4.292 fișiere audio royalty-free pentru "Midi"

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland jupiter 4patch name (pack): vikings pad 2 oscnote: c3midi note: 48midi velocity: 64.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland jx-8ppatch name (pack): sample & hold itnote: c2midi note: 36midi velocity: 8.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): changes lengthnote: e#2midi note: 41midi velocity: 32.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland jx-8ppatch name (pack): look ma no chorusnote: c2midi note: 36midi velocity: 16.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland sh-2patch name (pack): noisy sqr filter velnote: e#1midi note: 29midi velocity: 48.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): pass the band (at)note: c2midi note: 36midi velocity: 32.

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Komm herab, o Heilger Geist (Osnabrücker Melodie); Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 786

Hymn tune CanonburyO Gott, dein Wille schuf die Welt, Gotteslob (2013) 628

O Jungfrau, wir dich grüßen; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 899

Gott der Vater, steh uns bei, Gotteslob (1975) 305

Dominant sevenths in Chopin's (1810–1849) Mazurka in F minor, op. 68, no. 4, m. 1-4.

Secondary supertonic chord: ii7/V - V/V [- V] in C major (a7 - D7 [- G]). Created by Hyacinth (talk) 15:14, 18 July 2010 using Sibelius 5.

*Tritave (compound just perfect fifth) on C = G'. 3:1 = 1901.96 cents. Limit: 3-limit. Play by clarinets.

Augmented chord progression: V+65 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Eins ist not! Ach Herr, dies Eine lehre mich erkennen doch (Evang. Gesangbuch 386)

I had a problem at the bank and called to fix it. They left me waiting and the waiting sound had a strange noise. Recorded indoor with tascam dr-40.

O Gott, du frommer Gott, Evang. Gesangbuch 495 (zweite Melodie)

Sollt ich meinem Gott nicht singen; Evang. Gesangbuch 325

Ich bin durch die Welt gegangen (Evang. Gesangbuch Bayern-Thüringen 621)

Aus tiefer Not schrei ich zu dir (Evangelisches Gesangbuch 299)

Der Tag ist aufgegangen, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 701 (vgl. Erstdruck 1767)

Freygish scale on D. Created by Hyacinth (talk) 03:16, 26 November 2011 (UTC) using Sibelius 5.

Tut mir auf die schöne Pforte, Evang. Gesangbuch 166

Augmented chord progression: V+43 I63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Lilliputian Chaconne from Telemann's Gulliver Suite. Notated in 3/4, quarter note = 120.

O Maria, sei gegrüßt (Gotteslob (1975) 582; Gotteslob (2013) 523)

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): angry blipnote: e#2midi note: 41midi velocity: 32.

A short instrumental piece i wrote one day when i was feeling kinda blue. Recorded with an m-audio oxygen 49 midi controller in the ignite music software.

Français:. Au début du trait prolongé, il serait exactement midi, heure normale de l'est. --. English:at the beginning of the extended note, it would be exactly noon, eastern standard time.

ii-V-I turnaround in C, in four-part harmony.

Gott der Vater steh uns bei, Evang. Gesangbuch 138

Ich bin Soldat, doch bin ich es nicht gerne

Kanon Gottes Wort ist wie Licht in der Nacht; Gotteslob (2013) 450

Just dominant seventh chord on C. C E G B♭. 20:25:30:36. Greater just minor seventh.

Nun ist sie da, die rechte Zeit, Gotteslob (2013) 638

Wir pflügen und wir streuen (Evang. Gesangbuch 508)

Nun wollen wir singen das Abendlied, Evangelisches Gesangbuch Niedersachsen-Bremen 637

Presences midi instrument from studio one with moog synthesizer and various plug ins like lfo, delay, reverb and others. Contains whole spectrum 20 [hz] to 20 [khz]. Recording settings:. 48[khz]24-bit.

Brobigdinian Gigue from Telemann's Gulliver Suite. Notated in 12/8, dotted quarter = 90.

Bleib bei mir Herr (Ev. Gsb. 488); Bleibe bei uns (Gotteslob (2013) 325)

Augmented chord progression: V+75 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

*Undecimal neutral second comma on C. 121:120 = 14.37 cents. Limit: 11-limit.

Sum and difference tones of A220 and unison, just perfect fifth, and octave. Note that this is not produced through ring modulation of two notes, but is four separate notes.

Der Mond ist aufgegangen (1790), Evangelisches Gesangbuch 482; Gotteslob (2013) 93

Gott mit dir, du Land der Bayern (Bayernhymne)

Suite for Microtonal Piano microtonal tuning arranged in a chromatic scale. Created by Hyacinth (talk) 14:26, 17 January 2012 (UTC) using Sibelius 5.

Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.

Den lyse dag forgangen er Des Tages Glanz erloschen ist, Evang. Gesangbuch Niedersachsen 636