480 pistas de áudio isenta de royalties para "Designer"

Grating sfxrecorded tascam dr-05xsfx conversion edited: adobe + fxs + mastered.

This sound was created with layering and frequency processing. Bpm 120 key a minor.

This sound was created using the "surge" synthesizer. Bpm 128key a minorcheck it out: https://presetshare. Com/preset/view?id=1171.

This sound was created using the "spire" synthesizer. Bpm: 128note: c glissandocheck it out: https://presetshare. Com/preset/view?id=1051.

Processed noise. Sounds like air coming from a compressor.

Sound of a heated metal fireplace sizzling and squeaking after being hit. Can remind a bit of styrofoam or dry ice.

Steps on snow recorded sound effect.

Sub rush. - jarred gibb.

Sub rush. - jarred gibb.

Looking for more sounds? 🔊🔊🔊. Audiojungle: https://goo. Gl/muysmmpond5: https://goo. Gl/s63pl7. Follow us 👍 instagram: https://www. Instagram. Com/wakerone_/.

Designed 5. 1 ambience of the cockpit of a small research submarine cruising submerged. Featuring small engine noises, electric ventilation and the steady gurgle of water passing the hull.

Ran my original sample thru rc20, tweaked some knobs, added eq for the lofi touch. I believe i used my personal rc20 preset to give it the crunch. I followed up with this resample using my lotus echo pad.

Warbely alien engine idle sound. Made with by scraping a guitar string and then manipulating the sound.

Not much to say, found a ceramic bell at a thrift store for 2$ and thought the sounds might be useful to someone.

Sub rush. - jarred gibb.

Sub rush. - jarred gibb.

Cliche space-like sound, made by accident :).

Wood box xylophone beaten with a wooden drumstick. Original sample for a "bell-like" xylophone instrument or synth. Recording: shure c606/mbox (homemade). Daw: ableton live 9. .

Creepy soundscape.

Big rolling barrel i made on game jam.

Feel free to use it. Record with zoom h1.

8-bit retro gaming style explosion sound made using a vintage yamaha psr-36 synthetizer. Processed in daw with various effects and sound design techniques.

This sound was created by opening and closing a wooden wardrobe with a latch style lock. Hope you can use this sound in your sound design.

This sound was creating by shutting a door.

This was recorded by slamming a cupboard door shut.

This was recorded by slowly shutting a door and recording the squeak.

This was recorded by shutting my front door.

This was recorded by recording closing a wardrobe with a latch lock.

This was recorded by shutting my front door.

This was recorded by closing a door slowly.

I created this sound for filmmakers and video editors.

Tearing paper sound fx.

24 bits sample.

An actual new production instead of old stuff! made in june of 2020. A dark intro implies the humming engines of the spaceship you're in as you're traveling at speeds unimaginable. Slowly the ship starts to spring to life. As you open your eyes, slow but huge bands of light sweeps across your cryogenic sleeping pod, as if being scanned. The pod starts to move while you're still in it, going through chambers filled with machinery and bleeping computer stations, until it stops in front of a huge closed door. Suddenly, your pod opens up as well as the door. Your eyes are greeted with the majestic sight of a gigantic control room with windows as far as the eyes can see, galaxies fills your field of view, a beautiful synergetic view of the grandeur of space and the hundreds of lights of the control room, welcoming you to a new adventure. 2 simple chords form the basis of a textural composition supplied with sound effects. Plugins used: ni kontakt 5 with atom hub's the planet, doom by sampletraxx, space by rigid audio, ni absynth, and massive vst synths. Extra sound effects: shocking signal and ui designer by sampletraxx, heavily sampled and mangled. Effects: izotope mastering plugins, a bunch of fl studio stock reverb and eq, guitar rig 5, blackhole reverb, replika xt, raum reverb.

Made in ableton live. A slow firing heavy weapon. 19 layers were used to create this one. Eq was used to select different frequencies from various weapon samples and compressed together for the inital transient or pop. Time based fade in/out layering was used for the sustain and reverb tails so they fit nicely together. The single shot that was layered together was then printed as a new audio sample. I created a loop and pitched every shot by a few cents or 1 semitone to add variation. Each sample was then manually shifted on the timeline forward or backward by milliseconds to give a more realistic feel in timing rather than sound robotic. Each shot was sidechained to duck down in volume when a new shot triggers for more clarity. Mechanical trigger and bolt movement samples were add in before/after the initial transient of the shot. Shell hit floor samples were used for added detail. I felt the shots lacked a good sub bass so an eq was used to filter out the sub and replaced with a rapidly decaying 808 kick drums sub. Once the loop was formed, all shots were then grouped together and processed with a transient designer into a clipper, a compressor, a maximizer, ott multiband, gluing reverb, stereo spread and then into a final limiter. Enjoy.

From jarred gibb - jurassic farm.

Synthetic sound of fantastic underwater ambience. Please check up my commercial portfolio. Your visits and listens will cheer me up!thank you.

This is the latest homework i have done, for this one i imagined this:its as if you were hearing from the ears of the person in the cashier spot, at a busy restaurant, this person gets caught in a time wrap and they start to like trip on these sounds from the kitchen, the stage across the bar, and even them turning a page on their boring magazine. If you read this and haven't played it yet, close your eyes and imagine you're that person and tell me what you feel!. At this point i have learned about effects and all that(still no pro), so be sure to listen with earphones for the best experience!sounds i used:. The busy kitchen (but i used the texture i made from it, you can see it in my other uploads) from cpark12 https://freesound. Org/people/cpark12/the funky free saxophone from insigner https://freesound. Org/people/insinger/the water faucet from redafs https://freesound. Org/people/redafs/the pan bam (as i like to call it) from jonascz https://freesound. Org/people/jonascz/the page turn from lawnjelly https://freesound. Org/people/lawnjelly/.

Very complex sound which took a lot of effort to make. Used different techniques to create the punch. The drop was created by creating a body out of pillows sand ect. Layered and used effects.

Sound fx for a machinery seal door. With air effects as the seal tightens.

Sound i created for a film i did the effects for though i'd share it with you guys. Its a sound designed for someone to get hit with a melee weapon. Created using punch sounds i've made with also a body fall. Hope you like.

Created using drums tuned percussion for a moving trailer i worked on. Consists of three hits for different words sweeping on and of the screen.

Space danger. Analog modulation, recorded in avid protools.

This is the sound of electromagnetic waves from a macbook pro.

Atonal drone 01.

Just a wee ambient sound!. Jarred gibb.

A 7 minute continuous clip of birds in my backyard. 24 bit 48khz recorded with a sound devices 552 and a matched stereo pair of akg c451b's. There are times where the wind distorts the recording - it was unavoidable even though i did have wind screens on the mics. Hopefully you can cut and paste. Enjoy. . . Peace!.

Quite simple sound of sawing wood made with a twine. Recorded with h1 zoom.

Synthetized using a vintage yamaha psr-36 keyboard. Processed in daw with various effects and sound design techniques.

Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.