64 pistas de áudio isenta de royalties para "Modelo"

Usamos papel e um lápis para o efeito sonoro de desenhando, e o microfone boom do modelo sennheiser mkh 46.

Usamos um papel de caderno para ter o efeito sonoro rasgando rápido. E o microfone do modelo snnheiser mkh 46 boom.

Usamos um papel de caderno para fazer o efeito sonoro de papel rasgando devagar. E o microfone do modelo snnheiser mkh 46 boom.

Usamos um isqueiro a gás para o efeito sonoro do isqueiro acendendo e rolando a pedra. E o microfone do modelo snnheiser mkh 46 boom.

Usamos um estojo, canetas e borrachas, para o efeito sonoro abrindo e fechando e manuseando o efeito. E o microfone do modelo snnheiser mkh 46 boom.

Usamos a pasta e os papéis dentro para o efeito sonoro da pasta se abrindo e manuseando os papéis. E o microfone do modelo snnheiser mkh 46 boom.

Microfone: superlux 360 modelo cmh8dfonte de som: folha sulfitegravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Microfone: superlux 360 modelo cmh8dfonte de som: sacola plástica. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Microfone: superlux 360 modelo cmh8dfonte de som: sacola plástica. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Superlux 360 modelo cmh8dfonte sonora: caixinha de plástico tictac. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Microfone superlux 360 modelo cmh8dfonte copo de plástico. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. #uam.

Microfone: superlux 360 modelo cmh8dfonte sonora: copo de plástico descartável. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. #uam.

Microfone superlux 360 modelo cmh8dfonte: canudo de plástico e água. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Microfone: superlux 360 modelo cmh8dfonte sonora: copo de plástico descartável. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Microfone superlux 360 modelo cmh8dfonte de som: pacote de salgadinho. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Microfone superlux 360 modelo cmh8dfonte: canudo de plástico e água. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. #uam.

Stochastic component obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

Harmonic component obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

Resynthesized output obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

This is a trnsformation of the original sound: http://freesound. Org/people/ricemutt/sounds/23933/ , with the parameters:. For synthesis:window type: blackmanwindow size: 801fft size: 1024minimum f0: 100maximum f0: 2500number of harmonics: 20 (we don't need too many harmonic here)threshold: -100stochastic decimation factor : 0. 1minimum sine duration : 0. 1. For transformation :frequency scaling factors : [0,1,0. 4,1,0. 6,0. 9,1. 0,0. 5,1. 2,0. 3,1. 4,0. 6] <- (make frequency variation steady)frequency stretching factors : [0,2,0. 5,1,0. 51,0. 7] <- (create a frequency variation, high->low )timbrepreservation : 1 <- (no change)time scaling factors : [0, 0, 0. 8, 1. 5,1. 0,2] <- (make some "free fall" feeling).

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. This is a combination of the harmonic component and the stochastic component. It was extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. Stochastic sound extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. Harmonic sound extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

1) vsti elektrostudio model pro + reverb + flanger + delay + equalizer + exciter2) vsti elektrostudio model mini + delay + flanger.

An impulse response, made with vital softsynth, simulating the responce of a bunch of strings tuned to notes of bohlen—pierce scale. Specifically, a middle ground between 13 equal divisions of a tritave (interval 3/1) and the just-intonation bohlen—pierce scale. (for no particular reason. ). Convolving with this might add some xen flavor to your sounds, even if you play in standard tuning 12edo. I tried it with surge xt’s hammered dulcimer patch (i love hammered dulcimer!) and heard some additional shimmering.

1977 john deere 950 tractor diesel recorded with canon hfm31 video recorder edited with adobe audition.

Residual output sound obtained by analysis and synthesis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with harmonic plus residual model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 1575, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 01, maximum number of harmonics = 100, minimum fundamental frequency = 100, maximum fundamental frequency = 800, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01.

Alien birds warbling.

Behringer model d analog synth bass samples (semiopen filter).

Recently we purchased a scale from ikea, when we finally got around to using it we realized that it must be off, as i do not weigh 240 lbs. As we did not have a receipt, or the desire to drive 2 hours to return a $10 scale the only course of action left to me was to take the damn thing apart and record its insides. (what else?). I recorded and edited together around 7 and a half minutes of various configurations and performances of me making some sort of repetitive, engine-like sound. I can foresee myself using these sounds for an old-timey engine or car. Recorded with a rode ntg-3 at 96/24.

Shell tipe things that gets squashed and screeshes.

This is from my royal typewriter that i picked up at the thrift store for 5 bucks. It works great and i use it quite a bit to write letters with. I love the feel and sound of the keys. I used two yamaha pocketrak recorders to record it. If you use it please comment on what you will use it for. Thanks. :^).

Harmonic component obtained from the analysis of a female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 05stochastic approximation factor: 1.

Harmonic plus stochastic resynthesis of the female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 05stochastic approximation factor: 1.

Drop melody music beat trance.

Aethernet-cc0 pattern template design webdesign network ethernet wifi pulse cloud.

Aethernet-cc0 pattern template design webdesign network ethernet wifi pulse cloud.

Aethernet-cc0 pattern template design webdesign network ethernet wifi pulse cloud.

Stochastic approximation of the residual signal obtained after subtracting the harmonics from a female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 05stochastic approximation factor: 1.

Residual signal obtained after subtracting the harmonics from a female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus residual model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 02.

Aethernet-cc0 pattern template color rheology radio net wireless space pulse.

Aethernet-cc0 pattern template color rheology radio net wireless space pulse.

Aethernet-cc0 pattern template color rheology radio net wireless space pulse.

Aethernet-cc0 pattern template hysteresis spectrum wire net volume oscillator ghost pilot.

Aethernet-cc0 pattern template hysteresis spectrum wire net volume oscillator ghost pilot.

Aethernet-cc0 pattern template hysteresis spectrum wire net volume oscillator ghost pilot.

Aethernet-cc0 pattern alveolus template gasterology ontology language a-na gain line fluid energy efficiency thermopile wideband spectrum x-or wifi wimax hysteresis.

Aethernet-cc0 pattern alveolus template gasterology ontology language a-na gain line fluid energy efficiency thermopile wideband spectrum x-or wifi wimax hysteresis.

Aethernet-cc0 pattern alveolus template gasterology ontology language a-na gain line fluid energy efficiency thermopile wideband spectrum x-or wifi wimax hysteresis.

The sound of a british telephone from the 1970s, a model gpo 746, ringing 7 times in another room. It's quiet but can be boosted.