2 370 аудиофайлов без роялти для "Tracks"

Four ruffles and flourishes and "Hail to the Chief" performed by the Concert Band of the United States Air Force Band. Track 23 from Esprit de Corps (1997).

Der Heyser Bulgar (The Hot Bulgar) performed by the Stellar Brass of the United States Air Force Band of the Rockies. Track 6 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1][2][3]

Two stroke diesel engine on a narrow boat on the river weaver cheshire - running at normal cruising speed. Audio track separated from a video. Camera was just in front of cabin - filming for most of the time towards the bow. The sound was captured when the camera was turned to film the two boaters at the helm.

The American Legion March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 67 from disc 1 of Ceremonial Music (2005).

Dance the Night Away performed by the Silver Wings of the United States Air Force Band. Track 4 from Freedom! (2000). Colonel Lowell E. Graham, conducting. Chief Master Sergeant James K. Queen, management.[1][2][3]

I created a click track and got rid out the last two beats of each bar. I shortened the spaces between the first two beats of every bar. I then added a reverb effect and created another layer of brownian noise to even out the silence. Descriptiftypologie selon pierre schaeffer - x"masse: groupe de sonstimbre harmonique:acidegrain: lisseallure: pas de vibratodynamique: l'attaque est abrupte.

Remix of this::. Http://www. Freesound. Org/people/bronxio/sounds/239080/. Pitched it up an octave, gave it a saw hpf lfo, and a saw vol gate (cleans up the rhythm) then added the original octave lower in the mix. Made it sound more digitized. Good sound for starting off a track. 고맙습니다.

An adrenaline sound created to emphasize action in trailers or dramas in short film trailers. Created using vst plugins exported at 16bit wav stereo. Feel free to trim cut and paste or add length to the track. Also feel free to credit me whenever. Much luck!. - allan k. Zepeda.

A rawstyle like kick i use in my recent project, made from an 808. Feel free to use it in anyway you want. I would appreciate a note where you use it but its not required. Enjoy! :). Optimized for 155 bpm. Just boost the frequenzy around 1-2 khz and a add bit reverb ;). Listen to the track: https://soundcloud. Com/arc_tis/rawmare-wip2.

I call this my flash boom. It's a sub plus a pitch shifted snare that i created on my track "a flash of light by the shore" use it to create dynamics on a hit or whatever you want. Give a shout out to stark for machines and have fun! :). - chris.

This is a beat i made using the percussion presets form fab filter 1 cm synth for a track i was writing. Each hit was then loaded into abletons impulse drum sampler and tweaked for my pleasure. The snare was subject to some serious stretching,which gives it a rasping sound!fab filter 1 really is a simple but very useful synth.

A short clip from last years cd i made for halloween. I few years ago i got tired of the cheesy halloween cd's out there so i made my own for family and friends. . . The whole track is an hour long. If anyone wants it (it's for free) just ask, i'll send you a link. .

A short clip from last years cd i made for halloween. I few years ago i got tired of the cheesy halloween cd's out there so i made my own for family and friends. . . The whole track is an hour long. If anyone wants it (it's for free) just ask, i'll send you a link. .

Sounds like the uplift to the drop of an edm track, but can also be used as a firework sound effect, or for a bomb dropping. Created using a low-passed square wave, over-compressing it, distorting it, playing 2 notes a semitone apart and pitch shifting.

Loopable lead sound from my technosaurus microcon, obtained by multi tracking 3 slightly detuned and lightly off phase saw waves. 12 pole filter, fully opened, no resonance. Played in gate-trigger mode (no adsr whatsoever). Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

City Ambiance sound effect. Great for a movie or game that is set in an inner city or downtown area. You can clearly hear cop or ambulance sirens in the background.

Deep male voice counting to ten with additional words for video games. Transcript:one, two, three, four, five, six, seven, eight, nine, tenready?let's go (v1) let's go! (v2)levelbeginmatchvictoryfailurefightlevel onelevel twolevel threeupgradebonus. You have my express permission to use this track any way you like. Please visit steprockmedia. Com for custom work and mention freesound for a discount.

135 bpm metronome concentration challenge for drumming practice. Can you play drum rudiments locked to the click while a backing track of music comes in and out to distract you? it's a tough one for the brain - good luck!. The backing music is "country bumpkin" from beetlemuse (royalty free): https://freesound. Org/people/beetlemuse/sounds/532351/.

A production sound created for a film project where the character is looking into the void of a black hole - and the emptiness overwhelms. The track is rooted in me slowly exhaling across the microphone. A flanger and low-pass filter is responsible for the rest!. Created on 04/17/2021 with an h4n and sennheiser shotgun mic.

The track was taken of a heavy aerologic (dhl) boeing 777-fzn freighter during line-up and departure from leipzig-halle airport (germany) on march 06, 2021. Equipment used for recording was a zoom h5 stereo field recorder + 2 rode ntg2 shotgun mics. Registration of the plane was d-aalf. If you like it, i would appreciate your comment. Thanks!.

A cartoony sting made in logic pro x, perhaps a blink or a surprised reaction? credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

A silly sound effect i made as a bit for a video: https://youtu. Be/79miczyt7w4?t=233i layered a digital glockenspiel midi track over the following sounds:https://freesound. Org/people/maximbomba/sounds/432139/https://freesound. Org/people/xenonn/sounds/128296/also pitch-shifted them a bit. If you can find some use for this, go ahead!.

National Emblem performed by the Concert Band of the United States Air Force Heritage of America Band. Track 16 from disc 2 of Ceremonial Music (2005).

Gloria performed by the Concert Band of the United States Air Force Band of the Rockies. Track from Footlifters! (1998). Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[1][2][3][4]

Panama performed by the Dixie Players of the United States Air Force Heritage of America Band. Track 12 from Dixie Parade (2002). Recorded May 2002 at Windmark Studios in Virginia Beach and mastered by Alan Silverman of New York.

Go Tell It on the Mountain (jazz version) performed by the Diplomats of the United States Air Force Band. Track 7 from Do You Hear What I Hear? (2002). Frank Pappajohn, conducting.

Taps with Brass Accompaniment performed by the Concert Band of the United States Air Force Heritage of America Band. Track 25 from disc 1 of Ceremonial Music (2005).

Scotland the Brave performed by the Pipe Bands of the United States Air Force Reserve Band and the United States Air Force Band. Track 17 from Glorious Past, Boundless Future (2002).

Taps (solo, dotted eighth) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 22 from disc 1 of Ceremonial Music (2005).

Taps (solo, straight eighth) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 23 from disc 1 of Ceremonial Music (2005).

A rather lengthy sound byte that i heavily edited to the point of being unrecognizable. It sustains a flat note with varying bass levels causing an unnerving effect or the listener or player. I had designed this track for a roleplay plot involving a cursed train station, the plot came out kinda rough and it fell through midway. . . But, the audio track i made came out good enough to post here like my first sound involving my transformers oc!. It's free to use as long as you credit me, and it can be used in a wide variety of fields that is deemed appropriate. From suspense to horror, or even background noise in a lighter field; it can be altered and edited as needed due to it's broad and simple design. I made the volume low to prevent any extreme bass causing ear bleeds. Hope you enjoy! <3.

Here are the audience bits from a jazz concert i recorded using an olympus field recorder. The auditorium was intimate and acoustically excellent. In the first section if applause you will here a mild rumble. There was a standing ovation, and that's what that rumble is. I also included some quiet bits of the band on stage getting ready for a song, and some subtle crowd walla as well. There is plenty to play with if you need to loop. You may here some bits of the mc or sax player in the background near the end, but nothing you can't work around if you need to. Check my other up-loads for an extended walla track from this same show. Hope this track works out for you!.

Carol of the Bells - Ukrainian performed by the Concert Band of the United States Air Force Heritage of America Band. Track from Holly and Ivy (1993). Recorded in 1993 at Chrysler Hall in Norfolk, Virginia.[1][2][3][4]

I created the beat using ableton. I recorded the guitar part on my fender strat, useing warping ableton to tighten up my playing. I used a peavey mic (away from comp will check model when i get home) going to a fast track ultra audio driver. Please credit me if you use it.

Breathing through a 1. 5 metre didgeridoo to obtain a dramatic sound. Pitch and re verb were used for more effect. Bit rate 288kbps. Ngwave pc software. Sennheiser shotgun microphone. I'm new to this and something happened with the upload. Track is running a fair bit slower than i thought it would but feel it's still unusual enough for an underscore. Any comments are welcome.

The sound of thunder rumbling followed by rain. Additional sounds include: an air conditioning unit, wind, birds, a distant train horn, passing cars, the dinging of a flagpole (at 4:05), and cicadas (at 10:54). A zoom h1n and 3dio fs binaural microphone (with wind muffs) were to used to record this track at approximately 4:00 p. M. On 7/17/19.

Tiger Rag performed by the Dixie Players of the United States Air Force Heritage of America Band. Track 15 from Dixie Parade (2002). Recorded May 2002 at Windmark Studios in Virginia Beach and mastered by Alan Silverman of New York.

Hands Across the Sea performed by the Concert Band of the United States Air Force Heritage of America Band. Track 20 from disc 2 of Ceremonial Music (2005).

4 Ruffles and Flourishes and General's March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 34 from disc 1 of Ceremonial Music (2005).

National Emblem performed by the Concert Band of the United States Air Force Band of the Rockies. Track 8 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

Hark the Herald Angels Sing performed by the Concert Band of the United States Air Force Heritage of America Band. Track 1 from Holly and Ivy (1993). Recorded in 1993 at Chrysler Hall in Norfolk, Virginia.[1][2][3]

In the Bleak Midwinter performed by the Stellar Brass of the United States Air Force Band of the Rockies. Track 9 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1]

Knights of the Road performed by the Concert Band of the United States Air Force Band. Track 10 from Front & Center (1998). Recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6 to 8, 1998. Col. Lowell E. Graham, conducting.[1][2][3]

Clarinet Marmalade performed by the Dixie Players of the United States Air Force Heritage of America Band. Track 13 from Dixie Parade (2002). Recorded May 2002 at Windmark Studios in Virginia Beach and mastered by Alan Silverman of New York.

The American Red Cross March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 68 from disc 1 of Ceremonial Music (2005).

1 Ruffle and Flourish and General's March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 37 from disc 1 of Ceremonial Music (2005).

My Country, 'Tis of Thee performed by the Concert Band of the United States Air Force Heritage of America Band. Track 9 from disc 2 of Ceremonial Music (2005).

Air Force Hymn (vocal) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 52 from disc 1 of Ceremonial Music (2005).

A Warrior Bold performed by the Concert Band of the United States Air Force Band. Track 19 from Front & Center (1998). Recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6 to 8, 1998. Col. Lowell E. Graham, conducting.[1][2][3]

March Grandioso performed by the Concert Band of the United States Air Force Band of the Rockies. Track 7 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]