159 Free Images of Bijin Ga

ukiyo-ewomanedo periodkimonoutamaro - ukiyoe meisaku senshū ijapanese peoplethirty-two aspects of womenboston iiiukiyo-e shuka. museum of fine artsprostitution
Kiyonaga bathhouse women-2, Torii Kiyonaga, after 1780
ukiyo-e of beautiful womentorii school,ukiyo-e
Yōshū Chikanobu Shin Bijin 12
toyohara chikanobuakiyama buemon
Utamaro (1793) Three Beauties of the Present Time, MFAB 21.6382
three beauties of the present daybijin-ga
Harunobu Bijin sur une véranda
silhouettes of peopletsukubai
Chokosai Eisho, The Courtesan Someyama of the Matsubaya Brothel, Matsubaya Someyama, Contest of Beauties in the Gay Quarters
japanese prints in the honolulu museum of artchōkōsai eishō
Kitagawa Utamaro - Toji san bijin (Three Beauties of the Present Day)From Bijin-ga (Pictures of Beautiful Women), published by Tsutaya Juzaburo - Google Art Project
portrait paintingjapanese art
Suzuki Harunobu - Woman Visiting the Shrine in the Night - Google Art Project
print non series by suzuki harunobukasamori osen
Beauty Looking Back, Hishikawa Moronobu
hishikawa school,ukiyo-ebeauty looking back
Praising Bijin-Ga, Yumeji Takehisa
yumeji takehisataisho roman
Beauty Looking Back, Hishikawa Moronobu, between 1688 and 1704
hishikawa school,ukiyo-ebeauty looking back
Beauty Looking Back, Hishikawa Moronobu
hishikawa school,ukiyo-ebeauty looking back
Two Women Standing, from series "Tosai Yuri Bijin Awase", Torii Kiyonaga, circa 1782
tōsei yūri bijin awase by torii kiyonagatorii school,ukiyo-e
Cooling off at Shijo (Shijo noryo), Yoshitoshi, before 1892
one hundred aspects of the moonukiyo-e
Keisai Eisen – Fûryû Bijin-awase (Charm contest of women) : Ainare of the Ebi-ya House [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]
printing people
Kitagawa Utamaro – Kisegawa of the Matsubaya, from the series Comparing the Charms of Five Beauties [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing people
Kitagawa Utamaro – Wakatsuru, from the series Array of Supreme Beauties of the Present Day [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing people
Kitagawa Utamaro – The Widow of Asahiya, from the series Renowned Beauties Likened to the Six Immortal Poets [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing people
Kitagawa Utamaro – Segawa of Matsubaya [from Utamaro – Ukiyoe meisaku senshū I]
printing people
Kitagawa Utamaro – Tatsumi Rokô, from the series Renowned Beauties Likened to the Six Immortal Poets [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing people
Kitagawa Utamaro – The Suminoe at Shiba, from the series Comparing the Charms of the Five Beauties [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing people
Kitagawa Utamaro – A Flower of the Ôgiya, from the series Array of Supreme Beauties of the Present Day [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing people
Kitagawa Utamaro – Takigawa, from the series Array of Supreme Beauties of the Present Day [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing people
Kitagawa Utamaro – Seven Beauties in a Contest of Attractiveness [from Utamaro – Ukiyoe meisaku senshū I]
printing people
Kitagawa Utamaro – Crackers, Special Feature of the Shop. [from Utamaro – Ukiyoe meisaku senshū I]
printing people
Kitagawa Utamaro – In the Eye of Moralizing Parents: a Woman at an Unguarded [from Utamaro – Ukiyoe meisaku senshū I]
printing people
Kitagawa Utamaro – Three Beauties of the Kansei Period [from Utamaro – Ukiyoe meisaku senshū I]
printing people
Kitagawa Utamaro – Five Kinds of Ladies at Yoshiwara – Teppo [from Utamaro – Ukiyoe meisaku senshū I]
printing people
Kitagawa Utamaro – Modern Dancers – Heron Girl [from Utamaro – Ukiyoe meisaku senshū I]
printing dancer
Kitagawa Utamaro – Hanaôgi of the Ôgiya, from the series Renowned Beauties Likened to the Six Immortal Poets [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing people
Kitagawa Utamaro – Twelve Beauties in As Many Scenic Spots. [from Utamaro – Ukiyoe meisaku senshū I]
printing people
Kitagawa Utamaro – Ohisa of Takashimaya, Fan in Hand [from Utamaro – Ukiyoe meisaku senshū I]
printing people
Kitagawa Utamaro – Needlework [from Utamaro – Ukiyoe meisaku senshū I]
printing mother
Kitagawa Utamaro – Six Beauties of Edo [from Utamaro – Ukiyoe meisaku senshū I]
printing people
Kitagawa Utamaro – Nobodies among Somebodies. [from Utamaro – Ukiyoe meisaku senshū I]
printing mother
Kitagawa Utamaro – Peeling a Peach [from Utamaro – Ukiyoe meisaku senshū I]
printing mother
Kitagawa Utamaro – A Pair of Beauties at Gay Quarters – Shinohara and Masagi of Tsuruya [from Utamaro – Ukiyoe meisaku senshū I]
printing people
Kitagawa Utamaro – Five Kinds of Ladies at Yoshiwara – Kashi [from Utamaro – Ukiyoe meisaku senshū I]
printing people
Kitagawa Utamaro – Okita of Naniwaya, before a Brazier [from Utamaro – Ukiyoe meisaku senshū I]
printing winter
Tsukioka Yoshitoshi – Looks Coy’ Mannerisms of a Girl in the Meiji Period [from Thirty-two Aspects of Women]
printing people
Kitagawa Utamaro – After the Utamaro Fashion – Reading a Letter [from Utamaro – Ukiyoe meisaku senshū I]
printing people
Keisai Eisen – The season’s first snow [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]
printing people
Kitagawa Utamaro – Around the Clock at Gay Quarters – the Hour of the Tiger [from Utamaro – Ukiyoe meisaku senshū I]
printing people
Kitagawa Utamaro – Six Beauties at Gay Quarters – Hanaogi of Ogiya [from Utamaro – Ukiyoe meisaku senshū I]
printing people
Tsukioka Yoshitoshi – Looks Sleepy’ Mannerisms of a Courtesan in the Meiji Period [from Thirty-two Aspects of Women]
printing people
Tsukioka Yoshitoshi – Looks Precarious’ Mannerisms of a Geisha in the Meiji Period [from Thirty-two Aspects of Women]
printing people
Kitagawa Utamaro – Someyama of Matsubaya with Two Attendants [from Utamaro – Ukiyoe meisaku senshū I]
printing doll
Tsukioka Yoshitoshi – Looks Amused’, Mannerisms of a Lady-in-Waiting from the Bunsei Period [from Thirty-two Aspects of Women]
printing people
Tsukioka Yoshitoshi Photograph c1882, Yoshitoshi, Circa 1882
portrait of tsukioka yoshitoshiukiyo-e
Kitagawa Utamaro – Five Beauties in a Contest of Attractiveness [from Utamaro – Ukiyoe meisaku senshū I]
printing people
Kitagawa Utamaro – Three Beauties at Matsubaro – Matsukaze [from Utamaro – Ukiyoe meisaku senshū I]
printing people
Kitagawa Utamaro – Three Beauties at Matsubaro – Wakamurasaki [from Utamaro – Ukiyoe meisaku senshū I]
printing people
Tsukioka Yoshitoshi – Looks Gloomy’ Mannerisms of a Geisha in the Meiji Period [from Thirty-two Aspects of Women]
printing people
Tsukioka Yoshitoshi – Looks Impatient’, Mannerisms of a Fireman’s Wife from the Kaei Period [from Thirty-two Aspects of Women]
printing people
Tsukioka Yoshitoshi – Looks Smoky’, Mannerisms of a Housewife from the Kyowa Period [from Thirty-two Aspects of Women]
printing people
Tsukioka Yoshitoshi – ‘Looks Annoying’, Mannerisms of a Girl from the Kansei Period [from Thirty-two Aspects of Women]
printing people
Keisai Eisen – Iniayo Sugata (Appearance of Contemporary Women) [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]
printing people
Kitagawa Utamaro – The Face of Oshun, Wife of Denbei [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing people
Kitagawa Utamaro – Ohisa of Takashimaya with Two Mirrors Set Against Each Other [from Utamaro – Ukiyoe meisaku senshū I]
printing people
Tsukioka Yoshitoshi – Looks Adorable’, Mannerisms of a Housewife after 1877 [from Thirty-two Aspects of Women]
printing mother
Tsukioka Yoshitoshi – Looks Cold’, Mannerisms of a Concubine from the Bunka Period [from Thirty-two Aspects of Women]
printing people
Tsukioka Yoshitoshi – Looks Slovenly’, Mannerisms of a Kyoto Geisha from the Kansei Period [from Thirty-two Aspects of Women]
printing people
Katsushika Hokusai – Telescope (Seven Fashionable Useless Habits) [from Meihin Soroimono Ukiyo-e]
printing people
Tsukioka Yoshitoshi – Looks Cozy’, Mannerisms of a Merchant’s Widow from the Kansei Period [from Thirty-two Aspects of Women]
printing people
Kitagawa Utamaro – Three Beautiful Mistresses [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing people
Kitagawa Utamaro – Slang Expressions Put into Prints: Kaka (or wife) [from Utamaro – Ukiyoe meisaku senshū I]
printing mother
Tsukioka Yoshitoshi – Looks Curious’, Mannerisms of a Senior Maid from the Tenpo Period [from Thirty-two Aspects of Women]
printing girl
Kitagawa Utamaro – The Face of Osan, Wife of Mohei [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing people
Kitagawa Utamaro – To Jirushi of the Land of Geisha [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing people
Kitagawa Utamaro – The Geisha Kamekichi of Sodegaura [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing people
Kitagawa Utamaro – Ten Physiognomic Aspects of Women: Dyeing the Teeth [from Utamaro – Ukiyoe meisaku senshū I]
printing people
Tsukioka Yoshitoshi – Looks Itchy’, Mannerisms of a Concubine from the Kaei Period [from Thirty-two Aspects of Women]
printing summer
Tsukioka Yoshitoshi – Mannerisms Elegant’, Mannerisms of a Court Lady from the Kyowa Period [from Thirty-two Aspects of Women]
printing people
Tsukioka Yoshitoshi – Looks Painful’, Mannerisms of a Courtesan from the Kansei Period [from Thirty-two Aspects of Women]
printing people
Kitagawa Utamaro – Three Beauties of the Yoshiwara [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing people
Kitagawa Utamaro – Ten Physiognomic Aspects of Women: the Passionate Type [from Utamaro – Ukiyoe meisaku senshū I]
printing people
Tsukioka Yoshitoshi – Looks Happy’ Mannerisms of a Tokyo Geisha in the Meiji Period [from Thirty-two Aspects of Women]
printing people
Tsukioka Yoshitoshi – Looks Hot’, Mannerisms of a Housewife from the Bunka Period [from Thirty-two Aspects of Women]
printing people
Kitagawa Utamaro – Two Pictures in Pair: Monkey Trainer [from Utamaro – Ukiyoe meisaku senshū I]
printing mother
Tsukioka Yoshitoshi – Looks Like she Wants a Stroll’ Mannerisms of a Housewife in the Meiji Period [from Thirty-two Aspects of Women]
printing people
Tsukioka Yoshitoshi – Looks Graceful’, Mannerisms of a Beautiful Woman from the Tenpo Period [from Thirty-two Aspects of Women]
printing people
Katsushika Hokusai – Squeaking a Ground Cherry (Seven Fashionable Useless Habits) [from Meihin Soroimono Ukiyo-e]
printing people
Kitagawa Utamaro – Takashima Ohisa [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing people
Tsukioka Yoshitoshi – Looks Interested in Buying’, Mannerisms of a Housewife from the Kaei Period [from Thirty-two Aspects of Women]
printing shopping
Kitagawa Utamaro – Takashima Ohisa [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing people
Keisai Eisen – Famous Pine Trees in Edo : Biza Pine at Aoyama [from The Exhibition of Keisai Eisen in memory of the 150th anniversary after his death]
printing people
Kitagawa Utamaro – Out of the Six Well-known Beauties – Tatsumi Roko [from Utamaro – Ukiyoe meisaku senshū I]
printing people
Tsukioka Yoshitoshi – Looks Delicious’, Mannerisms of a Courtesan from the Kaei Period [from Thirty-two Aspects of Women]
printing moon
Kitagawa Utamaro – Naniwaya Okita [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing people
Kitagawa Utamaro – Women Holding a Pipe and a Round Fan [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing people
Tsukioka Yoshitoshi – Looks Heavy’, Mannerisms of a Fukugawa Waitress from the Tenpo Period [from Thirty-two Aspects of Women]
printing people
Kitagawa Utamaro – Young Woman Holding a Bowl with a Goldfish [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing fish
Kitagawa Utamaro – The Story of Umegae [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing people
Kitagawa Utamaro – A Yoshiwara Triptych [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing people
Kitagawa Utamaro – Hanaôgi of the Ôgiya, kamuro Yoshino and Tatsuta [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing people
Kitagawa Utamaro – Miyahito of the Ôgiya, kamuro Tsubaki and Shirabe [from Ukiyo-e shuka. Museum of Fine Arts, Boston III]
printing people
Tsukioka Yoshitoshi – Looks Cold’, Mannerisms of a Fukagawa Nakamachi Geisha from the Tenpo Period [from Thirty-two Aspects of Women]
printing winter
Tsukioka Yoshitoshi – Looks Cool’, Mannerisms of a Geisha after 1872/3 [from Thirty-two Aspects of Women]
printing summer
Tsukioka Yoshitoshi – Looks Eager to Meet Somebody’, Mannerisms of a Prostitute of the Kaei Period [from Thirty-two Aspects of Women]
printing spring
Tsukioka Yoshitoshi – Looks Good’, Mannerisms of a Pleasure Quarter Geisha from the Kyoka Period [from Thirty-two Aspects of Women]
printing people
Tsukioka Yoshitoshi – Looks Refreshing’, Mannerisms of a Girl from the Kyoka Period [from Thirty-two Aspects of Women]
printing people
1 - 100 of 159 Next page
/ 2