525 Royalty-Free Audio Tracks for "80s"

Accidentally dropped my glasses in the middle of recording. Tascam dr-05x placed above doorway in narrow hallway, gain set at 80, distance of impact from recorder is about 8 feet.

Approaching at 80-100 km/h (50-60 mph). Recorded at a quiet forest in january. Ortf wide stereo field. Recorder: tascam dr-60d mkiimicrophone: 2x sennheiser me64.

Light rain, wind gusts to 80 kph, occasional howling. Recorded on a marantz pmd 661 at braddons lookout from the back of a station wagon, 10 july 2019, 10:02 pm, with a rode nt4 inside a rode blimp.

This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 80 bpm. Subscribe my youtube channel :-)for new sampleshttps://www. Youtube. Com/channel/ucdczpiqtmozpywfzhuhuwsafacebook. Https://www. Facebook. Com/simplesamplesweb.

This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 80 bpm. Subscribe my youtube channel :-)for new sampleshttps://www. Youtube. Com/channel/ucdczpiqtmozpywfzhuhuwsafacebook. Https://www. Facebook. Com/simplesamplesweb.

Heavy effects sorta space type of intro then changes into a arena rock 80’s style of riff then some single notes to let the effects ring out (with a hint of slop).

Clear recording from a conference hall where a meal was being served to a crowd of about 80 people. Jumbled voices, the tink of plates and utensils. No kitchen noises and the room is carpeted, so much clearer than a regular restaurant situation.

A piece of melody stuck in my head as i heard it not remember where, kind of 80's space or zodiac band's music.

*1 step in 15 equal temperament on C = C↑ (Easley Blackwood's notation). Equal-tempered: 21/15:1 = 80 cents. MIDI pitch bend: 76,57

In friend’s garden at the evening (20h30). Theneuille (center of france) , 2016/8/15, recorded with a zoom h5, countryside mood with thunders far away , high pass at 80 hz. We can ear the clipping microphones on the first stroke.

Single note sampled from a deckard's dream diy analogue synthesizer that i built myself. Deckard's dream (ddrm) is an 8-voice analogue synthesizer designed by black corporation and inspired in the classic yamaha cs-80. The ddrm (and cs-80) is all about live performance and expressiveness via aftertouch and modulations. Therefore, sampling the notes like i did here does not make much sense and by no means makes justice to the real thing. Nevertheless, i thought it could still be useful and would be nice to share. Synthesizer: deckard's dream (ddrm)factory preset #: 14note: c-1midi note: 0midi velocity: 16.

John Philip Sousa's "Wisconsin Forward Forever" (1917) as performed by the United States Marine Band. Track 80 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

A simple synth theme i made using arpeggio effect. Could be used in a 80's setting. [cc zero] it would be nice if you credit me, but it is not necessary for this sound. Enjoy!.

A few years ago, while experimenting with the newly release "gross beat" effect plugin, i stumbled over a possible way the "transform" up and "transform" down sounds were designed/made in the mid 80's --the chief mechanic is i believe a "spin" down with a turntable for starters. . . Here is "up".

Free soundtrack/ambient for using with various type of movies. The tone is almost grainy with influence of 70-80 progressive music. Enjoy, please give the credit if you use it for commercial. Soundcloud---> @https://soundcloud. Com/horseysoundyoutube----> @https://www. Youtube. Com/channel/ucgmwjsdhnywg3kox3ywdiea.

This is the arrival chime for an elevator in japan. I believe it is very similar if not identical to one of the sound effects from the uk tv series "the prisoner". Recorded on sony ux-80. Built-in stereo mics. 192kbps mp3. Amplified. Leading and trailing silence forced. Audacity.

Qrm listened in am mode on 80 m band in my qth jn79ek. If i use cw mode listening and narrow filter, the qrm is mostly worse. Strength: peaks s9+40 db. Sometimes any traffic impossible. From -41st sec. Of record is possible to heard my tuning around frequency.

John Philip Sousa's "Wisconsin Forward Forever" (1917) as performed by the United States Marine Band. Track 80 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

Piece of backing vocals from my new song, dropping on soundcloud soon. Key of bm, 80 bpm. Notes are b,a, a, f#.

Synthesis resulting from the transformation process performed with the harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools) on the male speech sound http://freesound. Org/people/islijepcevic/sounds/329042/. The parameters used in the analysis are:window="hamming", m=1501, n=4096, t=-80, minsinedur=0. 1, nh=200, minf0=80, maxf0=200, f0et=7, hamrdevslope=0. 01, stocf=0. 4freqscaling = [0,1. 3,0. 82,1. 3,0. 825,1. 158,0. 99,1. 158,1. 0,1. 38,1. 1,1. 38,1. 12,1. 7,1. 2,1. 7,1. 21,1. 4592,1. 278,1. 73,1. 28,1. 5,1. 45,1. 8,1. 7,1. 8]freqstretching=[0,1,1,1]timescaling=[0,0,0. 6,0. 001,0. 67,0. 071,0. 83,2. 071,1. 0,2. 4043,1. 12,2. 7377,1. 2,4. 7377,1. 28,5. 4043,1. 45,8. 071,1. 7,8. 2]timbrepreservation=1.

I used audacity to synthesize the five-tone chime made by the montreal metro's jeumont train element 41. Backstory: the train itself was an mr-63 type train modified by canron circa 1971, adding a current chopper to the train's started system. The chopper produced an 'idle' tone at around 45 hz, and as the train departed, five tones at frequencies of 90, 120, 180, 240, and 360 hz. Originally there were 3 'elements' (a set of 2 motor cars and 1 trailer car) with the jeumont-schneider current chopper (element 40, made up of cars 81-579, 80-040, and 81-580; element 41, made up of cars 81-581, 80-041, and 81-582; and element 42, made up of cars 81-583, 80-042, and 81-584). During the early 2000s refurbishments, element 40 was retired from service to provide spare parts for the other elements, which were then connected with elements of 'normal' mr-63 trains. Only the 81-579 car remains from element 40. Element 41 and element 42 were then retired in 2018 when the other mr-63 trains were retired.

A recording i made literally on my front porch in january as a big mass of cold air was arriving with gusty winds. This wren was just chattering away. Made with zoom h4-n using its internal microphones, with the record volumeset on 80.

I just hooked up an 80's radio to my pc via the aux cord and recorded this horrifying thing whilst searching for a radio station on the d frequency. You can use it anywhere, just ask me before and/or mention the source. Or not.

This is a old school country sounding bass line i played and looped at 80 bpm! if you wish to credit me then credit me as blaink saint but that is completely optional. Shoot me a dm of what you made of it im super interested in knowing where my sounds end up.

Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:18:2 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 80

The sound of me attaching and deattaching two of my lenses to my pentax k-x which are the 18-55mm kit lens first and then my 80-200mm sears lens next. It was i believe five times for each lens. Recorded with the audio technica atr 6550.

Hapi drum improvisational duet with debby and gordon rosenberg, featuring hapi mini c major and hapi origin d minor. Recorded as is, no editing, 2 hapi drums, one zoom nh4 recorder, one session. Recorder set 3 feet away, at front center, recording level 80. Recorded on march 11, 2016, indoors in our studio.

Download and loop. Boom break at 128 bpm 44khz 16bit wav produced in fruity loops using freesound samples and on board generators with customized effects. Freesounds used:. 131770 - bertroff - sub kick169788 - bliss - snaps173164 - bliss - kicks173163 - bliss - snares. All ran through effect chamber, amplitube classic 80's reverb.

A pure recording of an early morning rainshower in the deep woods. Recorded on august 6th, 2013 at 6:30 in the morning. You will hear some birds singing as well -- despite the shower. Recording made with the zoom h4n recorder using the internal built-in microphones with the volume level at 80. You will note the gradual increase in rain intensity as the recording progresses. . .

Nintendo song short 19. Wrote/recorded a short 8-bit ninetendo game-like tune at 80-bpm using ableton live 9. Midi notes are played thru the stock plugins: nylon concerto guitar + 12-bit fidelity. Want something more customized? send me a note or visit my youtube/bainmackhope this helps and is useful for your next project. Cheers,bainmack.

Striking a wooden barrel with a thick wooden drum stick i have for large percussion. Minimal eq to remove useless frequencies below 80 hz, no boosting more than 2db, so very non destructive. No compression added. No permissions needed but i'd love to hear what you used it in!.

Two sustained voice samples i subsequently pitch shifted and layered for an ambient work (to achieve an 80's choir pad effect). The key is almost in middle c, but slightly off. . . Because i can't sing. The second, lower voice sample was recorded extremely close to the mic to achieve clipping; i wanted to get a buzzy, boomy sound out of it.

An example of a string sound synthesized using the karplus strong algorithm:https://en. Wikipedia. Org/wiki/karplus%e2%80%93strong_string_synthesis. Random noise is cycled at 325hz, and fed back into itself, with a simple filter to average two adjacent samples. Sound generated using the go-sound golang programming library:https://github. Com/padster/go-sound. As part of the demonstration program:https://github. Com/padster/go-sound/blob/master/runthrough. Go.

This carolina wren was braving a very cold, gusting cold front in early january. Recording made in a small midwestern town using my zoom h4-n recorder and its own internal microphones set at a record volume of 80. **note that since there were some strong north winds, you will hear the wind/roar in the background, but this wren just seemed oblivious to it. .

This second sound is a recorded sound of two plastic bottles, i modified it using some effects :. 1-normalize2-phaser effect with-phases = 24-original/modified = 195-frequency = 1. 0 hz-start phase = 0-depth = 100-return = -80%3-change the speed with percentage = -43. 000. The final sound gives an impression that we are hearing the hands of a clock. .

This is a crusty old tape i found. Field recordings possibly made maybe in the 70's or 80's. The end of the tape is weird i think he recorded a dog panting or maybe its a cat purring but has slowed it down. It sounds cool and i always wanted to use it for something but never quite managed to make it fit.

This is a noise i made myself with my mouth and an h4n and slowing it down to 80%. I was looking for the sound of a sheep eating, and believe it or not, i did manage to find one here. Damn, i love this place--you guys are the best!! still, it wasn't quite as graphic (or over the top) as i needed so i made this one. Enjoy.

A recording of the interior new electric trains running in side of tallinn, the capital of estonia. It includes a very cute voiced lady doing the automated buss announcements, as well as the beeping of the door while it opens and closes. The trains speed is around 50 to 80 km/h as it was driving in side a city.

For this sound, i generated a sine wave at a frequency of 440 hz, an amplitude of 0. 80 and a duration of 1 second. I choosed the following effects:1- tremolo2- repeat (x2)3- fade in (half of the sounds)4- fade out (the other half of the sounds)5 -studio fade out6- cut a part7- repeat8- cut to have the song 3 times. After all this effects, the sound is like an alarm.

A wonderful typical mid-summer soundscape of cicadas, and some katydids recorded on the edge of a small town in illinois. Towards the end of the recording you will hear a very cool doppler-effect as the truck passes from right to left. Recorded about 8:00 at night with my zoom h4-n recorder using it's internal microphones. I had the volume level set fairly high -- 80 -- so you will probably also hear the constant hum of the various central air conditioning units. .

Residual output sound obtained by analysis and synthesis of sound speech-female. Wav (http://freesound. Org/people/xserra/sounds/317745/) with harmonic plus residual model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 2019, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 1, maximum number of harmonics = 100, minimum fundamental frequency = 80, maximum fundamental frequency = 300, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01.

A recording made in mid june of 2017 near the ohio river from the bank of rosiclare illinois. The main sound is an angry killdeer that was constantly fussing at me for being too close to her nest. You'll also hear a johnboat plowing through the river, the wind through the leaves of a huge sycamore tree and various children, low in the distance, playing on a playground on this perfect 80 degree summer day. Equipment: marantz pmd661 recorder with the audiotechnica bp4025 stereo microphone, yes, a true stereo recording. Enjoy.

Recorded with the mic on the rear bumper of a 1974 mgb sportscar. Start, drive off, up through gears, steady state, and shut-off. Very throaty period correct exhaust note appropriate for british sports cars from the 30's through 80's. Recorded outside of car so would work best for driving follow shots, drive by's, or car entering/leaving a scene. Think of a fighter pilot driving up in his mg car to the airfield in battle of britain; yeah, that kind of scene!.

A recording of strong north winds gusting through a neighborhood. You'll hear leaves ratttling, the flapping of a big tarp, dogs in the background far away, and, one of my favorites, wind chimes. The jingling wind chimes really get going towards the end of the recording. Occassionally a loud car drives by. I sat my handy zoom h4n recorder on my front porch for this one and used the internal microphones with record volume at 80. .

Free to use without restricition. No attribution required. 50 seconds of ghostly wails over a dark sub bass drone with wide stereo reverb. Produced by using two old school analog synths, a cs-80 and a dx7. All chorus, phaser and reverb settings were manipulated within the synths. An external hi-pass eq plugin was added in order to cut off the subs at 30hz. These old analog synths produce frequencies way below the tolerance of your monitors; thus the need for a bass cutoff, not to mention to also prevent involuntary bowel leakage xd.

A sound of an umbrella handle expanding and retracting, making clicking sounds. Great for foley and sound design. Recorded with a tascam tm-80 in a non sound proofed room, without an anti-pop filter. The umbrella was fairly close from the mic during recording. The post-processing was minor, just an eq to cut out some of the superfluous low frequencies. You can mention me if you like to, or give a link to the project containing this sound, but that's totally up to you.

Great horned owl duet at canaveral seashorerecorded during the night in the woods close to leeper house. Ms setup schoeps ccm41+ccm8in a cinela pianissimo suspension/windscreenon a sound devices mixpre6original recording in wave 96khz 24bitdone during a residency at aca soundscape fieldstation at canaveral national seashore in december 2021same sound on soundcloud https://soundcloud. Com/felixblume/greathornedowl. Gps: 28. 9035710, -80. 8172030sound ref : fl-211203-013.

For this jazzyloop i used. Drumbot. Compiano chordsrandom progressionminor, 4 chords, 80 bpm, oo_odm, cm, c#6, f#9had to record straight to audacity. No export function. Drumbotcountry & folksmothness made a 4 bar drum sequence and exported as wav. This site (drumbot. Com) had no "bass function". . . Quick search led me to onlinesequencer. Nethere i made a bass line to the chords in 80bpm. Here you can only export to mid. . . Once again i had to record straight to audacity. Result this loop. No processing in audacity.

80's crack. Some of the most recognizable blip bleeps and blurps ever to reach human ears, all made rythmatical by the amazing paul slocum's synthcart! find more info on this crazy atari synth @ www. Qotile. Neti've got the synth, so if you've got a bpm in mind let me know and i can get it up to the speed you need it, or maybe closer to the sounds you are looking for. I will be adding more soon. (basslines, samples, cuts, etc. ).

Drum loop 80 bpm from original drum kit i created for upcoming official sample pack release! cc0 no need to attribute. Have fun and be creative!. Check out these free midi jazz/lofi chord progressions on my patreonhttps://www. Patreon. Com/posts/lofi-jazz-chill-65320780?utm_medium=clipboard_copy&utm_source=copy_to_clipboard&utm_campaign=postshare. Download a ton of free sample packs from my website via google drivehttps://holizna. Com/.