104 darmowe pliki audio dla „Łata”

Lata-fagot-sonología.

Lata cayendo.

Destruye lata.

Lata rodando.

Can of soda being kneaded. Lata de refrigerante sendo amassada.

Agarre lata robot.

Se destapó una cerveza en lata [ was open a beer can]the sound was recorded with a mobile phone and edited with reaper.

Lata destruida.

Sonidos al destapar lata de cerveza. Sounds when uncovering a beer can.

Cae lata.

Cae lata.

Debut Bengali song of Lata Mangeshkar

Lata que rueda.

Alzar las latas.

When you open a soda.

Áudio do som feito por uma lata de refrigerante ao ser aberto, gravado pelo microfone "neumann tlm 103 – condensador cardióide" para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Una lata de aereosol siendo accionada.

A tuna can being touched and eatenmkh 416.

Nessa gravação, foi utilizado microfone condensador de cápsula larga e o material utilizado foi uma lata de refrigerante de 269ml sendo deslacrada. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Eu bati a unha em uma lata.

Foi utilizado uma lata de tinta spray para fazer os som. It was used a can of spray paint to make the sound. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Cachorro Vira-Lata is a samba-choro composed by Alberto Ribeiro and recorded by Carmen Miranda in 1937. Odeon disc11482 A (matrix 5571). Cachorro Vira-Lata – samba-choro skomponowana przez Alberto Ribeirę w wykonaniu Carmen Mirandy z 1937 roku. Македонски: Кашоро Вира-Лата — самба-шоро на Алберто Риберо во изведба на Кармен Миранда, 1937 г. Cachorro Vira-Lata ― самба-шоро композитора Альберто Рибейро в исполнении Кармен Миранда, 1937 год.

Latas de abriendosebeer cans openingberhinger c1 recording.

Recorded on zoom h5 handyrecorder.

Lata de lixo de alumínio abrindo e fechando. Microfone condensador cardioide behringer c1u. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Bengali song

Bengali song

Estava chovendo, esse barulho veio do quintal e gotas estavam caindo em uma lata, achei bonito e gravei.

Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Nessa gravação foi utilizado microfone condensador de cápsula larga e o material utilizado foi um canudo e uma lata de refrigerante, com uma pessoa bebendo através do canudo. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Gravação feita em estúdio. Foi utilizado um grampeador. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv einternet, universidade anhembi morumbi. São paulo-sp. Brasil. Studio recording. A stapler was used. Recorded for the course of audio capture and editing of the course radio, tv andinternet, anhembi morumbi university. Sao paulo-sp. Brazil.

Testing out the werkstatt-01. Slightly eq'd on the low end.

Don’t know if my english is correct. . . Butt i guess you get it, dear reader. Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 70%. What happens. . .

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. The vco is also tuned to 270hz. In this test i connect the same lfo to cv1 on the vcf and 1v/oct on the module i use as vco (intellijel μvcf). I let the lfo run. Cv1 on vcf pot at 100%. They are playing together. The vco is connected to the in on the vcf. Confused explanation. . . But at least not in swedish.

I let both the vco (intellijel μvcf) and the uoki-toki polivoks vcf play a little melody, the same. The vcf is in self-oscillation and cv1 at 100%. It does not track perfectly, but could be useful.

No fuss 3 stage asr (analog shift register) patch. I sample from a quantizer but still its not exact pitch. The sound start with a short decay. I will gradually increase the decay time of the three sounds.

Test of how uoki-toki polivoks vcf handles sin-wave. I tune the module i use as sin-oscillator (intellijel μvcf) to ca 270hz. I connect it to uoki-toki polivoks vcf. I let a sin lfo sweep the filter, cv1 pot at ca 70%.

Modular synth patch with 2 voices (vcos). One sinus wave and one triangle wave. Max reverb (hall) on my ladik d-330. Output to reverb is mono. Observe how the output from the reverb makes affects the channels. Meanless and bizarre video on https://www. Youtube. Com/watch?v=daymdm8vrz0.

Short tensing sequenz inspired by stranger things.

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 100%. Hmmm interesting. . . .

Patched my little modular synth while it was switched off. Then i switched it on and waited for it to warm up. This was the result.

One classic passive ring mod based on 2 transformators and one vca based.

A modular “jazz patch”. This is straight out of the modular synth.

Krell patch based on make noise shared system with a few added embellishments, combining old (echophon and erbe-verb) with mimeophon and x-pan tech. Morphagene oven-ready. Rendered in reaper @48khz 32 bit fp. Enjoy the loop!.

The fundamentals of this patch is from the doepfer home pagehttp://www. Doepfer. De/a100_man/a100_patch. Htmthe patch they call "random melody". I call the sound "random melody from doepfer site". Boring. . . I added a voice with some delay/reverb fx and some simple drums. The high-hat is made from white noise and the bass drum isa self oscillating filter. I have used a minor scale on my doepfer a-157 quantizer. This sound is slitly treated in audacity. A little compressor and limiter. Review from one of my kids: "well, there is some rhythm".

Patching up a burst-patch. There are x ways to do that. This is is the results of one.

The yamaha qy-10 is playing a cm chord thru zoom ms-70cdr and the modular synth plays a patch that improvises around a cm7 chord. Well, thats it. . .

A krell.

Small but effective vcv-rack patch making minimal techno.