13,196 Free Images of Hand Colored

yale center for british artetchings in the yale center for british artetchingjames gillrayaquatint prints in the yale center for british artaquatintisaac cruikshankmetropolitan museum of artromanticismthomas rowlandson
Extraordinary Express Across the Atlantic – Pilot Boat William J. Romer, Captain McGuire, Leaving for England February 9th, 1846, Nathaniel Currier
prints in the metropolitan museum of artnathaniel currier
Nothing in Excess, Jean-Baptiste Oudry, published 1756
etchings in the national gallery of art (washington, d.c.)pierre etienne moitte
View from Nature, Thomas Vivares
etchings in the yale center for british artthomas vivares
Calvary, from Life of the Virgin and Christ, Francesco Rosselli, between 1490 and 1500
rogers fund - printsfrancesco rosselli
Anything Will Do For an Officer, Thomas Rowlandson, 1 January 1796
samuel william foresromanticism
Rum Characters in a Shrubbery, Thomas Rowlandson, 1 November 1808
satirical art worksromanticism
The Hampshire Hunt, Charles Turner, 1822
mezzotint prints in the yale center for british artcharles turner (engraver)
This View of the Remains of St. Stephen's Chapel on the Morning after the Fire of 16th October 1834, Andrew Picken
lithograph prints in the yale center for british artandrew picken
Houses on the South Side of Leadenhall Street, John Thomas Smith, 1796
engravings in the yale center for british artjohn thomas smith (1766-1833)
Cockney-Sportsmen finding a Hare, James Gillray, 1800
etchings in the yale center for british artjames gillray
Domestic Happiness, William Ward, 1787
mezzotint prints in the yale center for british artworks by william ward (engraver)
The Monkey Room in the Tower, Rudolph Ackermann, 20 December 1799
the elisha whittelsey collectionrudolph ackermann
Youth Diverting Age, George Morland, 1789
mezzotint prints in the yale center for british artpaintings by george morland
Program Cover for a Performance of Sacred Music at St. Saviours Church, Thomas Talbot Bury, 1832
engravings in the yale center for british artthomas talbot bury
Short Horned White Ox, Thomas Fairland, 1843
lithograph prints in the yale center for british artthomas fairland
Racing [set of four]: 2. At the Post, James Pollard, 1821
etchings in the yale center for british artjames pollard
A View of the Palace of Versailles towards ye Garden, John Tinney
engravings in the yale center for british artjohn tinney
View in St. James's Park showing Rosamond's Pond, William Charles Ross, 1840
lithograph prints in the yale center for british artwilliam charles ross
A Hard Passage, or Boney Playing Base on the Continent, Rudolph Ackermann, 24 September 1808
prints in the metropolitan museum of artrudolph ackermann
His Majesty's Ship Britannia Returning to Port, Louis Haghe, circa 1840
lithograph prints in the yale center for british artlouis haghe
Introduction, or Moses with a Good Bargain, Thomas Rowlandson, 23 July 1806
rudolph ackermannromanticism
Royal Circus, Thomas Rowlandson, 1 May 1809
prints in the metropolitan museum of artromanticism
Minette, Christian David Gebauer, 1821
prints by christian david gebauer in the statens museum for kunstetching
Hector, Christian David Gebauer, 1821
prints by christian david gebauer in the statens museum for kunstetching
Dahlfeldt, Christian David Gebauer, 1821
prints by christian david gebauer in the statens museum for kunstetching
Finder, Christian David Gebauer, 1821
prints by christian david gebauer in the statens museum for kunstetching
Blood on Thunder Fording the Red Sea, James Gillray, 1788
etchings in the yale center for british artjames gillray
Flori, Christian David Gebauer, 1821
prints by christian david gebauer in the statens museum for kunstetching
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy, James Gillray, 1798
etchings in the yale center for british artjames gillray
A Delitanti Performance of Midas at Turnbridge Wells, October 1792, Isaac Cruikshank
etchings in the yale center for british artisaac cruikshank
John Bull at His Studies. Attended by His Guardian Angell, James Gillray, 1799
etchings in the yale center for british artjames gillray
Blindmans-Buff - or - Too Many for John Bull, James Gillray, 1795
etchings in the yale center for british artjames gillray
The Popular Candidate Surrounded by his Friends, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
Hog Hunting: The Tired Pig, Samuel William Fores, circa 1840
aquatint prints in the yale center for british artsamuel william fores
Fox-Hunting [set of six]: 4. The Refreshment, Thomas Rowlandson, 1788
aquatint prints in the yale center for british artromanticism
The Bond Street Battalion - or the Hospital Staff from Holland!!, John Cawse, 1799
etchings in the yale center for british artjohn cawse
John Bull Ask'd at Saint Stephens, John Cawse, 1800
etchings in the yale center for british artjohn cawse
The Child and Champion of Jacobinism, New Christened, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
Billy's Fantoccini or John Bull over Curious, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
Swearing to the Cutting Monster or - A Scene in Bow Street, James Gillray, 1790
etchings in the yale center for british artjames gillray
The Complaint and The Consolation: or Night Thoughts, William Blake, circa 1797
engravings in the yale center for british artromanticism,fairy painting
The Freemen Triumphant or the Mare Foald or Here Folly, Isaac Cruikshank, possibly 1789
etchings in the yale center for british artisaac cruikshank
Sedition, Levelling and Plundering; (rest of title cut off), Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Treasury Spectre, or the Head of the Nation in a Queer Situation, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
The York Reverence; - or - City - Loyalty Amply Rewarded, James Gillray, 1791
etchings in the yale center for british artjames gillray
The National Assembly Petrified _________/The National Assembly Revivified, James Gillray, 1792
etchings in the yale center for british artjames gillray
Anticipation - Ways & Means - or - Buonaparte Really Taken!!, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
An Irish Request in a Storm, George Murgatroyd Woodward, 1802
etchings in the yale center for british artgeorge moutard woodward
Over Weight - or the Sinking Fund - or the Downfall of Faro, Richard Newton, 1797
etchings in the yale center for british artrichard newton
Northern Bears Taught to Dance, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
A set of four - Shooting: Plate II. Game found, Thomas Sutherland, 1823
aquatint prints in the yale center for british artthomas sutherland
A Right Honorable (sic) Alias a sans Culotte, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
St. George & The Dragon & Mad[emoise]lle Rippooting, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull, James Gillray, 1797
etchings in the yale center for british artjames gillray
This Plate representing the Opening of the St. Katharine Docks, on Saturday the 25th of October 1828, Edward Duncan, 1829
aquatint prints in the yale center for british artedward duncan
Louis XVI Taking Leave of His Wife and Family, James Gillray, 1793
etchings in the yale center for british artjames gillray
Hog Hunting: The Charge, Samuel William Fores, circa 1840
aquatint prints in the yale center for british artsamuel william fores
(The) This Irish Ambassadors Extraordinary a Gallante(e) Show, Thomas Rowlandson, 1789
etchings in the yale center for british artromanticism
A Witch, Upon a Mount's Edge - Vide: Fuzelli, James Gillray, 1791
etchings in the yale center for british artjames gillray
Shooting [a pair]: 1. Morning of the first of September, James Pollard, 1822
aquatint prints in the yale center for british artjames pollard
Fox Hunting: Leicestershire - The Death, Theodore Henry Adolphus Fielding, 1827
aquatint prints in the yale center for british arttheodore henry adolphus fielding
Arming in the Defence of the French Princes or the Parting of Hector and Andromache, Richard Newton, 1792
etchings in the yale center for british artrichard newton
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---, James Gillray, 1795
etchings in the yale center for british artjames gillray
Fox-Hunting [set of six]: 5. The Return, Thomas Rowlandson, 1788
aquatint prints in the yale center for british artromanticism
Louis Dethron'd; or Hell Broke Loose in Paris, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Half Seas Over, Alias the Hopes of the Family, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---, James Gillray, 1789
etchings in the yale center for british artjames gillray
John Bull Visited With the Blessings of Peace, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
Shooting [a pair]: 2. Evening of the First of September, James Pollard, 1822
aquatint prints in the yale center for british artjames pollard
Cooling the Brain - or - The Little Major, Shaving the Shaver, James Gillray, 1789
etchings in the yale center for british artjames gillray
View of the Worcester Race-Course and Grand Stand, George Hunt, 1823
aquatint prints in the yale center for british artgeorge hunt
The Libertine Reclaim'd or John Bull Bullied, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Close Shaveing, or The Will Our Own Way, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill, James Gillray, 1791
etchings in the yale center for british artjames gillray
The Doctor Administering His Gilded Pill, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
Prize Beef or Luxury in the Nineteenth Century, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was, George Hunt, 1823
aquatint prints in the yale center for british artgeorge hunt
The Triumph of Bacchus or a Consultation on the Additional Wine Duty!!!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
A Section of a Magnificent & Superb Water Closet ---, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
Ca Ira - or John Bull studying the Graces!!---, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Plan of Mud Island, off the Kingdom of Corsica, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
Fox Hunting: Leicestershire - The Meeting, Theodore Henry Adolphus Fielding, 1827
aquatint prints in the yale center for british arttheodore henry adolphus fielding
Hog Hunting: The Burst, Samuel William Fores, circa 1840
aquatint prints in the yale center for british artsamuel william fores
Specimens of Painting from St. Stephens Chapel, John Thomas Smith, 1804
aquatint prints in the yale center for british artjohn thomas smith (1766-1833)
Johnny in a Flatting Mill, George Murgatroyd Woodward, 1796
etchings in the yale center for british artgeorge moutard woodward
John Bull Bother'd; - or - The Geese Alarming the Capitol, James Gillray, 1792
aquatint prints in the yale center for british artjames gillray
Shooting [set of six]: 3. Grouse Shooting, James Pollard, 1822
aquatint prints in the yale center for british artjames pollard
French - Telegraph Making Signals in the Dark, James Gillray, 1795
aquatint prints in the yale center for british artjames gillray
A Flight Across the Herring Pool, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
The Great Lake near the Lodge, William Austin, 1772
engravings in the yale center for british artwilliam austin (caricaturist)
The Poet. The Sailor's Ballast, Isaac Robert Cruikshank, 1830
etchings in the yale center for british artisaac robert cruikshank
Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself, James Gillray, 1798
etchings in the yale center for british artjames gillray
The Last Litter, George Morland, 1803
mezzotint prints in the yale center for british artpaintings by george morland
A View of the Earl of Radnor's House at Twickenham, Anthony Walker
engravings in the yale center for british artanthony walker (artist)
The Hard Bargain, George Morland, 1803
mezzotint prints in the yale center for british artpaintings by george morland
[Shooting] Enamour'd Sportsman, John Raphael Smith, 1801
mezzotint prints in the yale center for british artjohn raphael smith
London Bridge from above Bridge, William Simpson, 1852
lithograph prints in the yale center for british artwilliam simpson
The Horse Feeder, George Morland, 1797
mezzotint prints in the yale center for british artpaintings by george morland
View from Nature, Thomas Vivares
etchings in the yale center for british artthomas vivares
View from Nature, Thomas Vivares
etchings in the yale center for british artthomas vivares
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