3,612 Royalty-Free Audio Tracks for "3"

Sveriges Radios folkmusikinspelningar. Edseleresan 1963 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 63/M/6339:3:1

Sveriges Radios folkmusikinspelningar. Medelpadsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: M 57/64 Sv:3:4

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:18:3

Up High performed by the Concert Band of the United States Air Force Band. Track 30 from Heritage to Horizons (2007).[1] Previously published as track 6 from Such Brave Defenders (2006).[2][3][4]

Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:8:3

Sveriges Radios folkmusikinspelningar. Smålandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:3:8

Sveriges Radios folkmusikinspelningar. Dalslandsresan 1957 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:52:3

Sveriges Radios folkmusikinspelningar. Finlandsresan 1959 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:32:3

Höre mit Sinn was ich dir sage de l'opéra de Richard Wagner Götterdämmerung (Le Crépuscule des Dieux) interprété en 1929 par Ernestine Schumann-Heink (1861–1936)

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:21:3 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 261

Sveriges Radios folkmusikinspelningar. Smålandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:3:1

Sveriges Radios folkmusikinspelningar. Smålandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:10:3

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:17:3

Coastline State of Mind performed by the Silver Wings of the United States Air Force Band. Track 7 from Freedom! (2000). Colonel Lowell E. Graham, conducting. Chief Master Sergeant James K. Queen, management.[1][2][3]

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:23:3 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 328

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:37:3

Sveriges Radios folkmusikinspelningar. Jämtlandsresan 1951 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Radiotjänsts ursprungliga produktionsnummer: B 51/19920:20:3

Sveriges Radios folkmusikinspelningar. Gotlandsresan 1956 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 56/10126:6:3

Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:10:3

Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:3:4

I used a recording app on my samsung galaxy 3 phone to capture a caged parrot talking to itself, outside of a local restaurant. Unfortunately there was also a couple talking - but the parrot is loud and distinctive. A little wind noise. Cleaned up in audacity. And i have no idea what the parrot was saying!.

I recorded this for a short film i was working on and decided it sounded too good to keep it to myself. The mirror was broken with a kick but it can sound like it was broken by anything. It can also pass as a window breaking. Thank you for using my sounds! :3.

3 chain connected looping envelopes slowly finding a rhythm. At the start of the recording i set the tree envelopes at random loop length. Slowly they work their way to a more simple rhythm. Why? at about 2 minutes the rhythm is rather short phrase.

Lofi radio sound recorded with 3 eur cheap radio unit. Recorded with tascam dr-22wl. ---in case you use any of my sounds, i will be happy to be informed, although it is not necessary. Recorded in 2018.

Engine control unit ecu utv atv super fraser lens iso synchronous railway battery jitter rack shelf trail path channel wavelength carrier unit root 2 power 3 effort efficiency rheology paradigm.

Engine control unit ecu utv atv super fraser lens iso synchronous railway battery jitter rack shelf trail path channel wavelength carrier unit root 2 power 3 effort efficiency rheology paradigm.

Engine control unit ecu utv atv super fraser lens iso synchronous railway battery jitter rack shelf trail path channel wavelength carrier unit root 2 power 3 effort efficiency rheology paradigm.

Engine control unit ecu utv atv super fraser lens iso synchronous railway battery jitter rack shelf trail path channel wavelength carrier unit root 2 power 3 effort efficiency rheology paradigm.

This was my first recording using my snowball blue microphone. This is my cat tabby purring. I split the audio files apart. So i'll get several small files for a single recording. So my descriptions might be repeated sometimes. Rough ratingssound quality: 3 volume: 2recorded at 01/03/2020 18:53:29.

Create dĩa bay sound from derjuli’s «circular-saw" sound. Audacity:. - cut from 3. 561s to 4. 818s. - copy. - create→add new→stereo track. - paste in new track. - effect→change speedspeed multiplier: 1. 8. - copy and paste again after. - effect→reverse (only reverse copy after). - select all. - effect→repeatnumber of repeats to add: 10.

Holy crinkle caps! i finally finished this! a complete narration of 3 oc's of mine, hard worker izzy, insane izzy and artsy izzy! this is not complete, complete! it still needs music. And which i will do at some point in time! and will upload on my youtube channel! stay tuned for more. . . Maybe. . .

The text of john 3:16 in the js8 amateur radio digital mode recorded from a cassette tape. Here is the decoded text. :for god so loved the world in this way; he gave his one and only son, so that everyone who believes in him will not perish but have eternal life. {5}.

This recording is an organization of various loops created using modbox. The original modbox project can be accessed and freely edited here:. Https://moddedbeepbox. Github. Io/3. 0/#6n41z0s6u1. (visible link has been shortened for ease of use, click the link to access the project).

Recorded at jefferson square park. Recorded around 9am on 1/30/2018. Recorded with a sound devices mixpre-3 with two rode nt5's in a x-y setup.

Incredibly clear quality of a dvd case opening and closing, i used audacity to remove some of my camera's noise and the result honestly blew me away. At around 3 seconds in i say "again", to clarify that i was opening and closing it one more time, edit where needed.

Dubstep beat programmed with caustic 3 and mixed with ableton. 4 bars at 150 bpm big kick with snappy snare. Reverse snare and reverse spacey crash for extra effect. Busy hi hat pattern. Some gentle eq and mix compression and reverb and slight delay on hats and reverse effects. Ready to go.

This sound has been created by modifying a voice record of about 3 minutes non-sense talk. Afterwards transformed and modified by many various effects in audacity. Sounds like an alien transmission or digital matrix, transformation kinda thingy. . Feel free to use as you like under public domain.

Created using lmms ( linux multimedia studio ). Here i have used zynaddsubfx for the hoover type sound and 3 instances of glitch2 vst on the drum loop that i created. There is some compression, stereo widening and side-chaining used also.

I needed the sound of some keys that were put on a table. So i did the recording myself with a simple headset-mic. It's a very simple recording, hope you can work with it. The putting down was done in 3 different manners from quick to slow and picking them up again.

This sound is a recorded sound from a hammer tapping the metal, i modified it using some effects :1-normalize2-change the pitch ( from a#/bb to c)3-change the tempo with percentage=-90. 000. The final sound gives an impression of something that slips over the barriers.

There is a little bit of wind sound made by the mass of water falling into the shower tub. At the end of the track you can hear me putting away the shower curtain. Recorded with olympus ls-3 two stereo microphones, one bass (middle) microphone. 96hz, 24bit.

At least 2 or 3 local species of native frogs in my neighbours pond. Recorded on a sony pd170 camcorder using a pair of sennheiser mkh-416 shotgun condenser microphones in a crossed stereo configuration. About 6 mtrs from the pond. Time was 10:15pm, december 2007 (keep an ear out for the old ford truck passing).

This was made with kontact and a korg ea-1, mixed with a behringer mixer with light dirt and overdrive. Sampled into an mpc. Left and right are separate channels processed differently. So each sample is actually 2 different sample, 3 if you combine them. 44. 1k, 16-bit.

Sample i made in ableton. It was going to be a song, but i erased the files so it sits as is. I don't need any props, but if you use it, i'd love to see what you used it for! :3. -dj pembroke.

I used ableton's:. - grain delay (spray: 80ms, frequ: 43 hz, rndpitch: 3. 19, fdb: 65, wet: 70%)- compressor with very slow release as kind of an amp-follower- carefully adjusted gate with 111ms release- very short simpledelay- overdrive- short reverb. Original sample:http://www. Freesound. Org/people/kyster/sounds/147082/.

Recorded in the kitchen, filtred in ableton live 9. I used gate, eq, compressor (3 times), reverb, erosion and chorus. As i think, it'll be cool to use with another snare sound. The recording made on iphone 5s. Let me know if you'd like me to upload an original file without any filters.

Recording i did mercat shopping center in kirkcaldy, scotland. The whole record is going from one end of the market to the other. I made the recording at around 3. 30pm. On the recording you can hear conversations, children, room ambience, etc. I recorded zoom h5 handy recorder. Welcome :).

A day at work, mixing and pouring concrete. I sliced it all up just for u <3. 140 one hitters including bonks, scrapes, crunchies and more10 textures, loopables and regular field recordings. Enjoy!creditsreleased march 1, 2022. All noises recorded by jaeki. Free to use in any wayno credits necessary.

An ak-47 being cocked. Includes 3 takes. This sound was made (surprisingly!) by mixing multiple different takes of an airsoft ak replica i own. Crediting me isn't required if you decide to use my sound, but it would be greatly appreciated if you do!.

Sveriges Radios folkmusikinspelningar. Gästriklandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10701:3:1