363 pistas de áudio isenta de royalties para "Filtro"

Yes, my wasp-filter is alive again!.

Gently rising above a water surface. Filter applied to the beginning. Foley.

A simple but effective white noise sweep up created using a white noise signal, using automation to change a simple filter and colour to the sound to create a sweep effect.

I was trying to make some fx you can hear in enigma’s tracks (for example ‘the eyes of truth’). Made with audition. P. S. Maybe it’d be a better sound if you listen to a downloaded file.

Sinus wave connected to the filter cv1 in sweeps sound from mfb osc-03some reverb from ladik d-330(i have modified my wasp filter to achieve more self resonance. ).

Recording of fish tank water (filtered) spilling into the tank. Recorded with tascam dr-05.

Sound created by square wave lfos, attenuverters, hard synced vcos, delay, reverb and filter. I think it nice. Kraftwerkish. . .

Composition made using soundedit 16 on mac. Mainly done using thesoundedit 16 generated tones put through many different filters.

Composition made using soundedit 16 on mac. Mainly done using thesoundedit 16 generated tones put through many different filters.

Composition made using soundedit 16 on mac.

Composition made using soundedit 16 on mac. Mainly done using thesoundedit 16 generated tones put through many different filters.

Composition made using soundedit 16 on mac. Mainly done using thesoundedit 16 generated tones put through many different filters.

Leftovers from reducing noise on a lavalier mic recording.

My roland jupiter 4 with resonance cranked up and filter modulated with lfo by a very low rate. The deep basses at the end of each sweet may be great for deep dub-basses. The sweep sounds great with effects and when gated. Have fun. . .

The same sound thru two filters. No editing. 100% dry.

A bunch of various filtersweeps i created in adobe audition by generating whitenoise and using the filtersweep plugin. Useful for creating build-ups.

A simple filter sweep i created using white noise wave and a filter to create the sweep.

This might be usefull for a brake;).

Yep, analog filters. . . Everything is analog!no, wait the reverb is digital. And this recording. But the noise that reaches your ears is analog. My little modular synth is playing a patch just for you. Or world is a big ad/da converter!!!. I failed at the fade out. . . Sorry for that.

A simple square wave, done with chirp generator in audacity. Starts at 200hz then slides until 30hz. Bass booster and phaser added. Then enveloppe manualy modified (enveloppe tool) + fade out processing for the end of the tail. Then normalized.

Its just an effect i made with some grainy sample and filtering alongside some reverb / delay. Its 88khz 24bit wav.

Very electronic. What else do you need to know. Do something with it. Let me know/hear :-) cut it up. Loop it. This is an unedited recording. (as usual. . . ).

Heavily processed vst synth sounds using various phasers, reverbs and filters.

Cptnal's comment on muffwiggler was an big aha moment. He wrote "you could patch the output of one s&h into the input of the next and get yourself a 12-step shift register. " well i don't have 12 s/h. I have 10. . . I would need a lot of sequenced gates to build that shift register. . . In this patch i use 4 s/h. (s/h or s&h is sample and hold. ).

Made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters.

Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create an uneasy melody.

Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create a melody.

Defender air filter white noise.

I've created an fx on voltage modular to filter and delay samples; i've used it on a sample (foley kick) that i downloaded on sounds. Com.

Could need some sounds in the middle spectrum and better eq. . . Background soft minimal techno?.

I start with a standard reese, next i add a low-pass filter with some attack and a high resonance. Good for drum&bass tracks.

Arpeggiated blips witch have a retro videogame feel. If you like this make sure to check my soundcloud: http://soundcloud. Com/beverlyhillsboy cheers!.

The sound of an air filter in a fish tank. Apologies for the sniffle in the middle.

Atmospheric filter sweep.

This loop was accidentally created when some input cables were connected wrong. It reminded me of something the crystal method could have created.

Used a mini mod filter and tuned it up slowly so you can cut out the wanted pitch, switch daw to 120bpm to cut it preciselyenjoy.

Sold a module. Now there is room fort dirt again. The name is well-deserved. Dirt is a filter module from synthrotek. It's so strange that i wonder if the person who built it got it right. . . It's a kit. But i bought the module second hand.

Some filtered shaker-like rhythm.

This time a more abstract sound clip which in that case was prerecorded (bell 1) altered to the extend and used from mono back to eight channel ending up l+r. Although its abstract atmosphere the modular effects rings on a specific structure using 20th century harmony "rules" and of course tempo. Enjoy!.

A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.

- reading audio file(stereo sound)-the audio is played with the sharpen function diskin; at a speed 5 times greater;-noise filtered for 8 seconds; in which the butterbp filter is applied so that it can be heard more in one channel on another: in this case, more is heard on the right. During the first 8 seconds you hear the filtered noise with the audio at higher speed. During the next 7 seconds the wav audio is heard only on the right channel and the last 15 seconds the wav audio is heard. For the left channel.

Produced with cubase.

Composition made using soundedit 16 on mac. This is a human voice saying an unknown word slowed down and looped.

Band pass filters applied to a violin improvisation. Nice and ambient. No fades or other additional post production has been done.

Latino raggatronic.

A wobble created with ableton live native instruments and effects.

Experimental sound.

Letting water pour through a water filter. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Just a little bit o work i decided i decided i'd share tonight. Use as desired freely.

An short 909-like open hat with "minimal" sonority.