Included on this reel are 40 splices of static, captured while scanning the vl, vf and uhf bands on an analog television set. Since the u. S. Conversion to digital broadcast signals in 2009, these bands have been providing endless streams of noise for all to enjoy.
Sounds made with the legendary vcs3 synthesizer in the lindblad studio at gothenborg academy of music and drama, 2011. 11. 06. The charactere of the sound is like a bouncing ball.
A sound which reminded me a lot of the gameboy. I've named it after the gb's cpu - the sharp lr35902 - which also handled the gb's audio. This is the note a of octave 5. (created with audiosauna. ).
Inspired by the synth secrets article "synthesizing pan pipes" from sound on sound, i created this. It's completely unrealistic, i know. This is the note a sharp in octave 5. (created with audiosauna. ).
This series is done through layering and processing many samples of drum sounds i synthesised using various plugins namely xoxo's vst's and zynaddsubfx mixed with some old hardware samples i made a long time ago. There are 4 packs of the same series : perc snare kick and hats all using the same process.
Three part modular uncomposition. Or call it a patch driven by a mix ofchaos and order. Perfect as annoying sound. . . Made with a analog modular synth. The reverb is a spring reverb.
Sounds from an analog sound device called 'the benjolin' a diy project by rob hordijk and joker nies. Sometimes recorded in addition with effects coming from a korg kaoss pad.
A synthesized cello sound created through audiosauna. I'm not sure i'll ever find a use for it, so maybe you will. No claims on realism; that is in the eye of the beholder. This is the note a sharp in octave 3.
The drone has a form of pattern repeating every 2 minutes. But other thing are vaguely linked to this pattern. The heart of this patch is intellijel quadra + expansion. I'm using 3 oscillators and noise. I add some character to the sound with a driver pedal (boss bd-2).
This was an experiment running a yamaha tx81z through a korg ea-1. The fm is a grand piano patch decimated and warmed up with analog oscillators. Sampled into an mpc. 44. 1k, 16-bit.
A straightforward pattern made in the lmms daw, i used the analog bell preset with a delayed, pitched-down arpeggio of sorts. Over time, the tempo increases, from about 50 bpm in the beginning, to 150 bpm in the end.
Relaxing vintage analog hissing for relaxation :). Source: sony wmd3 walkman, but the tape is not runnig. Recorded @96 khz with rme babyface pro fs. Unfortunately it didn´t work anymore after this recording. So bad :(. Ommmmm!^^.
