136 pistas de áudio isenta de royalties para "Pó"

Stereo recording of a vacuum cleaner with variable power settings, using 2 devine dm 10 microphones. Recorded in audacity.

Sound of vacuum cleaner. Sound recorded with a zoom h4n pro. Son d’un aspirateur. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

This is the original 8-second drum loop that i ran through akaizer for my "sci-fi ambient drone" upload. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. I took a quick 8-second drum loop from my teenage engineering po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. This program is based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise. As you can hear from my other uploads, the results are so different it's almost unrecognizable. Definitely worth trying yourself!.

This is the unprocessed version of my "sci-fi ambient drone" upload. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. I took a quick 8-second drum loop from my teenage engineering po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. This program is based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Enjoy :).

A big heap of charcoal being raked by a shovel with scattering and dusting several times.

In an attempt to add warmth to my productions, i sampled some of the more distinctive sounds mostly from the lead-ins and lead-outs from dirty/scratched records. If shortened, they make for interesting _analog_ glitch noises.

I started recording a vinyl lp into my computer before realising that i hadn’t set the anti-skate properly and the needle was stuck in the lead-in groove. I trimmed this bit of snap crackle n’ pop and kept it in the hope that it might be useful for me or anyone else. Have fun.

The sound of big vacuum cleaneri hope you like it!please write if you use my sound, it will be nice for me :). Recorder:zoom h4noriginal recording in 96khz 24bit.

Recording of a saharan dust storm at night in a farm in southern spain.

Hoover sounding like a race car.

A compilation of accidental recordings or recordings of terrible quality i made, with the pops and crackles and interesting parts all together. I think if rearranged this could be useful for making vinyl, analog sounding drum beats. I used a similar strategy for making my chai tea drums- https://freesound. Org/people/f-r-a-g-i-l-e/sounds/507365/.

Hoover sounding like a race car.

The sound of dry seasoning being shaken in a plastic bottle.

I was digitalising one old vinyl recording. I decided to cut out some interesting noises. This is an edited recording consisting of several pieces. Edit it to your needs. The recording was done with a zoom h2 from a stereo line.

Sound of dust and litle rocks under the shoe while stomping on rough concrete. Some cows moing on the end. Recorded with sound recorder zoom h1.

Some soil sliding down ground, recorded with a zoom h1.

Graham cracker foley recorded with a pair of mics in xy stereo arrangement (close), and small diaphragm condenser mic (far) running parallel. Processed in reaper with ambient noise reduction, compression, and eq. Each file mixed according to the title ("far" or "close" dominant).

Brushing off a down/nylon jacket, as if dusting snow (or rain or dust) off of someone's shoulders. Could be used for many different swishing noises. Recorded with stereo nt1a mics in a soundbooth. Volume boosted in audacity. No other effects.

Tinkle hi pitch chime obsidian needles. Like a magic wand or metal wind chime. Could also represent a daydream or flashback. Thanks to Lisa Redfern for this awesome sound effect.

Various short puffs or blows of air from male mouth. Recorded to simulate the sound of a man blowing dust off of a camera lens -- if you find this sound helpful, i'm happy to have a coffee bought for me ☕ (but you don't have too!) >> https://ko-fi. Com/ryank.

Old flashgun powder is lit as the shutter fires, providing a dark old-press 1920s feel.

Shaking the dust out of a tshirt multiple times. Could also be used for a video game character landing on the ground, or for wings or flying as a flapping sound effect. Recorded on iphone. Processed with audacity to convert from m4a, with slight noise removal. 𝗟𝗜𝗖𝗘𝗡𝗦𝗘:this sound is 100% free to use for personal/commercial use, no attribution required. 𝗕𝗘𝗙𝗢𝗥𝗘 𝗬𝗢𝗨 𝗚𝗢:⬇︎ take a quick break! try my free game! ⬇︎. .

Stereo recording of the lp "dance hall of shame"a silent record released by virgin records protesting censorship in music. From the sleeve:"if there is one lesson to be learned through our history, it's that freedom of speech has inevitable risks. But the alternative is slavery of mind, in a society empty of thought. If we value the progress of music and expression, we must accept that there will be music we dislike and lyrics that offend. Our responsibility lies in promoting legitimate argument and persuasion. If we do more than this, overstep our bounds with labeling and censorship, then our unwillingness to accept the risk of freedom leaves only one future to our children: no thinking. No talking. No music. ".

It's a long recording of me vacuum-cleaning my room. Lot's of sounds related to vacuum-cleaning here. I dare you to make some beat from this ;-).

Looping (seamlessly) experimental and abstract drone. 96khz / 24bit. Been toying a bit with dust and boy. . . What a toy it is.

Damaged smartphone screen protector being broken and crushed in bare hands (should've used gloves. . . ). Recorded with behringer b-1 microphone into focusrite scarlett 2i2 3rd gen. Into audacity on arch linux at 192 khz/24 bit. The recording was not processed or edited in any way to retain maximum flexibility to sound artists who will use this as an element. This can be useful as a sound effect for freezing or burning or deep-frying or even rain (when slowed down). Thanks to extremely wide frequency range the recording can be cleanly slowed down up to 25% speed. There's clean frequency content up to 80 khz in the recording. In a few places the mic gain was too much and a pop is clipped, but could still be useful for sound of braking or snapping something (bone?). No denoising was applied - perform your own if needed, though the sounds are mostly free of background hum (a bit of pc noise can be heard in the first minute before i turned down the gain).

Hair dryer blowing air out, could be used for a vacuum cleaner sound too. Recorded dyson's supersonic hair dryer with zoom h5.

Close-field stereo recording of graham cracker one-shots. Could be used as footsteps. Recorded with zoom h4n + akg perception - edited in reaper.

Continuous fluffy light sound with soft low booms. Generated and edited in audacity.

It's a recording of a firework candle going off. The candle bursts near the end of the recording, before burning out. Recorded with zoom h2's rear mics at 96khz/24bit on a mic stand. Denoised, normalized, truncated and converted to 16-bit flac using audacity.

It's a recording of a firework candle going off. The candle bursts near the end of the recording, before burning out. Recorded with zoom h2's rear mics at 96khz/24bit on a mic stand. Truncated and converted to 24-bit flac using audacity. This is an unprocessed (raw) recording for maximum flexibility. Enjoy.

A long desert wind sound. Created by inhaling through an emergency whistle and edited in audacity. Enjoy!.

This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).

Noise that sounds similar to vinyl crackle, made with serum. The preview on this sound really doesn't do it justice.

The sound of a loud vacuum cleaner.

Recorded with a sennheiser mkh 416 into a tascam dr-100 mkii.