23 Royalty-Free Audio Tracks for "1875,"

Pasquale Amato's 1911 rendition of the "Toreador Song" from Georges Bizet's 1875 opera Carmen (1875) This is Victor Matrix C-11213-1, recorded in Camden, New Jersey, on 11 September 1911, and released on a variety of labels

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Eduard Mörike (1804-1875) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Um Mitternacht Music genre: Tone poem

Toreador Song from Carmen (1875) by Bizet

Šárka, the second from Bedřich Smetana's set of six symphonic poems Má vlast

The first 4 bars of Menuet sur le nom d'Haydn (1909), by Maurice Ravel (1875-1937). B♮ A D D G = H A Y D N.

Midi of the melody of the German children's song "Alle meine Entchen". Author of the melody is unknown but the melody was already used by Smetana 1875, so the composer is surely dead for longer than 70 years.

Choro polka "Cruzes, Minha Prima!", composed by Joaquim Antônio da Silva Callado in 1875[1]. Recorded in 1913 by Agenor Bens (Flute) and Arthur Camilo (Piano) Português: Choro polca "Cruzes, Minha Prima!", composta por Joaquim Antônio da Silva Callado. Gravada em 1913 por Agenor Bens (Flauta) e Arthur Camilo (Piano) 1: Choro-Polka: Cruzes, Minha Prima!, komponiert 1875 von Joaquim Calado, Aufnahme 1913 von Agenor Bens (Flöte) und Arthur Camilo (Klavier).

Quartal harmony in "Laideronnette" from Ravel's Ma mère l'oye. The top line uses the pentatonic scale. Created by Hyacinth (talk) 00:55, 11 November 2011 using Sibelius 5. Illustration of quartal harmony in "Laideronnette" from Maurice Ravel's (1875–1937) Ma Mère l'Oye (1910).

An orchestral arrangement of the "Toreador Song" from Georges Bizet's 1875 opera Carmen, played by the Damrosch Orchestra in 1903. The refrain of the "Toreador Song" begins at about 1:07, and is preceded by other music from Carmen.

Created by Hyacinth (talk) 18:38, 11 December 2011 (UTC) using Sibelius. Pentatonic scale used in Ravel's (1875–1937) Ma mère l'oye (1910) III. Laideronnette, impératrice des pagodes. Source: Benward & Saker (2003). Music: In Theory and Practice, Vol. I, p.37. Seventh Edition. ISBN 978-0-07-294262-0.

How can they tell that I'm Irish? performed by Edward M. Favor (1856-1936). Edison Standard Record #10345 from 1910 Comic song. Vocal solo with orchestra accompaniment. Composed by Clarence Wainwright Murphy (1875-1913)

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Johann Wolfgang von Goethe (1749-1832) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Grenzen der Menschheit (Part 2) Music genre: Tone poem

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Johann Wolfgang von Goethe (1749-1832) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Grenzen der Menschheit (Part 1) Music genre: Tone poem

Performer: Enrico Caruso (1873-1921) Voice: Tenor Title/Work: Scordame (Forget Me) Content: Tenor vocal solo, with orchestra Genre: Vocal music Composer: Salvatore Fucito (1875-1929) Recording date: Camden, 11 September 1919 Release date: 1917

1st release date: 1933 1st recording date: 19 November 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer: Alexandra Trianti (soprano) (1901-1977), Coenraad V. Bos (pianoforte) (1875-1955) Work: (a) Die Spröde - (b) Die Bekehrte Genre: Tone poem

Label: His Master's Voice Cat. no.: DB 2706 Order number: 2RA 858 Matrix/StamperID: 2RA858 -I- 1st release date: 1936 1st recording date: 4 November 1935 Place of recording: unknown Author(s)/Composer(s): Hugo Wolf (1860-1903) Lyricist(s): Eduard Mörike (1804-1875) Performer(s): Herbert Jansen, Baritone (1892-1965) and Michael Raucheisen, Pianoforte (1869-1984) Vocal range: Baritone solo with pianoforte accompaniment Title/Work: Vergangenheit Content: The Hugo Wolf Society Vol. 6 Genre(s): Tone poem Comments: RCM and ELP

1st release date: 1933 1st recording date: 19 November 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer: Alexandra Trianti (soprano) (1901-1977), Coenraad V. Bos (pianoforte) (1875-1955) Work: (a) Blumengruss - (b) Gleich und gleich - (c) Frühling übers Jahr Genre: Tone poem

1st recording date: 1935? 1st release date: 1936? Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Alles endet, was entstehet

1st recording date: 1935? 1st release date: 1936? Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Wohl denk' ich oft (Wohl denk ich oft an mein vergangnes Leben)

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Fühlt meine Seele (Fühlt meine Seele das ersehnte Licht) Music genre: Tone poem

1st release date: 1936 1st recording date: 26 April 1935 Composer: Georges Bizet (1838-1875) Lyricists: Henri Meilhac (1831-1897) and Ludovic Halévy (1834-1908) Conductor: Franco Ghione (1886-1964) Performer: Beniamino Gigli (Tenor) (1890-1957) and Members of La Scala Orchestra, Milan Work: Carmen (Act 2) Content: Il fior che avevi a me tu dato (See here, thy flow' ret) Music genre: Opera terminology

NOTE: Edited version (noise reduced, volume boosted), original is at File:PDP-CH_-_Opéra_Comique_-_Élie_Cohen_-_Joseph_Rogatechwsky_-_Romance_de_Nadir_-_Les_pêcheurs_de_perles_-_Bizet_-_Cormon_-_Carré_-_Columbia-12527-lx90.flac. 1st release date: 1929 1st recording date: 1928 Place of recording: unknown Author(s)/Composer(s): Georges Bizet (1838-1875) Lyricist(s): Eugène Cormon (1810-1903) and Michel Carré (1821-1872) Music arranger(s): none Conductor: Élie Cohen (unknown birth/death date) Performer(s): Joseph Rogatechwsky (1891-1985) de l'Opéra Comique Vocal range: tenor with orchestra accompaniment Title/Work: Les pêcheurs de perles (The Pearl Fishers) (opera) Content: Romance de Nadir Synonym: This is a "Je crois entendre" encore[1] Genre(s): Opera terminology

1st release date: 1932 1st recording date: 18 May 1931 Place of recording: Teatro alla Scala, Milan (Italy) Author(s)/Composer(s): Georges Bizet (1838-1875) Lyricist(s): Henri Meilhac (1831-1897) and Ludovic Halévy (1834-1908) Music arranger(s): none Conductor: Carlo Sabajno (1874-1938) Performer(s): Gabriella Besanzoni (1888-1962), mezzo-soprano, Enrico Spada (1885-?), basso, Nerina Ferrari (1907-?), soprano, Tamara Beltacchi (1898-?), mezzo-soprano and members of the La Scala Theatre Orchestra and Chorus Vocal range: Bass, Mezzo-Soprano, Soprano, choir and orchestra accompaniment Title/Work: Carmen (opera) Content: Part 15: Act 2: Or ben, Pastià desia (Senor Pastia declares) Genre(s): Opera terminology