Something made in waveform, originally me saying "hello" edited so heavily that i found it sorta catchy, (all traces of "hello" have been lost) so there you go.
Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.
Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.
A repetitive beat created by scratching into the lock groove of a vinyl record and recorded. Sounds further filtered and modified in ableton. Made for a demonstration at loyola high school for a music appreciation course.
Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.
Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.
This sound was made only with audacity effects. I used 2 risset drum effects, followed by a sinusoidal sound at 220 hz with a fade in, and finally one 10ms beat of a click track with a reverberation effect.
Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.
Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.
Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.
Using a wet rubber sandal to produce a range of different rubber squeaks. Intended for foley but possibly useful for more abstract sound design & creatures.
Shorter version of a another posted sound a reversed soundfile of an arpeggio using notes from the chord cadd9b5 originallly with a panning notch filter with nother added and reverb also.
Crystal wineglass filled a bit with water. Moving the finger around the top for making the special noice. Use a zoom h1 for recording. Recorded in 24/96khz.
Foley samples i recorded and then resampled in camel audio's alchemy using additive and granular synthesis + further processing in ableton live & some external plugins.