13,196 Free Images of Hand Colored

yale center for british artetchingetchings in the yale center for british artaquatint prints in the yale center for british artaquatintjames gillrayisaac cruikshankpaperprints by christian david gebauer in the statens museum for kunststatens museum for kunst
Veue de Mall dans St. James's Park, William Henry Toms, 1752
engravings in the yale center for british artwilliam henry toms
Tempo, Christian David Gebauer, 1821
prints by christian david gebauer in the statens museum for kunstetching
Berline, Christian David Gebauer, 1821
prints by christian david gebauer in the statens museum for kunstetching
Ceres, Christian David Gebauer, 1821
prints by christian david gebauer in the statens museum for kunstetching
Dr. Syntax and his Counterpart, Thomas Rowlandson, 1820
aquatint prints in the yale center for british artromanticism
Wekop, Christian David Gebauer, 1821
prints by christian david gebauer in the statens museum for kunstetching
Lady, Christian David Gebauer, 1821
prints by christian david gebauer in the statens museum for kunstetching
Fitting out. - Plate 1, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
Wasferman, Christian David Gebauer, 1821
prints by christian david gebauer in the statens museum for kunstetching
War!!! Commencement of Hostilities --Combined movement of the Allied Powers., John Doyle, 1831
lithograph prints in the yale center for british artjohn doyle
Robin Hood and Friar Tuck, with a Slight Alteration in the Dramatis Personae, John Doyle, 1834
lithograph prints in the yale center for british artjohn doyle
A Scene in the New Farce - as Performed at the Royalty Theatre!, George Cruikshank, 1821
etchings in the yale center for british artetchings by george cruikshank
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars, James Gillray, 1793
etchings in the yale center for british artjames gillray
St. Augustine's Gate, Canterbury, Valentine Green, 1779
aquatint prints in the yale center for british artvalentine green
The Thieves detected at Last, or - a Wonderful Discovery at Windsor Farm, Richard Newton, 1792
etchings in the yale center for british artrichard newton
The Royal Soldier in His Majesty's Service, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
The In's and the Outs of the Jesuits Treatment of his Friends, Richard Newton, 1797
etchings in the yale center for british artrichard newton
An Enquiry Concerning the Clock Tax, George Murgatroyd Woodward, 1797
etchings in the yale center for british artgeorge moutard woodward
The Prince of Peace Signing the Portugal Treaty, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
Hell in an Uproar: or an Express from the Committee, Isaac Cruikshank, circa 1790
etchings in the yale center for british artisaac cruikshank
Plate I: London from Greenwich Park, William Daniell, 1804
aquatint prints in the yale center for british artwilliam daniell
Shooting [set of six]: 2. Pheasant Shooting, James Pollard, 1822
aquatint prints in the yale center for british artjames pollard
Vacation Amusements: Pheasant Shooting (Number I), John Doyle, 1840
lithograph prints in the yale center for british artjohn doyle
The (Prince's) Nursery or Nine Months After, James Gillray, 1786
etchings in the yale center for british artjames gillray
The Coronation Procession of His Majesty King George the IV, July 19th 1821, George Johann Scharf
lithograph prints in the yale center for british artgeorge johann scharf
Shooting [set of six]: 1. Partridge Shooting, James Pollard, 1822
aquatint prints in the yale center for british artjames pollard
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes, James Gillray, 1782
etchings in the yale center for british artjames gillray
Osculant Toucan (Ramphastos osculans), John Gould
lithographs in the national gallery of art (washington, d.c.)lithographs of elizabeth gould
Royal Sport, Pit Ticket, William Hogarth, 1759
engravings in the yale center for british artrealism
A Visit to the Irish Pig!... With Reflections Physical & Moral, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
The Dutch in an Uproar or the Batavian Republic Crying for Winter, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
Two Durham Oxen, Charles Turner, 1828
mezzotint prints in the yale center for british artcharles turner (engraver)
Set of seven: [Military Discoveries], Henry Thomas Alken, 1819
aquatint prints in the yale center for british arthenry thomas alken
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat, James Gillray, 1796
etchings in the yale center for british artjames gillray
The Newbus Ox, William Ward, 1812
mezzotint prints in the yale center for british artworks by william ward (engraver)
A Lying-In Visit, or a Short-Sighted Mistake, Thomas Rowlandson, 1792
etchings in the yale center for british artromanticism
Shooting [set of six]: 6. Packing up, James Pollard, 1822
aquatint prints in the yale center for british artjames pollard
The Fall of Dagon - or Rare News for Leaden-Hall Street, James Gillray, 1784
etchings in the yale center for british artjames gillray
Miss, I Have a Monstrous Crow to Pluck with You!, James Gillray, 1794
etchings in the yale center for british artjames gillray
Miss Hibernia at John Bulls Family Dinner, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
A Panic on Both Side or Great Men in the Horrors, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery, James Gillray, 1791
etchings in the yale center for british artjames gillray
A set of four - Shooting: Plate I. Going out, Thomas Sutherland, 1823
aquatint prints in the yale center for british artthomas sutherland
Flying Breakfast, or the Contents of a Night Coach, Thomas Rowlandson, 1792
etchings in the yale center for british artromanticism
Retort Courteous or the Disloyal Address returned without Ceremony, Richard Newton, 1797
etchings in the yale center for british artrichard newton
Shooting [set of six]: 4. Wild Duck Shooting, James Pollard, 1825
aquatint prints in the yale center for british artjames pollard
Shooting [set of six]: 5. Snipe Shooting, James Pollard, 1825
aquatint prints in the yale center for british artjames pollard
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are, George Hunt, 1823
aquatint prints in the yale center for british artgeorge hunt
His Majesty's Visit to Scotland, William James Bennett, 1823
aquatint prints in the yale center for british artwilliam james bennett
A set of four - Shooting: Plate IV. Refreshing, Thomas Sutherland, 1823
aquatint prints in the yale center for british artthomas sutherland
John Bull Humbugg'd alias Both-ear'd, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
The Damnation of Obadiah, Henry Bunbury, between 1773 and 1817
etchings in the yale center for british arthenry william bunbury
The Doctor Indulged with his Favorite Scene ---, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
English Patriots Bowing at the Shrine of Despotism, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
Shepherd's Meal, John Raphael Smith, 1803
mezzotint prints in the yale center for british artjohn raphael smith
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---, James Gillray, 1789
etchings in the yale center for british artjames gillray
The April Fool Consigned to Infamy and Ridicule, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---, James Gillray, 1789
etchings in the yale center for british artjames gillray
A Saviour of the Nation between Two Thieves, Richard Newton, circa 1797
etchings in the yale center for british artrichard newton
A New Bravura with a Duett Affettuoso, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
A View of Erith, Looking Up the Thames, John Boydell, 1750
etchings in the yale center for british artjohn boydell
Coaching: The Cambridge Telegraph, Starting from the White Horse, George Hunt, 1831
aquatint prints in the yale center for british artgeorge hunt
Gen'l Swallow Destroying the French Army, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
The Gilpin Whigs Return to Rochester without their Candidate, Isaac Cruikshank, circa 1790
etchings in the yale center for british artisaac cruikshank
The Siege of Namur, Henry Bunbury, between 1773 and 1817
etchings in the yale center for british arthenry william bunbury
Set of seven: [Military Discoveries], Henry Thomas Alken, 1819
aquatint prints in the yale center for british arthenry thomas alken
The Throne in Danger, William Heath, circa 1828
etchings in the yale center for british artwilliam heath (artist)
Portrait of Christian VII of Denmark (1749-1808), Jens Juel
portrait paintings by jens juel (danish royalty)male portrait paintings by jens juel
The Catholic College of Stonyhurst Lancashire, Samuel Middiman, circa 1830
engravings in the yale center for british artsamuel middiman
Taking Physick; - or - The News of Shooting the King of Sweden!, James Gillray, 1792
etchings in the yale center for british artjames gillray
Ah, Grant A Me Von Letel Bite, James Gillray, 1780
etchings in the yale center for british artjames gillray
How to Avoid the Horse Duty, John Colley Nixon, 1791
etchings in the yale center for british artjohn nixon
A Meeting of Monopolizers, or the Good Effect of Peace, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
The Illustrious Lover of the D. of Cumberland Done Over, Isaac Cruikshank, 1801
etchings in the yale center for british artisaac cruikshank
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris, James Gillray, 1796
etchings in the yale center for british artjames gillray
A Dash Up St. James's Street, James Gillray, 1797
etchings in the yale center for british artjames gillray
Petition Mongers in Full Cry to St. Stephens beware of Wolves in Sheeps Clo(a)thing, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Launch of the 'Edinburgh', Blackwall, Nov. 9, 1825, Edward Duncan
aquatint prints in the yale center for british artedward duncan
Set of seven: [Military Discoveries], Henry Thomas Alken, 1819
aquatint prints in the yale center for british arthenry thomas alken
Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be, George Hunt, 1823
aquatint prints in the yale center for british artgeorge hunt
A Clerical Rebuke & Parochial Reply, George Murgatroyd Woodward, 1794
etchings in the yale center for british artgeorge moutard woodward
Set of seven: [Military Discoveries], Henry Thomas Alken, 1819
aquatint prints in the yale center for british arthenry thomas alken
Set of seven: [Military Discoveries], Henry Thomas Alken, 1819
aquatint prints in the yale center for british arthenry thomas alken
Drawing for Twelfth-Cake at St. Annes Hill!!, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
Coaching: North-Country Mails at the Peacock, Islington, Thomas Sutherland, 1823
aquatint prints in the yale center for british artthomas sutherland
Menage as Champanzee in Perouse, John Colley Nixon, 1801
aquatint prints in the yale center for british artjohn nixon
The Minister's Ass - Vide Gazetteer - November 11, Thomas Rowlandson, 1784
etchings in the yale center for british artromanticism
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch, James Gillray, 1783
etchings in the yale center for british artjames gillray
A Visit to the Grandfather, How Do Grand Pa?, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Medical Intelligence - Extraordinary - A Coronation in Pall Mall, Thomas Rowlandson, 1789
etchings in the yale center for british artromanticism
A Coalition of Parties, Give Justice Her Claims, James Gillray, 1783
etchings in the yale center for british artjames gillray
Doctor Sangrado Relieving John Bull of the Yellow Fever, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The High German Method of Destroying Vermin at Rat-Stadt, James Gillray, 1799
etchings in the yale center for british artjames gillray
Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is, George Hunt, 1823
aquatint prints in the yale center for british artgeorge hunt
The Present State of Liliput or No Tax on Blindmens Dogs, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
Mason, The Duke's Confectioner Disposing of the Trinkets, James Gillray, 1789
aquatint prints in the yale center for british artjames gillray
Marybone Manor House in the Time of Queen Elizabeth, John Thomas Smith, 1807
aquatint prints in the yale center for british artjohn thomas smith (1766-1833)
A Peep Into Saldanha Bay, or Dutch Perfidy Rewarded, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
Give a Dog an Ill Name, They'll Hang Him, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
Hint to Modern Sculptors, as an Ornament to a Future Square ---, James Gillray, 1796
etchings in the yale center for british artjames gillray
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