Some take of dices shaking in hands and rolling on wood's table (sort of dice d4-6-10-12-20) at the end, shaking and rolling of 3d6 (players of ins/mv, you know).
This is some sort of podcast giving an overview of how the project went, including sounds used in the compositions as well as action sounds of the pupils discussing as they are creating their pieces of sound art. Enjoy!.
This is essentially a bass guitar with distortion with three layers of notes, merged together to make a "siren" of sorts. It can be used as a fire alarm, or maybe an alarm on a spaceship or ufo.
Jabbing a bin of small lego pieces. Also sort of sounds like walking on gravel. If you found these sounds useful, i'd appreciate it if you subscribed to my youtube channel! youtube. Com/@mestudiosofficial.
Could be interpreted as some sort of liquid noise, creature vocal sound, or many other things. Made using my brother and his infinitely odd noises, and a single effect.
A sort of soundtrack ,a mixture of dramatic and thriller, accelerating, dramatic. Created with garageband , using loops, and editing, inverting sounds, cut, moving etc. . I am not a sound professionist.
A long bomb noise. . . Sounds sort of like a nuke i guess, even has debris falling afterwards. Made by popping a little trick noisemaker by the mic and slowing it down.
This is a long sample of me hitting, scratching and rolling all sorts of stones against one another, somewhere in the moroccan desert. The sounds are pretty good quality, recorded with a sony pcm-d50.
Playing with the switches on my nagra reel-to-reel - sort of a ryoji ikeda kind of thing popped out - i love surface noise, tape compression. . The whole media in fact!.
A sort of massive mechanical energy field generator, maybe good for some kind of jump node or massive forcefield generator or mining beam in a science fiction movie or game. Made with surge xt and audacity.
Harmonies i had done for a song, but they didn't come out quite right. They are in the key of eb major, but i'm sure that you can sort thatout using software.
This was recorded with an h6 zoom recorder in zita park. I did this by dropping batteries on a metal covering, figured it could be used as some sort of impact sound.
Car alarm of a honda civic. Sort of loop-able, i didn't want to leave it on too long since it was outside to avoid echo. Quite a bit of background hiss for some reason.
Me hissing into my mic (blue yeti). Can be used as a monster sound or for a creature of some sort. A sound of displeasure. Recorded indoors on the 05. 04. 2015 using a blue yeti microphone and audacity recording software.
This sort of thing used to be required in every rompler. This one is my kid recorded thru a bluebird large condenser mic with metric tons of reverb, as required by law.
This is a recording of my friend laughing, with a very sensitive microphone. How i got this is i recorded my stereo mix with audacity, then added some reverb and echo to the sound to give it a sort of distant feeling.
A straightforward pattern made in the lmms daw, i used the analog bell preset with a delayed, pitched-down arpeggio of sorts. Over time, the tempo increases, from about 50 bpm in the beginning, to 150 bpm in the end.
I played around with a few sounds and created this by accident, i think it would be great for creating some sort of suspenseful kinda of dark'ish scene in a film.
A distorted falling reese. Reminds me of some sort of malfunction. Made with image-line harmor and its built-in distortion and unison modules. (and other random fx. ).
Recorded a friend getting yelling in slow motion, ended up sounding like some sort of huge monster/creature roaring. Recorded on google pixel 3xl. Feel free to use.
I unfold a piece of paper several times to get different effects. The idea i had here was someone recieving a letter and quickly open it curious to read what it says. Or perhaps a treasure map of some sort :).
This is a heavily distorted version of a previous sound created by scraping a tape dispenser on my desk and giving it reverb. I think it sounds like a monster in relation to horror breathing. I would imagine it being a large beast of some sorts.
An "intro" version of my instrumental "bunny hop". Has more energy than the original. Cut and crafted to be used as a sort of intro or transition music for film, documentary, podcasts, etc.
This is a short loop made for a video game. A relaxing but lighthearted piece that i imagined for a menu screen or on a field/park/cutscene of some sort. It doesn't strike me as something suitable for motion, but it is available for any use.
A quickly rising synth that then sustains until repeating, meant to sound like the sort of alarm you'd hear in top secret bases and whatnot, could be used for quite a few contexts. This was made in beepbox using the guitar harmonics instrument.
This is a combination of. - stapler- scissors- knocking on a window (reversed)- wobbling an a4 sheet of thin cardboard- sticky tape coming unstuck (with reverb). Made with audacity. Might work well as some sort of projectile launcher for a steampunk-themed game.
Me overdubbed 14 times trying to get that sort of "heave ho, row them oars!" type sound for a song. Not so much "heave-ho" but a fast "hee-haa-whoo" yell. In tempo at 145bpm. 24-bit stereo.
An assortment of rat creature vocalizations made using mouth movements. Could be used for any sort of insect- or rat-like creature. Recorded with a neumann km-184 into a sound devices mixpre-3 ii.
