224 Royalty-Free Audio Tracks for "Accompany"

A crowd of fans singing latin song la mamba with guitar accompaniment during the 2018 fifa world cup russia in moscow. Gear: zoom h6 recorder with bundled xy capsule.

H4zoom recodered (place: quebrada de here, toconao, andes mountain on north of chile) processed with sound studio (normalize to 0db). I work in documentary and fiction films in chile. These small sound clips i made while accompanying friends to make hands-free climbing on a small creek near toconao south of san pedro de atacama. They like to play drums to quench anxiety. Was in october 2012.

Field recording of the birds in the garden during the early evening sunset. The birds chirping is accompanied by a distant hum of a remote plane which just happened around at that same time. Brno countryside, south moravia, czech republic, central europe. Recorded by huawei prime phone, which unfortunately makes some noise filtering itself. Record date 02. 06. 2019.

Voices and songs of gargano's country - italy. Voice of michele ciccone. Powerful voice with the 'castagnole' (it. Nàcchere or castagnette = castanets) and harmonic. He was born in mattinata in the 1922. When was young he played the 'serenate' (lovely songs typically played in the south italy, under the balcony of the sweetheart) to the girls of the country accompanied from some musicians. Recorded the 11 march 1997 thanks to angelo pantaleo's mobile recording studio.

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

Recording of an hvac standing ac unit with loud compressor noise and rattling impeller. Unit turning on and off, accompanied by an electronic beep. Feel free to use this sound; no attribution required. Feel free to write me in the comments what you used this sound for. Equipment:røde ntg2sound devices mixpre-3 ii. File:wavmono48 khz24-bit.

A quick and dirty sound effect i put together for a film school project. You could use this as a sound effect to accompany an arm or a neck being broken, or someone falling over and snapping a bone of some sort. I used this for neck breaking though. . . But you're more than welcome to use it on whatever you see fit. Technical details:. This sound was created with a twig and some tree bark, then mixed into adobe audition. Audio recorded in stereo with a zoom h1 on inbuilt mics.

H4zoom recodered (place: quebrada de here, toconao, andes mountain on north of chile) processed with sound studio (normalize to 0db). I work in documentary and fiction films in chile. These small sound clips i made while accompanying friends to make hands-free climbing on a small creek near toconao south of san pedro de atacama. They like to play drums to quench anxiety. Was in october 2012.

A little bird started singing on a fence next to my window and i started imitating him with my stones of skiddaw midi player, added in an accompaniment. Couldn't find a use for it but maybe you can, no credit required but i'd love to see what you can do!. This is my own youtube: https://www. Youtube. Com/channel/ucgreiexzkwry5cn9f7jjr0a?view_as=subscriber. Let's exchange youtube/soundcloud info or collab! :).

Coffee at the cottage. Started a olympus ls-10 + cheap old sony microphone, then proceeded to load the auto-drip coffee machine with coffee grounds, 4 cups of water and hit the brew button. Then, took out the old toaster, put a leftover waffle from yesterday's breakfast in, and toasted while the coffee was brewing. Various sounds accompanied with this ritual. . . Coffee maker and toaster sounds. Unscrewing and replacing the top to the nutella jar. Squeaky old oak floors of this 90 year old house making noise while i walk around. Water running, old clock on the wall ticking etc.

Pieśń z muzyką Władysława Tarnowskiego do wiersza Ludwiga Foglára pt. "Ob du nun ruhst " (wydana w Wiedniu r. około 1870, wydawcą był V. Kratochwill.) Wykonanie z instrumentem w miejsce głosu Marcin Tarnowski (M.Tarnowski (talk) 16:44, 10 February 2016 (UTC)). Pieśń była dedykowana Melanie Foglár-Deinhardstein, żonie Ludwiga Foglára, zarówno przez męża-poetę, jak i przez kompozytora. "Ob du nun ruhst " - song to poem by Ludwig Foglár and score by Władysław Tarnowski, (ed. V. Kratochwill, Vienna, ~1870); accompaniment and instrument instead the voice by Marcin Tarnowski.

Representational approaches to field recording are bullshit. On another day i will explain why i feel this to be the case. But it centers around a critique of the distinction between representation/reality, along with a critique of the concept of mediation. Mechanical openings, heartfelt wanderings was recorded with a tascam dr100mkii and a rode shotgun mic. One sound taken from the 'microblocks, vol. 1' percussive found sound sample-pack. The sample-pack features 135 unique field recordings culled from the ordinary soundscapes of santa cruz, ca. Find and download (for free) the rest of the sample pack here: https://fieldrecordingworkinggroup. Bandcamp. Com/releases. The sample pack comes with an accompanying essay describing the method, politics and historical context of the sample-pack.

Aria from Germania sung by Enrco Caruso, accompanied by Salvatore Cottone on piano. Studenti! Udite! – aria z opery Germania Alberto Franchettiego w wykonaniu Enrico Caruso zarejestrowana w Mediolanie przez Freda Gaisberga. Čeština: Árie Studenti! Udite! z opery Germania italského skladatele Alberto Franchettiho. Jde o první nahrávku slavného Enrica Carusa, nahrál americký muzikolog Fred Gaisberg dne 11. dubna roku 1902. Македонски: Првата снимка на Енрико Карузо од изведба во 1902 г. — аријата Студенти! Слушајте! од операта Германија на Алберто Франкети.

1st release date: 1938 1st recording date: 29 August 1937 Place of recording: EMI Studio No.1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Hugo Wolf (1860-1903) Lyricist(s): Robert Reinick (1805-1852) Music arranger(s): none Conductor: none Performer(s): Tenor: Helge Rosvaenge (1897-1972), Pianoforte: Gerald Moore (1899-1987) Vocal range: Tenor with pianoforte accompaniment Title/Work: Gesellenlied Content: - Genre(s): Tone poem

Afternoon traffic ambiance hum on the street - field-recording taken from the yard/balcony in front of my door, in the distance you can hear the warning buzz from the tram and later its starting off from the tram stop nearby. Tram continues then to go from left to right channel, accompanied by some random people noise from the yard. Brno city center, czech republic, central europe. Recorded by huawei prime phone, which unfortunately makes some noise filtering itself. Recording date: 11. 04. 2019.

Label: His Master's Voice Cat. no.: DB 2706 Order number: 2RA 858 Matrix/StamperID: 2RA858 -I- 1st release date: 1936 1st recording date: 4 November 1935 Place of recording: unknown Author(s)/Composer(s): Hugo Wolf (1860-1903) Lyricist(s): Eduard Mörike (1804-1875) Performer(s): Herbert Jansen, Baritone (1892-1965) and Michael Raucheisen, Pianoforte (1869-1984) Vocal range: Baritone solo with pianoforte accompaniment Title/Work: Vergangenheit Content: The Hugo Wolf Society Vol. 6 Genre(s): Tone poem Comments: RCM and ELP

I did not record this ambience sound! wtfi've left my zoom h1 recorder at a friends place for quite some while until i picked it up today. Accompanied by a few tracks that make sense to us i also found this record, which none of us (not me nor my friend) recognizes as their record. There were two files (which i recognize as takes), so it must be a part of a fictional flick. I've pulled them together here. Here's what i belief it is:ambience of a crime scene with cars approaching, motors running, people alighting and then talking. Seems like the police or other authorities just discovered a corpse.

Pieśń z muzyką Władysława Tarnowskiego do wiersza Ludwiga Foglára pt. "Du buch mit sieben siegeln" wydana w Wiedniu r. około 1870, wydawcą był V. Kratochwill. Pieđ} Wykonanie z instrumentem w miejsce głosu Marcin Tarnowski (M.Tarnowski (talk) 10:59, 6 February 2016 (UTC)). Pieśń była dedykowana Melanie Foglár-Deinhardstein, żonie Ludwiga Foglára, zarówno przez męża-poetę, jak i przez kompozytora. "Du Buch mit sieben siegeln" - song to poem by Ludwig Foglár and score by Władysław Tarnowski, (ed. V. Kratochwill, Vienna, ~1870); accompaniment and instrument instead the voice by Marcin Tarnowski (M.Tarnowski (talk) 10:59, 6 February 2016 (UTC)).

1st release date: 1932 1st recording date: 18 May 1931 Place of recording: Teatro alla Scala, Milan (Italy) Author(s)/Composer(s): Georges Bizet (1838-1875) Lyricist(s): Henri Meilhac (1831-1897) and Ludovic Halévy (1834-1908) Music arranger(s): none Conductor: Carlo Sabajno (1874-1938) Performer(s): Gabriella Besanzoni (1888-1962), mezzo-soprano, Enrico Spada (1885-?), basso, Nerina Ferrari (1907-?), soprano, Tamara Beltacchi (1898-?), mezzo-soprano and members of the La Scala Theatre Orchestra and Chorus Vocal range: Bass, Mezzo-Soprano, Soprano, choir and orchestra accompaniment Title/Work: Carmen (opera) Content: Part 15: Act 2: Or ben, Pastià desia (Senor Pastia declares) Genre(s): Opera terminology

NOTE: Edited version (noise reduced, volume boosted), original is at File:PDP-CH_-_Opéra_Comique_-_Élie_Cohen_-_Joseph_Rogatechwsky_-_Romance_de_Nadir_-_Les_pêcheurs_de_perles_-_Bizet_-_Cormon_-_Carré_-_Columbia-12527-lx90.flac. 1st release date: 1929 1st recording date: 1928 Place of recording: unknown Author(s)/Composer(s): Georges Bizet (1838-1875) Lyricist(s): Eugène Cormon (1810-1903) and Michel Carré (1821-1872) Music arranger(s): none Conductor: Élie Cohen (unknown birth/death date) Performer(s): Joseph Rogatechwsky (1891-1985) de l'Opéra Comique Vocal range: tenor with orchestra accompaniment Title/Work: Les pêcheurs de perles (The Pearl Fishers) (opera) Content: Romance de Nadir Synonym: This is a "Je crois entendre" encore[1] Genre(s): Opera terminology

Formatted for use in the make noise morphagene by todd barton. Sounds from "music and poetry of the kesh". "all samples have been remastered from the master 8-channel recording sessions of 1984. It has been fun and fascinating "remixing" them in the morphagene. " - todd. Music and poetry of the kesh is the documentation of an invented pacific coast peoples from a far distant time, and the soundtrack of famed science fiction author, ursula k. Le guin’s always coming home. In the novel, the story of stone telling, a young woman of the kesh, is woven within a larger anthropological folklore and fantasy. The ways of the kesh were originally presented in 1985 as a five hundred plus page book accompanied with illustrations of instruments and tools, maps, a glossary of terms, recipes, poems, an alphabet (le guin’s conlang, so she could write non-english lyrics), and with early editions, a cassette of “field recordings” and indigenous song. Le guin wanted to hear the people she’d imagined; she embarked on an elaborate process with her friend todd barton to invoke their spirit and tradition. Full album available here:. Https://ursulakleguintoddbarton. Bandcamp. Com/album/music-and-poetry-of-the-kesh. Todd has also released a remix of the reel on soundcloud. Post yours in the comments!. Https://soundcloud. Com/user7621213/kesh-8th-house-remix.

Label: L'Anthologie Sonore Cat. no.: FA 805 B Order number: JF 7 / M3-102732 Matrix/StamperID: JF 7-1 / M3-102732 1st release date: 1942? 1st recording date: 20-24 September 1941 Place of recording: Paris (France) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Lyricist(s): Friedrich Wilhelm Weiskern (1711-1768), Johann Heinrich Friedrich Müller (1738-1815) and Johann Andreas Schachtner (1731-1795) based on "Les Amours de Bastien et Bastienne" by Justine Favart (1727-1772) and Harny de Guerville (17?-17?) Conductor: Gustave Cloez (1890-1970) Performer(s): Bastien: Paul Derenne, Tenor (1907-1988), Bastienne: Martha Angelici, Soprano (1907-1973) and Pauline Aubert, Harpsichord (1884-1979) with the Orchestre du Conservatoire de Paris Vocal range: Tenor and soprano solo with orchestra and harpsichord accompaniment Title/Work: Bastien et Bastienne (opera) Content: 10. Récit de Bastien: He quoi? tu ris de ma prière; Duo de Bastien et Bastienne: Va, berger perfide Genre(s): Opera terminology Comments:

Label: L'Anthologie Sonore Cat. no.: FA 805 A Order number: JF 1 / M3-102726 Matrix/StamperID: JF 1-1 / M3-102726 1st release date: 1942? 1st recording date: 20-24 September 1941 Place of recording: Paris (France) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Lyricist(s): Friedrich Wilhelm Weiskern (1711-1768), Johann Heinrich Friedrich Müller (1738-1815) and Johann Andreas Schachtner (1731-1795) based on "Les Amours de Bastien et Bastienne" by Justine Favart (1727-1772) and Harny de Guerville (17?-17?) Conductor: Gustave Cloez (1890-1970) Performer(s): Bastien: Paul Derenne, Tenor (1907-1988), Bastienne: Martha Angelici, Soprano (1907-1973) and Pauline Aubert, Harpsichord (1884-1979) with the Orchestre du Conservatoire de Paris Vocal range: Tenor and soprano solo with orchestra and harpsichord accompaniment Title/Work: Bastien et Bastienne (opera) Content: 10. 9. Air de Bastien: Oui, da! je ris de tes outrages; Air de Bastienne: Il n'est besoin que d'un sourire Genre(s): Opera terminology Comments: -

Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 1. Mit Fried und Freud ich fahr dahin (Chorus) 2. Ich will auch mit gebrochnen Augen (Aria: A) 05:27 3. O Wunder, daß ein Herz (Recitative: B) 13:19 4. Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 15:36 5. O unerschöpfter Schatz der Güte (Recitative: A) 20:55 6. Er ist das Heil und selig Licht (Chorale) 21:37 Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the more convincing in relation to the preceding words. Once again Bach leads the vocal part into a quiet, even tenor for the final line of the chorale, 'der Tod ist mein Schlaf worden.' " - Thomas Seedorf Painting: Still Life with Three Medlars, Adriaen Coorte