3 698 аудиофайлов без роялти для "3"

Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:1:3

Sveriges Radios folkmusikinspelningar. Jämtlandsresan 1951 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Hänvisning till tryckt källa: Svenska låtar Jämtland/Härjedalen nr. 57 Radiotjänsts ursprungliga produktionsnummer: B 51/19920:19:3

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:19:3

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:48:3

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:1:3

Sveriges Radios folkmusikinspelningar. Smålandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:30:3

Sveriges Radios folkmusikinspelningar. Finlandsresan 1958 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:44:3

This sweet sound is recorded during my nightshift from sa. 2. Sept. 2006 to the 3. Sept. Producing the sonntagszeitung(newspaper) at tamedia printing compound. I recorded at 22:15 during vordruck prosses. The baby did run at 80'000 ex. Per. H. Holding the mic from my h 340 iriver in front of the delivery system. Zürich switzerland.

Soundscape of a forest in springtime in lozère. Original quadraphonic recording with sd mixpré 6 ii 96khz/32b, 4 x dpa 4022 : 2 ortf (cinela albert) and 2 90°/25cm (cinela cosi). Stereo reduction. Have a good listening. Gps : 44. 336057, 3. 721654sound réf : 20210423_08h39_lrlsrs.

Chime note on C. In chimes, modes 4, 5, and 6 appear to determine the strike tone and have frequencies in the ratios 92:112:132, or 81:121:169, "which are close enough to the ratios 2:3:4 for the ear to consider them nearly harmonic and to use them as a basis for establishing a virtual pitch."[1]

This is a recording of 3 girls laughing and giggling. Recorded this for one of the projects and have since then used it in numerous other projects. This is my contribution to the community at freesound. Feel free to use it in anyway you want commercial or non-commercial.

Hapi drum improvisational duet with debby and gordon rosenberg, featuring hapi mini c major and hapi origin d minor. Recorded as is, no editing, 2 hapi drums, one zoom nh4 recorder, one session. Recorder set 3 feet away, at front center, recording level 80. Recorded on march 11, 2016, indoors in our studio.

Ambience from xarhakos bar in thessaloniki, near the white tower, after quarantine in 2021, where the bars had opened, but no music was allowed. You can only hear the chatter, the cups and other sounds of the environment, not being polluted by the music. Take 3.

This is track 3 of 3 that makes up the sound file listed as breath of life - full. In releasing individual tracks, you will be able to make an arrangement that works for you. Most of the sounds i upload are from songs where i have lost my direction. In sharing them here, i hope someone can pick them up and make them part of something beautiful. I would love to hear what you make of them as it will be a source of inspiration to me. To see the possibilities beyond my own horizon. Everything starts off as a soundbridge project. I occasionally use aria maestosa for midi composition as the sounds are basic and pure. Audacity can't be beat when it comes to clipping. Engine dj is my library manager.

Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set. La suite symphonique Shéhérazade Shéhérazade , de Nikolai Rimsky-Korsakov, Op. 35: I. La mer et le vaisseau de Simbad, interprétée par l'orchestre symphonique de San Francisco dirigé par Pierre Montreux avec Naoum Blinder en premier violon. Enregistrement des 3 et 4 mars 1942 à l'opéra du Mémorial de la Guerre à San Francisco.

Viking reeunactors in denmark during their weekly practice.

Imaginary futuristic car driving through desert. Danger in the air. Scifi tension. Instruments used for sounddesign: pro 53 (sound of car and wind) and the freeware synthesizer da hornet (artificial horror sound). Slow lfos, filter and pwm modulation,3 voice unisono, internal chorus fx (pro 53), no additional effects, faded out. Da hornet - fast pitchmodulation.

Dance the Night Away performed by the Silver Wings of the United States Air Force Band. Track 4 from Freedom! (2000). Colonel Lowell E. Graham, conducting. Chief Master Sergeant James K. Queen, management.[1][2][3]

It has the 5. 2l 4hk1 4-cylinder turbo diesel, which is the highest engine option for this truck. It also can come with a 3. 0l turbo diesel as well as a 6. 0l gm sourced v8 gas. Mated to the engine is an aisin 465 6-speed automatic transmission. Source: https://otohoanglong. Vn/gia-xe-tai-isuzu/.

An alarm inspired by the utsuho reiuji one in touhou 11/12. 3! this might have been done with a vst called ice cream but that's only because i hear some suggestions of a tritone in there. (i made this a while ago. ) in any case, it appears to be the result of noodling around in mixcraft 6!.

The Dream Valley of Glendaurel, The Old Rustic Bridge, Bonnie Dundee, Campbell's Farewell to Redcastle performed by the Pipe Band of the United States Air Force Reserve Band. Track 3 from Glorious Past, Boundless Future (2002).

Silent Nights performed by the Concert Band of the United States Air Force Band of the Rockies. Track 18 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1][2][3]

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:63:3

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:58:3

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:36:3

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:14:3 Hänvisning till tryckt/skriftlig källa: Johan Nordlander: Svenska barnvisor och barnrim, nr. 55

Tropical birds near a cave. Generated by using new firmware version 2 of plaits sequenced/modulated by o-ctrl from makenoise. Morphagene run at 2/3. Effects erbe-verb and mimeophon. Into x-pan. Rendered in repair @48khz 32bit fp with markers for all you morphagene fans. Enjoy!.

Try as a loop! i used my acoustic guitar and did some knuckle-knocking on the body while muting strings. Sounds like a native drum! effect: speed increase from 33 1/3 rpm to 45 rpm, moise reduction and vol. Envelope. Recorded on conexant smart audio with at2020 mic, processed on audacity.

Recording of a male slowly breathing in through his nose which i made for a poetic video edit. 4 slower + 1 fast breaths in. 3 slower breaths out. Recorded with my rode ntg-2 on a tascam dr-40 at 96khz 24-bit. Cut in premiere pro and exported with same settings as recorded.

Here's for you this generously processed fat beat ready for use in a dubstep or hip-hop production. 3 bars with slight variations. Decent amout of sub in the kick, and a fx end-tail. *would appreciate a link to your finished projects using it!.

Decided to do an exercise from "the book of bad ideas c 2. 0". This is exercise 1. 3 just intonation. Nice. Then i start to turn knobs and get modular mayhem. . .

Recorded from a third-floor room. Stood in the room about 3 feet (1 meter) from an open window. Outside there is rain and light city traffic. Recorded with zoom h5 with its built-in stereo xy mics.

Recorded in my backyard with rode ntg-3 / dead wombat on zoom h6 recorder. Starts off with one decent short clap of thunder, but mostly rolling low rumble thunder and some rain here and there. Some of the rain drop sounds are sharp off of metal, some is just lightly hitting the ground. Some nearby trees blowing add to some of the ambiance.

This is an edited sound of a real gun being cocked. (don't worry, safety was on and there was no ammo cartridge in it. ) the first 3 are good cocking sounds, and the rest can be used for dry firing or something else. You can use it without crediting me, but it would be cool if you did.

Soundscape created from a longer field recording. Crows and birds at a river near a highway where trucks and cars are passing by. Sometimes airplanes. Recorded with a pair of rodes nt5 and a sound devices mixpre-3.

A male demonic voice saying "get off the map". Created in audacity using the following macro. . . --------------------------------selectall:amplify:ratio="3. 6618454"noisereduction:use_preset=""changepitch:percentage="-30" sbsms="1"duplicate:selectall:reverse:use_preset=""selecttracks:mode="set"reverb:delay="32" drygain="0" hfdamping="50" reverberance="60" roomsize="20" stereowidth="20" tonehigh="50" tonelow="100" wetgain="1" wetonly="0"changepitch:percentage="-30" sbsms="1"selectall:reverse:use_preset=""---------------------------------------.

Calm meadow, south of france, end of the summer, 6 min. Insects, many flies, some grasshooper, different birs including pheasant (2. 03). A robin is arriving during the recording (3. 10) and stays very next to us, on the right hand side, sometimes flitting. 2009. Recorded with schoeps ab ortfrecorded on soundddevice 744twave stereo, 16 bits, 48khz.

A soundscape of an august summer field bordered by thick woods. Note the cool sound of a bee buzz fly-by at 5 seconds into the recording. Recording made with: (1) marantz pmd661 modified by oade electronics. (2) samson co2 matching stereo microphones placed on a microphone stand about3 feet above the ground. (3) record volume set on 7.

A 3-inch folding pocket-knife opening and closing. Recorded very close to the microphone. Makes a snick/click sound. The sharp blade folds into a steel housing so the sound is metal on metal. Recorded: august 2014, with android voice recorder (mono), inside/evening in very quiet room. Noise reduction with audacity.

A 70bpm beat/loop sequenced using renoise 3. 0. Samples were either created from scratch or modified after being recorded in my basement using the sampler built into renoise. The microphone used for recorded samples (of a keychain) is the one that comes along with the m-audio microtrack 24/96. Sounds good in reverse too.

Free sound effects if you want to credit me my name is nelson bowmanthanksplease check out my youtube channels for cool movies and diyhttps://www. Youtube. Com/channel/ucvqpvjo7aeuukmpiy95y2pahttps://www. Youtube. Com/channel/ucj1ygiubctr7plqcc2ptwvw*******this sound was created by me recording with a rode ntg 3 mic and a roland r44 field recorder on november 2014. I then edited it in adobe soundbooth.

Drinking water, gulping. Recorded with iphone 6, using the app samplewiz. I recorded this as i drank the water holding phone to neck. The app lets you save the sample and email it to yourself. Its saves the sound file as an aifc. I then brought it into adobe audition cs6 to edit. Recorded on 11/3/2015 in boston ma. Usa.

A recording of myself doing some "creative tuning" willy-nilly around the available spectrum of "websdr at raf hack green", 3/11/13; trying to keep things interesting, yet not lingering too long anywhere in particular, and avoiding rather than seeking intelligibility of the various broadcasters. Some bits reminded me of ben burtt's "droid/alien chatter" material.

This was a pretty hard work. I only use a triple osc and i took an advantage of the several asio bugs of my soundcard. I don't mix the sound. I've re-recorded that shape 15 times, after that, i applied massive echo and reverb filters. 3 osc, echo, reverb, compressor.

After recording someone making a sound like "trrrrrrrrrrrr", i've applied the following effects :1)generate noise (red)2)i've modified the envelope of the noise in order to have it thin, then thick, thin-thick-thin-thick-. . . 3) i've put down the volume of the noise, and put the voice louder. 4) add a few effect with atom splitter audio : distroyr. 5)mix the tracks together.

Loopable lead sound from my technosaurus microcon, obtained by multi tracking 3 slightly detuned and lightly off phase saw waves. 12 pole filter, fully opened, no resonance. Played in gate-trigger mode (no adsr whatsoever). Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

The sound of a piece of packaging paper paper punched by the fist. A very thick sound. Also sounds like a gun shot. Recorded using the sampler in redrum in propellerhead reason 5. Equalizing used to get rid of noise and harsh frequencies and maximizer use to make sound audible. Recorded on 3 jan 2012.

A slowed down and heavily edited recording of a chemical boiling i recorded in my chemistry class. Sounds like a large reservoir of lava, so it be suitable in a volcano setting. Has less treble than lava loop 3. Loops perfectly. Recorded with a zoom h4n pro on 08/05/2019. Edited in audacity.

A browning hi-power pistol having its magazine removed and replaced. Includes 3 takes. Sound was created by mixing multiple different takes of an airsoft browning hi-power pistol replica foley. Crediting me isn't required if you decide to use my sound, but it would be greatly appreciated if you do!.

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:46:3