14 Royalty-Free Audio Tracks for "Acid Line"

Made for my acid tracks with massiveenjoy!.

Acid bass line, digital, 106 bpm, e-minor.

Techno bass line.

A creeping acid bass line with partial distortion low pass filtered.

Acidic line rendered from a project of mine that uses odd rhythm 5/16.

Synth line created with waves flowmotion. A few crackles lo-fi appearance.

An acid loop produced in jeskola buzz using vsti alchemy.

A synth line inspired by a day in the boiling thermal pools of the termas del dayman in salto uruguay.

Generative modular acid line sequenced with my own custom script that is specialized for non-quantized sort of strings of notes. I mangled the envelope quite a bit though so it just sounds more swingy than anything i guess. Not sure what the bpm would be. Would be better if it were cut up for one-shot sounds maybe.

Sampled from my roland tb-03. Created by using the randomize function and with the built-in distortion turned up. The tempo is lowered at the end.

This is a bassline i made using alchemy vsti dancetrance/ leads/ mentasm instrument, run through ohm boys lfo delay at pitch a#3. Enjoy :).

This is an effects automated bassline or lead made in flstudio20 and loops perfectly at 130bpm. Enjoy in your creative productions.

A driving 303 loop i programmed in caustic 2. 1 for a caustic track. Will fit nice with a breakbeat. Slight ping-pong delay, foldback distortion and flanger. If you would like this loop without ping-pong delay then please message me and i will upload as soon as. Caustic 2. 1, best music creation app on android!.

Td-3-tg recorded with zoom h-1. Td was performing slide through octaves with "slide" button pressed in program, and subsequent cs were played, in octave -1 and 0, and higher c in octave 0 and +1, back and forth. Program takes 7 16th notes and the space between notes takes 9 rests. Tempo of the td-3 was set to maximum and the volume control was set to high amount, to let zoom h-1 with rec level setting to 37, be driven up to -6db. Sound recorded in 96khz and 24bits. Trimmed and saved in flstudio edison, what made sound 32bit. No amplify, no normalisation. "tune" knob of td-3 was set to maximum as well as "cut off", "envelope" and "accent". "resonance" and "decay" was set to one o'clock. "waveform" swicth was set to square. No distortion. Zoom h-1 was plugged by a cable, td-3 output to line in. Cable was named vitalco - 1/8 inch trs to 1/4 ts, male to male, 3m.