931 аудиофайл без роялти для "Layers"

I took a gunshot, put a little bit of flanger on it and then rolled off the highs of an explosion and layered that underneath. I also added a few other effects to give it that fluttery sound in the end.

This series is about transition sfx, this is stacked sound effects made with xsynth,dex and amsynth, randomized in carla and layered with cymbal samples i recorded a long time ago.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

In hinduism and its many derived views of life, there are a number of "realms", each with their own forms of consciousness. The oldest of these is the realm of the minerals, the stones. This is followed by plants, animals, humans, angels and gods. Each kingdom is divided into layers, in the human realm the "caste's" or social layers. Hindus believe that through good works you can be born in a higher caste or even realm in the next life. Among the people who belong to the caste of brahmans, the priestly caste, it happens that some have memories of many past lives. This track represents the connection between the heartbeat of a brahman priest during his meditation and his energetic vibrations, long time ago, as crystal. He discovers that time is an illusion and that all his lives are layers one on another creating a building, the shape of his eternal existence. He has yet to build further but is well on his way. Right now, he should not be proud, or in the next life he will be certainly no angel but falls back to a previous level.

Snare drum distorted, i added other snare drum for more drum sound. Good for snare rolls, snare rushes, and other snare techniques. Also you can layer with other snare, or eat it, your imagination puts the limit.

Multiple layers of vocals run through piles of reverb, mumbles, thumps, looped.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

A self generated cue for a musical. Used xpand2 plug-in in pro tools 10. Features a medium attack gust with a long decay. Leaves can be heard underneath the whistle of the wind.

A 16 bar drum loop made in ableton with no samples rendered at 44100khz and a bit depth of 24 with triangular dithering. The drum loop runs at 140 bpm and the buzz on the bass/kick drum isn't audible when layered with a track.

Several layers of synths compiled to form an airy, breathy type of tension thriller ambience. Composed on magix music maker 2016 live.

Short and boomy kick drum heavy on initial click synthesized out of bazzism, processed in ableton live.

A small synthesizer glitch sequence layered with tr808 drums. Check my tunes on soundcloud if you like this sound: http://soundcloud. Com/beverlyhillsboy/ cheers!.

Monster sound effects,my processed voice. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Monster sound effects,my processed voice. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.

Complete pack of tennis sounds that i recorded for a project are available. Some traffic, wind noise under recordings but all should feel quite natural. Work well once layered with some sharper, brighter pro records.

Typing with metallic fingers. Why do all the work when your robot can do it for you? created using a wooden stick hitting different plastic and metal materials, then layered and matched to a typing cadence.

A snare i made in fl studio by layering multiple different snare and tom sounds together and eq'ing them slightly.

Recording of a small brook in the forest. The water is flowing underneath a thin layer of ice giving it a filtered effect. Recorded with the h2n zoom recorder.

A layered recording of two terracotta pots scratching against each other. Recorder/mic: zoom h4n pro (stereo x-y)processing: eq, some compression.

A schranz kick i made in caustic 3. A layer of a few kicks with a reverb then a distortion. Basic way to make this kind of a kick. ¥€π√.

A combination of four layers with different sounds recorded from waldorf m. Recorded dry from the sampler. C# chord.

Basically its a synthesized snare bottom, with a real clap layered with a white noise burst, eq'd and also filtered with what i can only really call "parallel- saturation. ".

A glitchy abstract futuristic jam created in cryogen by glitchmachines. Contains some fantastic weird textures, glitches, rythems and bits to use as effect or as a layer for drums.