4.292 fișiere audio royalty-free pentru "Midi"

Four hand piano reduction of the "Lacrimosa" from Mozart's Requiem, arranged by Carl Czerny. KV 626

E-flat melodic minor scale ascending and descending.

Mit den Hirten will ich gehen, Evang. Gesangbuch Rheinland-Westfalen-Lippe 544

Minor ninth augmented fifth chord on C. C E G♯ B♭ D♭.

Ich wollt, dass ich daheime wär, Evang. Gesangbuch 517

Seventh suspension four chord on C. Created by Hyacinth (talk) 20:28, 31 May 2011 (UTC) using Sibelius 5.

Es wolle Gott uns gnädig sein, Evangelisches Gesangbuch 280

O wie wohl ist mir am Abend (bei Gewitter)

O Jesu Christe, wahres Licht

Selig, wem Christus auf dem Weg begegnet; Gotteslob (2013) 275

Allein zu dir, Herr Jesu Christ, Evang. Gesangbuch 232

French sixth chord in Schubert's D.795, No. 5, "Am Feierabend" ("The Hour of Rest").

Lobe den Herren, o meine Seele, Evang. Gesangbuch 303

O Haupt voll Blut und Wunden, ältere Form im Evangelischen Gesangbuch

0 7 10 was judged most consonant by the untrained subjects. Title refers to number of semitones (unison=0).

Kommt und lobet ohne End, Gotteslob (1975) Hildesheim 866

O Traurigkeit, o Herzeleid; Gotteslob (1975) 188; Gotteslob (2013) 295

Gotteslob (1975) 620; Gotteslob (2013) 210 Das Weizenkorn muss sterben

Gottheit tief verborgen (Adoro te devote), Gotteslob (1975) 546; Gotteslob (2013) 497

Phrase split into two phrase members from Haydn's Trio no. 1 in G Major.

Wohl ist die Welt so groß und weit (Bozner Bergsteigerlied)

Use of the whole tone scale in Debussy's Voiles (1910), Prelude. 2, mm.1-4.

Jerusalem, du hochgebaute Stadt; Evang. Gesangbuch 150; Gotteslob (2013) 553

Christ fuhr gen Himmel; Gotteslob (1975) 228; Gotteslob (2013) 319

ii-V-I turnaround in C, in four-part harmony.

König ist der Herr (Gotteslob (1975) 275; Gotteslob Kirchenprovinz Hamburg (2013) 811)

Bekehre uns, vergib die Sünde; Gotteslob (1975) 160; Gotteslob (2013) 266

Zapis dźwiękowy pieśni "Ach w téj studni zrzódło bije" ze zbioru "Pieśni Ludu Polskiego w Górnym Szląsku".

Johannes, auserkoren; Gotteslob (1975) Hildesheim 883; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 918

Period (two phrases) from Beethoven's Piano Sonata in C Minor, Op. 13 (Pathetique), second movement.

Gegrüßet seist du, Königin, Melodie des Erstdrucks (Johann Georg Seidenbusch, Marianischer Schnee-Berg, 1687)

This is my sequencing of the public domain piece Impromptu in C# minor, Opus 28 no. 3, by Hugo Reinhold, composed in the nineteenth century. It is identical to the version on Classical Music Archives, which means they determined there was no copyright problem.

O Gott, du frommer Gott, Evang. Gesangbuch 495 (erste Melodie)

Development Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 29-53.

Ave maris stella (Gotteslob (1975) 596; Gotteslob (2013) 520)

A self generated cue for a musical. Used xpand2 plug-in in pro tools 10. Features a medium attack gust with a long decay. Leaves can be heard underneath the whistle of the wind.

I really don't know that to do with this. Made it some time ago. Made using air ignite software with an axiom mini 32 midi. If you can make something good out of it i'd like to hear ;).

Alt version of a melody i came up with in midi shifting notes around. The sound is from an acoustic guitar note sample of mine with effects, ran through structure free in pro tools.

Johann Sebastian Bach. BWV 269. Aus meines Herzens Grunde (Chorale 1)

Dominant seventh on F in third inversion. Created by Hyacinth (talk) using Sibelius 5. See: File:Dominant seventh on F in third inversion.png

Ein neues Lied wir heben an, Melodiefassung in Johann Walters Geistlichem Gesangbüchlein (Schluss auf der Dominante)

Wach auf, wach auf, du deutsches Land, Evang. Gesangbuch 145

Compound just perfect fifth on C. Also the 833 cents scale step 16 (2). 1901.96 cents. 3/1

Gott sorgt für mich, Gotteslob (2013) Freiburg/Rottenburg-Stuttgart 843

Herr, dir ist nichts verborgen, Gotteslob (1975) 292; Gotteslob (2013) 428

Nun bitten wir den Heiligen Geist (Ev. Gsb. 124)

Befiehl du deine Wege; Evang. Gesangbuch 361; Gotteslob (2013) 418

Dein Tag, o Herr, uns hell anbricht, Gotteslob (2013) Freiburg/Rottenburg-Stuttgart 714

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: fender chroma polarispatch name (pack): saw filter 1xnote: c1midi note: 24midi velocity: 4.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: fender chroma polarispatch name (pack): scratch padnote: c2midi note: 36midi velocity: 97.