonanie 1-ej partii z 2 części, która to 1-sza partia ma tytuł „Scherzo rondino” i zawiera temat „Jaskółki” z opery „Achmed” skomponowanej przez Władysława Tarnowskiego. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 16:57, 17 September 2018 (UTC)), wrzesień 2018. Z podziękowaniem dla SLUB w Dreźnie (Sächsische Landsbibliothek – Staats- und Universitätbibliothek Dresden) za udostępnienie partytury.

A horrible sound for a contest, created by paulstretching the sound of an old photo-slide scanner six times, then slowly layering it on top of itself up by a semitone every second and adding reverb. Please comment on where you intend to use the sound, and feel free to post a link to the work where you used it if you want (i enjoy watching/listening to anything you create!). The sound was recorded using a "h1 zoom v2 recorder". Originally edited using audacity and paulstretch on 25th september 2016. Note: audio quality is always better when downloaded.

Recorded on september 4, 2020 on an ipad. Some parts or maybe even all of it may sound like just noise to some people. It was recorded in a government fenced in square. So there are buildings on 3 sides of my location and a gated entrance at the front. It is mainly drums that are played for a dragon dance. These dances are performed at special occasions, such as a new business opening. There is a troop of about 8 people there to perform the dance. For the first half of the recording, the two dragons (four people) were preparing and they were actually performing the dance for the second half of this recording.

Title/Work: The hymns my Mother used to sing Content: Song of 1911, Baritone vocal solo and orchestra Genre(s): Christian hymns (sacred music) Author(s)/Composer(s): Frank Langford (unknown birth/death date) Music arranger(s): none Lyricist(s): Frank Gee-Fort (unknown birth/death date) Performer(s): Robert Carr, baritone (1881-1948) Conductor: none Place of recording: London (United Kingdom) 1st release date: 2 October 1911 1st recording date: 21 September 1911

Label: Decca Records Cat. no.: K 1144 Order number: AR 9079 Matrix/StamperID: AR 9079-2 1st release date: September 1945 1st recording date: 18 January 1945 Place of recording: Kingsway Hall, London (United Kingdom) (printed on record) Author(s)/Composer(s): Pyotr Ilyich Tchaikovsky (1840-1893) Lyricist(s): none Music arranger(s): none Conductor: Stanford Robinson (1904-1984) Performer(s): National Symphony Orchestra of London Vocal range: instrumental Title/Work: Casse-Noisette Suite, Op. 71 ("Nutcracker-Suite") Content: Valse des fleurs (Waltz of the flowers) Genre(s): Ballet music Comments: ELP

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 1st Movement: Allegro (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 27-29 September 1928

Label: Decca Records Cat. no.: K 1142 Order number: AR 9057 Matrix/StamperID: AR 9057-2 1st release date: September 1945 1st recording date: 18 January 1945 Place of recording: Kingsway Hall, London (United Kingdom) (printed on record) Author(s)/Composer(s): Pyotr Ilyich Tchaikovsky (1840-1893) Lyricist(s): none Music arranger(s): none Conductor: Stanford Robinson (1904-1984) Performer(s): National Symphony Orchestra of London Vocal range: instrumental Title/Work: Casse-Noisette Suite, Op. 71 ("Nutcracker-Suite") Content: Dance of the Sugar Plum Fairy; Russian Dance (Trepak) Genre(s): Ballet music Comments: ELP

A beautiful, simple and peaceful soundscape of a late summer day in illinois near an ancient swamp. This recording was made around 8 in the morning on a warm and slightly humid day in late september using the marantz pmd661 and a rode ntg2 shotgun microphone. Do you sense the insects are more subdued than usual? as if they, too, are waiting for the cooler masses of early autumn?? the overall loudness of the birds is also down somewhat, maybe some of our neotropical migrants have already left. . . . Taking with them the wonderful midwest diet and warm memories of raising the next generations of their kind before the swamp turns gray, and cold and inhospitable for raising a family. . Enjoy, what i consider a turning point of the seasons.

A stereo recording made at 4:50pm on saturday september 12th 2015 of the ambience of a small town near a playground. Up until this day, the weather here in the midwest had been your typical high-heat high-humidity. But, the day before this field-recording was made the wonderful jet-stream had dropped down on us, a cool, mass of less-humid canadian air, making the leaves sing through the trees with the lifting of the northwest breezes. A gentle tinkling wind-chime can be heard from 1:05 to 1:20. Recording made in stereo with marantz pmd661 and two sennheiser me66 microphones mounted on tripods about 4 feet off the ground.

Original file name: wah whistle suspense bees - 30 september 2012specs: demo at 120 bpm, stereo, 48000 hz, 24 bit, wav formatdescription: created the sound using the thor polyphonic synthesizer in propellerheads reason. Sounds weird when played in isolation, but sounds decent when played as an arp or melody. I have included the "c" note spanning 7 octaves in case the samples need to be loaded into a sampler. Sample pattern: demo | c0 | c1 | c2 | c3 | c4 | c5 | c6. Contact (pm) me if you want any changes to this sample (please include freesound sample number 166169). You can use this commercially with proper crediting, but please let me know where and how you use it - seeing this used will really make me happy. :).

Note: the high-pitched squeaks are artifacts from freesound's preview and aren't present in the actual recording. 10 minutes of a thunderstorm, recorded september 7th, 2019 from my apartment window in seattle. This is the raw recording straight from my zoom h5. Levels were kept low to minimize the chance of clipping. A few thunder sounds were still too loud, but luckily the h5 has a backup function that recorded an identical track 12 db quieter. I've uploaded that as well, so you can splice the two together to taste. Eventually i'll release a processed version with the two combined, plus compression and eq, but i wanted to upload the source material in case you'd prefer to diy it.

September 19, 2020 shenzhen, china tested the air raid system. Sorry for the background noise. I was standing on a city street on a rainy day and the cars made a lot of noise driving through the wet streets. I'm not sure if they do this test every year but i do remember they did it last year. I'm also not sure if this is province wide (guangdong) or maybe even country wide. The government let us know about a week earlier that they would do the test. If they let me know one day or even better one hour before the test, i may have been able to get to a quieter area for a better recording. There were some tests earlier with longer tones but my recording had even more background noise and this was the best one.

Autumn forest wind. Heavy, fast gusty in tall pine trees. Some birds and raindrops. Soundscapes of natural white noise of moderate intensity. Some are stagnant or static and with few birds. The presents of the colourful red and yellow dry leaves that is still on the trees, creates the noise of the wind with rustling whispers. Is a constantly form of natural white noise that is always changing and evolving. These recordings is from my third attempt. I think it is very difficult to record the “spirit” and unique sound of the wind. This is pure natural wind sounds (no layering, no post-processing, no synthesizers). Originally recorded at 24 bit sony dat tcd-d7 on a sony ecm-909 microphone. Recorded in sweden september of 2007 in a wet cold beautiful colourful forest, with all kind of trees, far away from any traffic or human sounds.

The beautiful, simple call of the field cricket is one of my favorite insect sounds. In late summer though the huge choruses of katydids and cicadas often drown out the simple beauty of this love song. Later, as the season progresses into fall and the temps dip to where the cicadas and katydids no longer sing, these simple, beautiful field cricket calls still last up to the time that the days just can't stay warm any longer. I like to see how late into the season i can hear these guys---something just hauntingly mesmerizing hearing this sound and no other on a mild autumn day, after a cold night. . I was fortunate enough to capture this recording on september 4th 2013 in my backyard. Recording made around 4:30 in the morning with my h4n recorder using its internal built-in microphones.

Original file name: abstract hip hop beat 1 - 28 september 2012specs: 140 bpm, stereo, 48000 hz, 24 bit, wav formatdescription: an abstract hip hop beat loop programmed into propellerhead's reason redrum. Used the 'abstract hip hop kit' samples that come with reason's soundbank. First part of loop is dry with no effects except eq, second part is more processed. Sample pattern: a1 x2 | a2 x2effects: equalized all the samples. First half is dry in that no extra effects apart from eq are used; second part of the loop is actually two copies of the same loop with one of them containing extreme compression after some unison (detuning) and ~30ms delay. Contact (pm) me if you want any changes to this sample (please include freesound sample number 166029). You can use this commercially with proper crediting, but please let me know where and how you use it - seeing this used will really make me happy. :).

As our planet becomes increasingly crowded, finding a quiet, natural, tranquil place to listen to pure nature becomes harder. Even in the rural area of deep southern illinois you have to really try hard to find a place where the man-made sounds aren’t everywhere. However, i found just such a place on september 9th, 2012 at the cache river state natural area. This very peaceful recording was made at around 3:00pm in a grassy field bordering a small pond. The pure, droning sound of the insects of late summer make this soundscape almost hypnotic. If you listen closely towards the middle and end of this recording, you can hear the pleasant chipping of sparrows and the not so pleasant call of a crow off in the distance. Recording made with the handy/zoom h4n recorder, using the internal built-in stereo microphones. I mounted my recorder on a small tripod literally 3 inches from the ground so my recorder was actually hidden in the grasses and goldenrods of late summer.

Sheridan Square performed by the Airmen of Note of the United States Air Force Band. Track 7 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Here in the midwest we were treated to a nice preview of autumn here in the northern hemisphere. Both the temperature and humidity were nicely lower than usual and this soundscape was recorded featuring the beautiful northern breezes and a few of the birds that still live here. Since this ambience was recorded during the work-week, there are hardly any man-made internal combustion engine noises. Just the wind lifting and swirling through the tired forest and the blue jays, crows and insects. Recording made at 2:30pm on september 13 2022. Equipment used: recorder-sound devices 702microphones- left channel- sennheiser mkh 416right channel - sennheiser mkh 8070. The right channel, the very low-noise direction shotgun microphone, was pointed just about straight up at the leaves and branches of a huge cottonwood tree whose dry leaves were putting on a show. Hope you can hear this. Recorded and edited in stereo so either good studio monitors or headphones will make you feel you are in the forest surrounded by the gentle breezes swirling through oaks and cottonwood trees and insects and birds.

Skyscrapers performed by the Airmen of Note of the United States Air Force Band. Track 5 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Small Note Boogaloo performed by the Airmen of Note of the United States Air Force Band. Track 6 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Eagle Eyes performed by the Airmen of Note of the United States Air Force Band. Track 8 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*