Power of Suggestion performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 14 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Senior Airman Derrell Kuykendall, bass
Автор: Composition: Dave Bandman; Performance: United States Air Force Band of the West, Dimensions in Blue; Recording: United States Air Force
Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: K.E. Forsslund - Med Dalälven från källorna till havet II:3 nr 14 s. 44 Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:15:7
Sveriges Radios folkmusikinspelningar. Hälsingland/Gästriklandresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Radiotjänsts folkvisetävling, A 475:1 (Samling hos Svenskt visarkiv) Radiotjänsts ursprungliga produktionsnummer: L-B 49/12062:2:3
La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: III. "Dialogue du vent et de la mer" performed by the Concert Band of the United States Air Force Band. Track 11 from French Impressions (2000).[1][2][3][4]
Scheherazade, Symphonic Suite, Op. 35. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.
Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: K.E. Forsslund - Med Dalälven från källorna till havet B.7: nr 38 s. 91 Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:3:1
The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details
5 1/2 minute recording using zoom h6 recorder of a storm front that passed through cincinnati on 4/9/2020 (which included 4 smaller f0 tornadoes). Made up of 3 segments put together. First segment (0:00) is rain and hail, second segment (1:20) includes tornado warning siren going off with one very loud thunder just before it shuts down, final segment (4:40) is rain and wind.
Recorded this in my backyard at midnight, my neighbors probably hate me now. Recorded on a tascam dr-70d with a rode ntg-3. File is stereo but contains two of the same mono track for ease of use. Slight compression, eq, cleaning and limitting added for extra cripness. Let me know in the comments if you can use this, i'd love to read it!.
Standing on the dock at halesite marina in ny at approximately 11:00 p. M. On 8/26/19. Sounds include: the movement of a floating dock, water splashing, fish jumping out of the water, boat masts, wind, crickets/insects, a car being started, passing cars, and an airplane. Recorded with a sound devices mix pre-3 and an audio-technica bp4025 microphone (with a rode blimp windshield).
Albuquerque new mexico rail yard market- indoors. Recorded with zoom h2n 3 channel ambisonic b-format (no z track), *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that this is a fuma bformat file converted from ambix format.
This is the second of two fx i've posted of the beast i used for beauty and the beast in our theatre. I was having a terrible time finding a good sound so i just pitch shifted my own voice down an octave. This is the second where the beast is panting just before his second entrance. The other one is 3 growls (and one meow) of the beast. Enjoy. Kp.
Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): day 3 leadnote: c2midi note: 36.
Busy street in tokyo during the evening rush hour. I placed a pair of mics at 120 degrees between 2 stop lights on a busy street. There are 3 distinct "waves" of traffic let through the lights and all our recorded well. The panning is quite dramatic, so you really get a sense of movement.
7:25 p. M. School yard. Kids while playing basket ball and other games. Many voices of dozens of children and sounds of the balls and the game. Hear the vehicles passing on the street. At the final section of the recording is heard the sound of an airplane flying across the sky. I used the zoom handy recorder h2 with internal microphones. I made some corrections in adobe audition 3. 0. Enjoy!.
I found this wonderful 4 foot high waterfall in a small canyon in the shawnee national forest in southern illinois. The cool splashing of the rivulet as it spilled out onto a catch-pool was enhanced by the echo as the sound bounced off the 3-sided grotto. Recorded on one of the hottest days of august 2011 using my rode ntg-2 shotgun mic into zoom h4n recorder.
Winding and firing of the shutter of four vintage analog cameras. All shutter speeds were set to 1/125th of a second (except the last one). The order of each take is as follows:1. Pentax spotmatic (from around 1971)2. Yashica tl-super (from around 1969)3. Nikon fm (from around 1975)4. Yashica electro 35 (rangefinder with leaf shutter from around 1972).
Created using tracktion waveform-10. I used 3 instances of the builtin synth subtractive, 1 was for the body of the snare the other 2 were the noise to try and replicate the wires of the snare, finally i used zynaddsubfx to create the transient. There was some eq applied to boost key frequencies in around 200hz and mastermix plugin to compress the audio.
An amazing 3-second poot with a music-like sound (trumpet). Relatively good quality, ie. Low noise, no echo, etc. Post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Processed with audacity for a more consistent tone and volume.
World War V performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 13 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Airman First Class Kevin Burns, trumpet
Автор: Composition: Dave Bandman; Performance: United States Air Force Band of the West, Dimensions in Blue; Recording: United States Air Force
George Frideric Handel's Water Music: 16. Sarabande (Suite No. 3 in G, HWV 350: I. Sarabande) performed by the Marine Chamber Orchestra of the United States Marine Band on January 29, 2017 in the Schlesinger Concert Hall, Alexandria, VA. Conducted by Major Michelle Rakers.
The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details
Автор: Emmy Destinn (1878-1930), soprano Antonín Dvořák ( Rusalka - Lieblicher Mond
The Stars and Stripes Forever performed by the Concert Band of the United States Air Force Band of the Rockies. Track 21 from Footlifters! (1998). Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[1][2][3]
Work: Piano Concerto No. 25 in C major, K. 503 1st release date: January 1939 1st recording date: 3/4 November 1938 Performers: Kathleen Long and the Boyd Neel Orchestra; Leader: Frederick Grinke (1911-1987) and on the piano: Kathleen Long (1896-1968) Content: 1st Movement: Allegro maestoso (Conclusion)
Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Hänvisning till tryckt litteratur: Svend Grundtvig: Danmarks Gamle Folkeviser (DgF), nr. 38 Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:55:3
Valley of Yah performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 15 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Staff Sergeant Sam Johnson, tenor saxophone
Автор: Composition: Dave Bandman; Performance: United States Air Force Band of the West, Dimensions in Blue; Recording: United States Air Force
La Monte Young - Magic opening chord: E♭, E, F, A, B♭, C, D, E♭, E, F, G, A, B♭ = 2:3:7:9:21:63:567:189:567. The opening chord (left), E, F, A, B♭, D, E, G, and A, and the magic chord (right), E♭, B♭, C, E♭, F, B♭.
Sveriges Radios folkmusikinspelningar. Hälsingland/Gästriklandresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Radiotjänsts folkvisetävling, A 171:2 (Samling hos Svenskt visarkiv) Radiotjänsts ursprungliga produktionsnummer: L-B 49/12062:3:7
A recreation of a lavalier microphone pop. Useful for reality or documentary where an interviewee may rip off their mic or you simply want to create the illusion of that drama. Also useful to incorporate into a "signal lost" effect, etc. Processed with some limiting so it's tamed and ready to throw in a mix. Recorded with an mxl lsm-3 dynamic mic, no reason to abuse my real lav mics.
Recording of an old saba w48 telephone which gets hit by a hand. The bell is vibrating. Recorded without the handset (no rattling). Feel free to use this sound; no attribution required. Feel free to write me in the comments what you used this sound for. Equipment:røde ntg2sound devices mixpre-3 ii. File:wavmono48 khz24-bit.
Middle school (ages 12-14) band of about 50 students preparing to make an audition recording in their school auditorium. Two akg c 414 b-uls multi-pattern large diaphragm condenser mics were placed about 10 feet (about 3 meters) above the ensemble on the far right and far left, with a røde nt4 stereo condenser mic at the same height located in the middle of the group. Recorded january 2019.
Chromatic handbells 12 tones. C# tone. File 48khz, 24bit, stereo, no processing. Normalized to -3db. Recorded using a-b stereo technique witch 30 cm spacing between and 50 cm from bell. Microphones: a pair of dpa 4006 microphones with ua0777 nose conesinterface: focusrite saffire liquid 56. Studio room: w:2,5m x d:2. 0m x h:2,8m. Each file contains 3 techniques: single tone, double and ringing bell.
Creation date: 08 - 06 - 2017author: alayan. Details of this sound:. Subject of recording:- object : mechanical keyboard of computer- material : plastic- feature : none. Place of capture:- type : inside- size of the room : 8m^3- coating of room : wood et plaster- content of the room : home furnishings. Recorder:- recorder used : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : none. Recording parameters:- capture type : stereo- input level : 27. Software used:- fl studio 11. Fx added:- edison : for amplifying the signal.
A semi-automatic rifle, pitched down 3 semi-tones. Made in bitwig, i used 10 different recorded gunshot layers that have been eq'ed and multiband compressed to form a new gun sound. Subbass was synthesized for the super low end. The process i use is to select frequencies using high pass and lowpass filters from a recording for the lows, mids and highs. This forms a "layered sound".
So i have these insane neighbors that start trashing their roller blinds from 7:30 pm - 8:30 pm with all their might and power and it's like 30 neighbors doing this day by day. In order for me to therapize myself, i recorded these sounds to work it into a song someday. 3 sounds are that. The 4th sound is my field mic clanking hardly against my ur44 by accident.
A sound i created for my decepticon oc "silverstreaker. " her dual pulse cannons are heard in the audio, however i published it here so others can use it as well! hope this can be of use for some people. You can freely use this wherever you want, but please if possible link me in it if you do. <3. [if the sound seems gritty and grainy, it sounds much better when downloaded. ].
Recorded outside louisville city hall next to the courthouse at a time with lighter traffic. Recorded around 9am on 1/30/2018. Recorded with a sound devices mixpre-3 with two rode nt5's in a x-y setup at an angle to emphasize the sound of footsteps on the sidewalk.
Northwest wind gusts through a forest of oak and beech and pine trees. Recorded on saturday july 21st, 2018 at 3:30pm in a midwestern forest. Although there are a lot of birds in the forests at this time of year, they were quiet today. A nice, peaceful, soothing snapshot of summer----recorded just 4 weeks after the solstice here in the northern hemishpere. Temp: 84 degrees fhumidity: 51%. Recorder: sound devices 702microphone: sennheiser mkh-416.
The bass drum was generated using absynth 3, as well as the other instruments that follow it. Within the software, i simply just generated a quick drum patch (for myself), which i manipulated over and over till i got several varations. I just happened to choose this one for this loop. General techno-trance and suitable for almost any genre in electronica. The loop is set at standard 120bpm for easy manipulation.
A small, older elevator moves up 3 floors. Including the sound of the elevator door closing and opening. Recorded from the inside of the cabine. Recorded with a tascam dr-40. Note: feel free to use this sound in one of your own projects. If you want to, you also can send me a link. I would love to hear some of my field recording into someone’s work.
This sound is 50 ms, 2000 hz pure tone with double linear fadeout through it's whole length. Sampling rate of 8 khz is already an overkill (nyquist frequency is at 4 khz, while all energy of this sound is present in narrow 2 khz frequency range). Created with audacity for use with ardour 3, a free and opensource daw for linux and mac (http://ardour. Org).
Posnetki zvoka motorja aaz 1. 9 td v t3snemalo se je direktno pod motorjem oz. Ob motorju v kombiju z odprtim pokrovom. V vsakem primeru torej manj kot 50 cm stran. 0 - 16s vžig v prvo, po tednu mirovanja in zelo nizkih temperaturah (-15). Ob vžigu je bilo - 5. 16 - 1:04 štantgas in ročno dodajanje plina. Kombi miruje. 1:04 - 2:00 vožnja po cesti od 0 - 60 km/h. 2:00 - 3:26 počasnejša vožnja in klanec. .
An old guitar recording that served as a sample to my music track dreaming of places that don't exist ( https://soundcloud. Com/headshock-1/dreaming-of-places-that-dont-exist). Direct recording of my jackson sl-3 soloist electric guitar through a line 6 pod x3, using its internal reverb effects. (large hall reverb with decay at 99%, or maybe even 100% for that endless washed out effect).
This is a recording of michigan avenue in chicago from an interior perspective made from the 24th floor facing west. The microphones were spaced apart and placed very close to the window. Interior ventilation/air conditioning rumble is audible. This could be a useful sound for a downtown city office background. Time of recording was 3:05pm. Recording details: 2 audio technica at4022 > sound devices 302 mixer > tascam dr-40 recorder.
I only use a triple osc and i took an advantage of the several asio bugs of my soundcard. I don't mix the sound. I've re-recorded that shape 17 times, after that, i applied massive echo and reverb filters. 3 osc, echo, reverb, compressor. For this record, i've deleted the major part of the notes. Some new settings of the echo filter, are applied.
Two dogs are barking in my front yard, with the longest-barking one being a 3-years-old fox terrier chihuahua mix with whom i have an attachment to but who isn't my dog. You can also hear crickets chirping in the background. I used my lenovo laptop's built-in microphone to record this (the same device i had used to record the alarm clock sound & the restaurant-cleanup field recording).
Snoring child 3 years old field recording. Recorded with zoom h2n and normalized with wavelab 9. 5. If you want to support me, you are welcome to have a look here: https://richardatmo. Bandcamp. Com/. You can play albums there and also buy single sounds from me for small money. It's a way to support me. Or just have fun and chill with nature sounds. Have a nice day.
3 whelens sounding off in different modes. This is free to use! feel free to use this in your eas scenarios if you're an eas content creator like me!. Subscribe to my yt channel!:. Https://www. Youtube. Com/channel/ucqnbxvlv--3aanh-xsvtciw/. Follow me on reddit!:. Https://www. Reddit. Com/user/michigankid2020bruh. Join the subreddit!:. Https://www. Reddit. Com/r/michigankid2020new/. Thanks for listening! if you like it, why not download it or rate it? it's your choice!.
Hey everyone!. Feel free to use these sounds in all your projects. Just credit arrowhead productions. Index:1. Rustling with metal hanging out. Perfect for a backpack sound. 2. Rustling, and then a nice zipper zipping. Perfect for, well zipping up clothing. 3. Brushing clothing against skin. Perfect for what i just said. Thanks!.
Twitter https://twitter. Com/samples_simple@samples_simple. More music on my youtube channelhttps://www. Youtube. Com/watch?v=saawiun1heg&list=pl9bdtoyt75av5krkq_-_z6hrwsqqjpzcf&index=3. This is one note from my virtual instrument. The virtual instrument is made from a cheap chinese stratocaster. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.