480 pistas de áudio isenta de royalties para "Designer"

A sound effects cd i found. It's from 1989, bainbridge records called "living sound effects vol. Iv // shuttled through it to find the stuff i liked. √π¶∆¥.

Fx hit created from a hand tap recorded sound.

I crumpled some paper in different ways and cut out the noise usind audacity. Good for a stone cracking sound or simply paper crumpling. Recorded with a sennheisser sk-xsw lavalier.

Aethernet-cc0 pattern template design webdesign network ethernet wifi pulse cloud.

Aethernet-cc0 pattern template design webdesign network ethernet wifi pulse cloud.

Aethernet-cc0 pattern template design webdesign network ethernet wifi pulse cloud.

Reverbed drums for a fight scene made with ableton and omnisphere 2. Made some sounds for a film i worked on. Thought i should share since i use so many of the sounds from this website. =).

Logo sound sfx produced with my digitone.

Rabbits moving in cage (different kind of movements; stressful, etc. ) 24 bit 48 khz. Wav.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded at ableton live, using old tx81z synth from yamaha + boss digital delay dd7 messing around with feedbacks and time creating tape like fx.

Ooh fantasy deep vocal fantasy ambient sfxsfx conversion edited: adobe + fxs + mastered.

This was hard to create i used many different types of doors for the close including hatches, fridges, cars, large and small. I layered them with a stretched air effect to indicate pressure.

Like the door open but things are not reversed. Air affect is placed in front not behind for release of pressure.

Sound design project i did for school. All done with synths and automation.

Just a small sound of me clicking a pen, then distorting it and adding so scale-shift. I really like it, sounds like one of those sounds for a ui. - like menu hovering(!?). ~callum.

Just a small sound of me crushing a can, then distorting it and adding so scale-shift. I really like it, sounds like one of those sounds for a ui, like menu hovering(!).

A combination of cracking noises.

Just a small sound of a green spectrum, then distorting it and adding some scale-shift. I really like it, sounds like one of those sounds for a ui, like menu hovering(!).

Just a small sound of me clapping, then distorting it and adding some scale-shift. I really like it, sounds like one of those sounds for a ui, like menu hovering(!).

Just a small sound of me clapping, then distorting it and adding some scale-shift. I really like it, sounds like one of those sounds for a ui, like menu hovering(!).

I used the ben burtt technic to design this punch; mixing a whip tail sound with a the sound taken from hitting a jacket with a baseball bat. Here is a link where ben explain the technic for indiana jones punches:. Http://collider. Com/ben-burtt-dennis-muren-indiana-jones-blu-ray-interview/. I used logic to chop the whip tail up and blend it to make my own punch.

Granulized percussion hit.

Small pieces of styrofoam, i sort them out and scatter them. There is shure pg 81 microphone.

This sound here was designed using the sound of myself snapping and then heavily processing using fl-studio 20. The bpm of this sample is 140bpm.

Montage hds.

Just a small sound of me crushing a wrapper, then distorting it and adding so scale-shift & glotch. I really like it, sounds like one of those sounds for a ui, like menu hovering(!). ~callum.

Just a small sound of me crushing a can, then distorting it and adding so scale-shift. I really like it, sounds like one of those sounds for a ui, like menu hovering(!). ~callum.

Nice hit with some wooooosh. . .

Created for a trailer for a film. I used a grandfather clock for the main ticking of the hands but layered and added other sounds such as a heartbeat, hall kick drum with reverb and synthesis techniques. Please note: the ticking by note be in sync if you use and a countdown image i had to move the ticks to accommodate the wall clock i was working with due to the ticks where not always in time.

I used fl studios to produce the sound. This is not a sample. I made it using vst plug ins.

Good sound for disappear things in clouds. I'll be happy to see what you needed for :d.

The startup sound of the game boy classic. Lot of memories.

Magic motion or spell. Short vibraphone run with reverb.

Several years back my older brother stumbled upon a bunch of old family reel to reel films and sat down one evening to project them on a wall and digitize them. This is the sound of that process. What you can hear, i imagine, is the noise of the projector in the left channel and the sound of the reels in the right channel. I've been obsessed with the sounds of the infinite variation in old analog hardware. As a sound designer, that infinite variation is often sought after but rarely, or accurately, reproduced through digital files in various libraries. Of if they are, they're often too short to cover whatever scene i am trying to fill. On the surface it's just noise but if you listen closer it's this wonderful cacophony of overlapping and repeating sounds that are always looping but never quite identical on each rotation. It was ripped from youtube using audio hijack at 48khz/16bit, but due to youtube re-encoding things as youtube does, it's nowhere near the source. It's still, in my opinion, a sound worth sharing. Enjoy!.

sigil reel 2: percussion. Created by nathan moody, formatted for use in the make noise soundhack morphagene. This is one of two morphagene reels made from one-of-a-kind handmade electro-acoustic instruments and found objects created by sound designer and musician nathan moody, an outgrowth of his 2018 album, "the right side of mystery. ". This reel is focused on percussive, inharmonic content from found objects and one-of-a-kind handmade instruments including metal table tops, perforated steel gongs, stretched springs, steel tubes, a drum made from packing tape, shakers made of tin cat food lids, and much more. They were struck with rubber mallets, carbon fiber rods, drumsticks, and woolen tympani mallets. They were recorded with a variety of microphones (sennheiser mkh50, dpa 4061, audio-technica at4050, shure sm57 and beta 52a), through awtac channel amplifier and neve 511 preamps. The hits are gritty, raw, and harmonically complex often with long decays, holding up well to varispeed manipulation, decay-tail looping, and filtering. For more information about nathan moody and the sounds and instruments used on this reel, visit nathanmoody. Bandcamp. Com and music. Noisejockey. Net.

A sample i made using ableton grain's delay on pieces of my sample "crystal underwater".

Creepy transition sound fx.

Scary piano key hits with reverb used for a film project i just finished.

Processed noise. Sounds like air coming from a compressor.

Sound of a heated metal fireplace sizzling and squeaking after being hit. Can remind a bit of styrofoam or dry ice.

Ambience sound effect of air conditioning;. Sample rate: 48 khzbit depth: 24 bits. Mfma_sonic.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Grating sfxrecorded tascam dr-05xsfx conversion edited: adobe + fxs + mastered.

This was a silenced pp7 which i recorded and layered to make it sound and fat. I used sound design techniques such as layering, eqing, pitching & compression.

Recorded with a zoom h4n in an arcade.

Atonal drone 04.

Noisy motor from my coffee machine, recorded with a rode ntg4+ shotgun microphone.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.